2018 release ** "Originally conceived for live context employing high volume playback and extended duration, Conduit pushes the parameters of musical composition and perception. Minimal in construction, applying high frequency staccatissimo that gradually turns in on itself, Kaori Suzuki's latest output delivers a striking twenty-six minutes of intoxicating computer music. A remarkable statement. Kaori Suzuki (b. Tokyo) is based out of Oakland, CA. Her musical works are concerned with our inner-…
**100 Copies in light Blue vinyl** “La Camera Astratta” is the result of the amazing collaboration between
Piero Milesi e Daniel Bacalov with the experimental theatre-performance
of the Studio Azzurro and Giorgio Barberio Corsetti. An idea of
immersion in a dimension devoid of gravity, the desire concerning a
soft, ethereal, articulated and perfectly interpenetrated reality. It's
an evocative ambient sound, with rhythmic cadence, soft and repetitive,
full of airiness; the music expresses t…
The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
"Mellow Toes comes as the second excerpt from my Schnarcharchiv (snoring-collection). This growing collection contains audio-recordings of sleeping humans, friends, and animals in all places and states of rest, sleep and nap, captured during night- and daytime since 2009. It all started during my daily afternoon-naps when I observed my own body getting hyper-sound-sensitive on its way to sleep. In these situations my chest, my arms, my toes turned out to become my biggest ears. It made me search…
Don't Hold Onto The Clouds is the fourth release on Kutiman's own record label Siyal following Space Cassava (2015), the White Monkey 7" (SYL 003EP, 2017), and 6AM
(SYL 002CD/LP, 2016). In the era of the brand, Kutiman is an anomaly. A
musician who's a video artist, a producer, an animator, and also the
unwilling star of one of Israel's most successful recent documentaries,
every one of his records contrasts with whatever it was that came
before. But that's fundamental to his appeal: no one…
The Verge of Ruin is a research in sound and poetry that started in December 2015 by Stefano de Ponti and Shari DeLorian, in Milan. A view that lives in the present and at the same time is strongly connected with several guides and experiences out of the past. Constantly looking for new vanishing points and responding to creative impossibility which are caused by contemporary collapses of media. The framework referred to, is the one drawn by concrete music and acousmatic art of the XIX Century, …
GAP is an improvisation group which was founded by Kiyohiko Sano, Masaru Soga and Masami Tada in the Mid 1970’s. Gap had only one album on the famous ALM records, and from the early time, they played oscillators and synthesizers, adding to simple self-made instruments, and made a free improvisational performance which is comparable to Taj-Mahal Travellers. Especially for Tada who was under tutelage of Takehisa Kosugi, GAP was a missing-link which lead him from East Bionic Symphonia to Marginal C…
This Die Form side-project was recorded in a few days in 1984 under the name of Hurt, and initially released in 1985 on Bain Total at the same period as 'Some Experiences With Shock'.All the tracks of the cassette, and other titles from Die Form, close in the spirit have been added. This is a reissue with different artwork on a new series called 'Collection Des Musiques Industrielles Et Post-Industrielles De France'. It originally appeared in 2016 in the 'Archives Des Musiques Industrielles De F…
** Handnumbered lim.ed. of 200 copies, clear vinyl LP in silk-screened sleeve and download** Born 1976, Nicolas Wiese studied design, illustration sound art, philosophy and sociology and has since been working on various fields: his (audio-)visual art has been presented in galleries and at exhibitions in Teheran, Gent, London, Vienna, St. Louis, Istanbul, Madrid a.o. As musician / composer, he released a number of solo and collaborative albums under the [-Hyph-] moniker and his civilian name. Wi…
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…
Gilgongo Records is pleased to announce “Continuous Hole”, a collaborative album by Drew Daniel (Matmos) and John Wiese. The fruit of over ten years of home recordings in San Francisco, Los Angeles and Baltimore, “Continuous Hole” melds improvisation and musique concrète composition into a uniquely sweaty document of labor-intensive rhythm. A finger puzzle of reconciled opposites: lockstep structure and constant flux. Many of the tracks reflect the unique blending of the disparate backgrounds of…
2025 stock ** "Semper Liber consists of a series of duets featuring Marcus Davidson, Hildur Gudnadottir, Mike Harding, Charles Matthews, Clare M Singer, Maia Urstad, and Anna von Hausswolff and are drawn from recordings made at Spire events since 2009. Mixed by its curator, Mike Harding, at the Völlhaus, and mastered by Mark Van Hoen, this powerful four track collection -- to be played as one piece -- explores the sonics of the mighty organ in all its thundering glory. Warning!: Extremely low fr…
In 2010 Brad Rose (Digitalis / Charlatan / The North Sea / Ossining) and his wife Eden Hemming Rose (Foxy Digitalis / Mass Ornament) indulged their pop instincts to beautiful effect on Mechanical Gardens. For anyone familiar with the duo's work it was a radical departure from their experimental devotions and duly picked up a healthy amount of accolades. Nightrunners is their neon-hazy follow-up, perhaps slightly more industrial pop oriented, with strong traces of the early 4AD records they grew …
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…
Holly Herndon’s Movement is the debut offering of material by the young musician, modernist, and machinist. Restless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer John Bischoff, Roscoe Mitchell, and …
Duerf's debut full length was born as a concept initially in the mid 00's but the actual recording process didn't start until 2008. It was finally completed in the first half of 2016. The idea was to try to utilize the machinations and aesthetics of noise as acquired tools rather as post-modernist statements in a humble attempt to produce a direct expression of the experience of life in urban landscapes, to reclaim a first-person narration from the overwhelming presence of these colossal constru…
