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With "Ein Bündel Fäulnis in der Grube", Holger Hiller presented his solo debut having left Palais Schaumburg. Originally released in 1983 on the Düsseldorf scene label Ata Tak, an international release followed in 1984 via Cherry Red Records. Combining electronic sequencer sounds and sampling fragments with unconventional lyrics its multidisciplinary approach locates it somewhere between the pop and avant-garde. Bureau B is now making the work accessible again on its 40th anniversary.
This is the first solo album by Dieter Moebius, recorded at Conny Plank's studio and originally released in 1983 on Sky Records. By 1969 at the latest, Dieter Moebius was synonymous with the avant-garde electronic music scene in Germany. He and Hans-Joachim Roedelius formed Cluster, a seminal electronic/ambient duo, while Moebius was also a member of the so-called Krautrock supergroup Harmonia (with Michael Rother and Roedelius), as well as collaborating on various other projects with the likes …
*2024 stock* What did the future sound like in 1980? Futurible is brought to you by Italian composer Gianni Safred and will take you both back in time and into the future. Safred uses Moog and Arp synthesizers that have now become commonplace in popular music. These sounds are "suitable for space travels, space explorers, experiments, fantastic adventures, future enterprises, interplanetary stories, important achievements, industrial accomplishments of broad implication… modern scientific discov…
*200 copies limited edition* Open to the Sea, an eclectic music project led by Enrico Coniglio, Matteo Uggeri, and Saverio Rosi, returns with a new album, guiding the listener into a world of delicate intimacy, where sound is but a glimmer of light that seeps beneath the surface of the sea. With "Ten Rooms Under the Sea," we travel through the rooms of time, guided by melancholy but with no risk of falling into genre stereotypes. This album definitively celebrates the collaboration between Enric…
"Sky, the record company, were more than a little disappointed with the performance of Grosskopf's first solo effort "Synthesist", so there was no great sense of urgency as far as its successor was concerned. "they even halved my advance!" Grosskopf recalls. "Oceanheart" was released some six years after "Synthesist". "The album title reflects my love of transcendental meditation, of course it might be taken for watery esoterics." (A similar vibe was evident in the cover art, hence fresh artwork…
Music by Rupert Lally & Benjamin Schabrun - Rupert Lally: Bottleneck Guitar, Felt Piano, Korg Wavestate, Novation Bass Station II, Percussion. Benjamin Schabrun: Violin, Felt Piano, Samples. "After replying sceptically to newspaper reports that strange looking corpses found in the aftermath of floods in Vermont were those of alien beings, Albert N. Wilmarth, a professor at Miskatonic University, is contacted by Henry Wentworth Akeley, a Vermont native, who not only tells him that the corpses are…
Originally presented as a sound installation at the Buskerud Kunstsenter in Drammen, Norway, Joakim Blattmann’s Stegla is based on sound recordings of small movements in trees and of the insects living inside them. In the installation, these recordings were controlled in real time by bioelectrical signals from the trees themselves and then amplified through the trees via surface transducers. For this release, the recordings have been processed with electronics and tape machines to bring out the …
As Celer, Will Long and Danielle Baquet laid out a framework for extended exercises in ambience, texture and atmosphere. Their work, much of which was initially circulated through collectors, traders and fanatics, went on to become a blueprint for an approach to sound that was equal parts patient, generous and drifting. Cursory Asperses collects a unique set of shorter form works that typify the pairs interested in warmth and subtle density. Recorded between 2007 and 2008, it captures a culminat…
*Warehouse found* 180g vinyl, 2024 repress - digital download included "I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. …
AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ dis…
The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free? As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining a…
Limited edition pressing of 300 copies, in full colour sleeve re-creating the original CD artwork, with insert and comes in a poly-lined black inner sleeve Track 1 title is misspelt on both the sleeve and insert - A Bad Diana is a project from Diana Rogerson, someone I first became aware of aged 12 when I read about Nurse With Wound and their United Dairies label in Smash Hits magazine. I was confused, mystified and intrigued in equal measure, and a couple of years later as a result I bought my …
"Boîte Boîte" is the latest collection from French trumpeter Jac Berrocal. Composed of rare and previously unreleased tracks, it plunges the listener into the fascinating world of this unclassifiable and timeless avant-garde artist. Recorded between Paris, New York, Berlin and Riga, the works are received like postcards from an unknown sender and enjoyed without moderation. The selection, devised by Jac Berrocal himself, oscillates between experimental tracks such as the eponymous 'Boîte Boîte' …
*300 copies limited release* A dreamy sequence, the beauty of the void, attempts to melt and form itself while seeking internal and external karma. Perspective from the tremendously minutest moment to the most hugest puls. The illusion of listening to the whispering of a tiny fetus in the mother’s womb. Auditory hallucinations as if hearing the roar of magma wriggling at the depths of the earth. All musical components here are the sounds of electric guitar,bass,synthesizers,human/animal voices, …
*2023 stock* Ahead of the release of Aspidistrafly’s long-awaited new album, their 2011 fan-favourite second album 'A Little Fable' will be reissued on vinyl for the first time. “With a hushed wispy voice in the spirit of Vashti Bunyan, Aspidistrafly have more in common with ambient composers like Max Richter — and, along the way, have found their own leaf-covered path.” wrote NPR Music upon its original release. Now marking the 10th year anniversary of the album, 'A Little Fable' is still being…
‘Permanent Rain’ is introspective listening. Lean back and let your ears catch a source that moves, breaths, resonates and rises, until a quiet truth swells upon us. XIII captures truth in all its honesty. Sometimes it feels so physical, it’s as if time and elements of nature are peeled of layer after layer. This record combines songwriting with sonic hypnosis. A rhythmic, esoteric oasis, containing currents of mysticism, yet accompanied by contemporary electronics. Its elements translate to a b…
Music From Memory is excited to introduce the self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar.
Standards of Living is a multimedia work that investigates the relationships between the desire for comfort and the forms of living in neoliberal society. The work highlights how our “standards of living” are reduced to surrogates for the utopia of contemporary comfort, with the aim of satisfying the global commodification of living. Standards of Living compares the authentic appeal of parquet flooring with replicas made of synthetic composite materials and adhesive laminates, which proliferate …