Brombron 13: Bowl, Helicopter
Korm Plastics is proud to present the thirteenth release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative projec…
Music for Puppet Theatre of Hitomi-Za
This is volume 2 of Omega Point's Obscure Tape Music of Japan series. Hitomi-Za is an experimental puppet theater group that still exists today in Japan. This recorded performance took place from February 13-17th in 1962 at Sogetsu Kaikan Hall. The program consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. This CD consists of two works made from magnetic tape from among the performances. This is the world premiere release of b…
Aoi no Ue. Obscure Tape Music of Japan vol. 1
Volume one of Omega Point's Obscure Tape Music of Japan series, featuring Joji Yuasa's "Aoi-no-Ue" (1961) and "My Blue Sky" (1975). Joji Yuasa (b. 1929) is one of most important composers in Japan after World War II. "Aoi-no-Ue" was composed for experimental theater at Sogetsu Art Center. The sound of this work is made from the chants of Japanese traditional "Noh" theater. "The text is recomposed by me keeping the original words. And it was sung in the style of Noh-chant by three brothers ... Th…
Teenage hallucinations: 1992-1999
Teenage Hallucination is a compendium of Wiese's initial recordings as a teenager to his seminal early vinyl appearances. From pure analog bedroom havoc to intense cut-up harsh noise blasts, Wiese steadily developed his highly personal and specific style of extreme music while trying to survive the St. Louis experience. 52 tracks in nearly 80 minutes of the best material from his Catwoman 7", split LP with The Haters, split 5" with Panicsville, collaborative tracks with GX Jupitter-Larsen (T…
Cphon
This single composition, lasting slightly over its 20-minute pre-set constraint, comes up just short of John Wall’s longest piece to date, ‘Fractuur’. Given its constructive process: the patient and precise piecing together of thousands of heavily worked minute samples, each one with the potential to exert a generative pull on the caring listener, demanding listening is our diet here. The reward: an intense engagement with a bizarre and various compositional soundfield whose restless agit…
Hylic
John Wall likes to deliver his work in small portions. Hylic is only 20 minutes long, but this third of an hour can keep you busy for much longer than that. These three tracks are not titled in continuation with the Constructions series, but they seem to come from the same working method. Wall has collected sound matter from four London-based free improvisers: trumpeter Matt Davis, electronician Knut Aufermann, percussionist Mark Sanders, and bassist John Edwards. Then he has obliterated …
Our telluric conversation
'23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. One on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined t…
Tap internal
Have you ever asked yourself 'What is the sound of energy?' John duncan has been trying for years to explain the composition of matter through sound, and not everyone can understand this -- but once the door is opened everything suddenly becomes easy. tap Internal is beautiful and, in classic duncan style, cruel -- in that it puts you in contact with our deepest psyche and lays it bare, turning the auricular membrane inside out, leaving an indelible mark of new frequencies that are beautiful to …
Mizu no nai umi
Music recorded in 1990. forgotten about and rediscovered in a box in 2003. live version recorded in 2003 at Roulette, NYC with the addition of Tim Barnes on crotales and Karen Waltuch on Viola. In 2003 i discovered a box of tapes I had thought I had erased, and had long forgot about. the tapes were all from between 1986-1991 , and as i listened back to them, I could clearly hear why i didn't like them at that time. But, youthful obsessions can sometimes be like tying your shoelaces together. Fo…
Electronic music
Stunning electro-acoustic compositions, shimmering electronics, and deep drones housed in a limited 1000 only Grey marbled vinyl LP. Jason Lescallet’s sound world occupies a space between noise, contemporary composition, and minimal electronics. Using decidedly primitive tactics and equipment (e.g. antiquated reel-to-reel recorders, damaged tape, etc.), his work focuses on extreme frequencies and microscopic audio detail. He has released recordings on Cut, RRR, Brombron, and Intransitive and has…
In the last hour