2009 release ** The ultimate version of the ultimate Blackhouse album. Brian Ladd presents you WWFB as it was recorded and meant to be heard. Due to the time restrictions on vinyl, several tracks had to be taken off the album. Now, this classic record comes to you full-length, with the original intended running order and a booklet explaining more about the recording and some rarely seen band photographs. Tracks include "We will fight back", "Rock Rock", "Granite Grind" and "Totally Gone". An Ind…
Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number of years. While 2015’s “Deviate From Balance” 2xLP was expansive and chronicled performances and work employing many other musicians, here Wiese dissects and reassembles portions of his vocabulary alone. Simultaneously dense and sparse, delicate and abrasive, free and tactical, the resulting recording s…
Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn't j…
Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments. “Dreaming when …
Not long after recording her 10th album, Ruins, Grouper (Liz Harris) traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by the idea that something is missing or cold, the pieces float and fade like vignettes, implying as much as they reveal. She describes them as small texts hanging in spa…
Pionneering production from the Düsseldorf mid 80s electronic underground world. Transferred for the first ever time from the original cassette to vinyl and CD. Konrad Kraft (Detlef Funder) is one of the still overlooked producers of Düsseldorfs fertile electronic music scene. Arctica was originally released on Cassette on Funder's imprint SDV Tonträger in 1987 in a handmade edition of about 50 copies only. Reduced to its essential musical elements, Arctica certainly contains some of the most un…
Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…
**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…
Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…
2018 release ** "“score” or inspiration for this CD was a solo concert of Burkhard Stangl at the Reheat festival at Kleylehof in 2014. The theme of the performance was the song Bésame Mucho by the Mexican composer Consuelo Velázquez. Chesterfield then took the recording and recomposed it, and composed new pieces mixing everything with old and new recordings, home recordings, accidental recordings, live performances ... all Chesterfield from 2013 till now... a Chesterfield diary of songs, of noi…
"Exit Future Heart" is an LP of improvised sessions by the conjoined ensemble of Tokyo—based abstract pop duo Dustin Wong and Takako Minekawa and Chicago’s free music trio Good Willsmith. "Exit Future Heart" follows three Good Willsmith albums released on Umor Rex and three albums by Dustin Wong and Takako Minekawa on Thrill Jockey. Recorded live at home in Chicago over the course of one night when Wong and Minekawa passed through on tour, Exit Future Heart showcases a program of spontaneous com…
For stridulations, Pali Meursault confronts recorded and performed sounds, composition and improvisation: field- recordings of animal communication (insects, birds and bats recorded in France, Japan and South America over almost ten years) mix and dialog with the ‘sonification’ of fluorescents tubes. Orthoptera, hemiptera and chiroptera recorded in Japan, France and Brazil between 2007 and 2016. Electromagnetic fields of prepared fluorescent tubes sonified with pick-up coils and process…
Electroacoustic and minimal studio composition for guitar and percussion performed by Clara de Asis. Six beautiful solo pieces developed over the course of 2017. “It’s the way I work now. To me, one of the differences between improvisation and composition is how I think about and experience time. Meaning the time within the piece itself, but also the time of my life in which I develop the piece, and how I live through that time. I believe that, as with any other activity, music is very mu…
Hiele Martens is the duo of Roman Hiele and Lieven Martens Moana. Lips is a musical story about a Lord of Castle daydreaming about his favorite fetish... and other things. It has compositions created in the Worm studio (Rotterdam, Netherlands) on The Putney, ARP 2500, Serge et al; combined with our own midi, voice and other techniques. In eight short songs, we sing the Lord’s favors, whishes and fears. This record was originally released may 2017, in a currently sold out and limited edition of…
Arriving like the mysterious fully formed monoliths in Stanley Kubrick's 2001: A Space Odyssey is the new album from Warsaw, Poland based artist Aleksandra Grünholz aka WE WILL FAIL. Despite the fact this isn't her debut (that was 2014's "Verstorung" also for Monotype Rec.), this new double barreled shotgun of an album entitled "Hand That Heals / Hand That Bites" rings with the boldest sense of arrival you could possibly imagine. With a unique sound that is neither electronic, noise nor experime…
Synthònia is an electronic ambient album record only with analog synths -- Roland System 100, Roland TB 303, Roland JX 3P, Korg Polysix, Korg MS-10, Korg MS-20, Yamaha CS 15, Kawai 100F, Teisco 100F -- which refers to Tangerine Dream, Jean Michel Jarre, Klaus Shulze, The Berlin School, and John Carpenter. Dyno, from Pesaro, Italy, discovered the passion for electronic music and analog synthesizers at the early age of 15. His first single was released in 1995. For over two decades Dyno has …
When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of relevant moments of musical epi…
Electronic Modular Orchestra: from Neil Young to Stravinsky. Curiosity is the element that allowed the birth of this project. Gabriele Bombardini, Nicola Peruch, Matteo Scaioli, and Max Vicinelli are musicians who have decades of experience in all fields of music. The desire to combine seemingly distant sounds such as the use of old analog synthesizers, a pedal steel that recalls the American folk tradition, and the modular synthesis that leads back to the so-called concrete musical research…
**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations to application of mystical folk instrumentation & enharmonic percussion sonorities, this is an incredibly eye-opening survey of the work of a composer of whose work I was completely unfamiliar prior to this issue.Like many countries in …
Jochem Peteri a.k.a. Newworldaquarium a.k.a. 154 blesses our 12x12 series (already home to releases by Kara-Lis Coverdale, Beatrice Dillon, Raime, DJ Sprinkles & SND and V/Vm) with his first new release in 14 years. His 'Strike' album under this alias remains unsurpassed in its field today, influencing everyone from Actress to Lee Gamble and Huerco S over the past decade and more, and it’s fair to say that this new LP beautifully lives up to that classic high water mark. In Wherever You Go, I Wi…