Janek Schaefer first surfaced 10 years ago with his sound-activated tape recorder installation 'Recorded Delivery'. He followed that with a range of award winning turntable and vinyl related projects including the random playing Skate LP, and the Tri-Phonic Turntable which he hand built to transform sound. In recent years, Schaefer's work has expanded into areas revolving around composition, installation, and the exploration of site specific instrument and location recordings. 'In The Last Hour'…
Fragments gourmands
1999 release ; two mid-90s concrète pieces from lejeune - both based on brillet-savarin’s “greedy fragments” (the english version of lejeune’s exceedingly detailed / gross libretto is printed below en toto) & performed by daniel kientzy ...delightfully wonky digital-era concrète, replete with bad “lounge” drum-machine beats & endless french-language insinuation(s) whose subtlety is lost on a part-time speaker such as myself ...ina-grm press release...“gourmet passages”after brillat-savarinanimal…
Pour Entrer Et Sortir d Un Conte - L'Eglise Oubliee
Two musique-concrete episodes from a larger work entitled Les Contes de la forêt profonde (Tales from the Deep Forest) sparse entries, with an emphasis on sliding shepard tones & digitally mutating concrète texturesPour entrer et sortir d'un conte (1990 - 21'05) the "entrance" is like passing through a maze. the elements are propelled by processes of repetition and recurrence and tend towards stagnation within a structure consisting of blocks set side by side and thick. compact, opaque masses. t…
Eloge de la betise ou les peripeties des Ubu
Funambulesqueries en 14 séquences adapted from Alfred Jarry's Ubu Roi, for voices, saxophones and tape. Jacques Lejeune studied music at the Schola Cantorum and the Paris Conservatory with Daniel-Lesur and Pierre Schaeffer before working with François Bayle at the Groupe de Recherches Musicales. He entered the GRM in 1968, taking charge of the “music cell for images”, where he completed various projects for stage and television. It was at his insistence that in 1978 the Ateliers de la Musique Él…
4 rooms
This is Jacob Kirkegaard's second release for the Touch label, after Eldfjall. Born in Denmark, now living and working in Germany, here he explores one of the worst man-made disasters in history. The Chernobyl nuclear power plant exploded on April 26, 1986; clouds of radioactive particles were released, and the severely damaged containment vessel started leaking radioactive matter. More than 100,000 people were evacuated from the city and other affected areas. Despite the fact that radiati…
In Opposition To Our Acceleration
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
I, Angelica
Sounding like an archaic echo, If, Bwana could be the title of a Bob Hope-Bing Crosby vehicle that never got made. A little investigation reveals it as the oddly worded cover for Al Margolis, who is perhaps better known as a tireless activist in the 1980s American cassette underground and, later, as the co-founder of experimental music label Pogus Productions. Derived from an acronym for It's Funny, But We Are Not Amused, the name sticks out like a cartoon-swollen sore thumb alongside such artis…
Electronic music
Iannis Xenakis is without a doubt one of the major figures in the development of music in the 20th century. In 1957, he joined Pierre Schaeffer and others at the GRM (Groupe de Recherches Musicales) in Paris, and it was there that Xenakis composed his early works for electronic tape. Xenakis' distinct sound is already apparent in 'Diamorphoses' (1957) which incorporates sounds of distant earthquakes, car crashes, jet engines, and other 'noise-like' sounds, and 'Concret PH' (1958), based on the s…
Kerflooey
Mindblowing pure droney nectar limited LP, very last copies around..."Beautiful artwork can be the gateway to a promised land of sensual delights and aural ecstasy. This is a perfect example of that collision. Recorded at home for the famed Resonance 103.3 FM and broken into two parts for the record, Kerflooey consists of two multilayered, well-crafted sonic drone actions of subtle, beautiful, and haunting densities. Ian Nagoski takes the listener on a reworked journey through his previ…
Tapestries
Hugh Davies was one of the masters of contemporary experimental music. His tireless search for musical invention and his historical accuracy led him to explore different fields in music. This one is a selection of his lesser known electronic pieces, that he choose to represent his own approach to the matter. Now that he’s not more with us this collection remains as an outstanding picture of his creativity in music. In the broader sense, as he was used to do. 16 pages booklet with liner notes b…