Electronic / All styles

Holly Herndon’s Movement is the debut offering of material by the young musician, modernist, and machinist. Restless for reckless cultural immersion, Herndon left her Johnson City, Tennessee home as a teenager for Berlin, Germany. For several years, Herndon lived and learned techno music as party dweller and performer, eventually returning wide-minded to the States to pursue a Masters in Electronic Music at Mills College. Under the guidance of network pioneer John Bischoff, Roscoe Mitchell, and …

Duerf's debut full length was born as a concept initially in the mid 00's but the actual recording process didn't start until 2008. It was finally completed in the first half of 2016. The idea was to try to utilize the machinations and aesthetics of noise as acquired tools rather as post-modernist statements in a humble attempt to produce a direct expression of the experience of life in urban landscapes, to reclaim a first-person narration from the overwhelming presence of these colossal constru…

2009 release ** The ultimate version of the ultimate Blackhouse album. Brian Ladd presents you WWFB as it was recorded and meant to be heard. Due to the time restrictions on vinyl, several tracks had to be taken off the album. Now, this classic record comes to you full-length, with the original intended running order and a booklet explaining more about the recording and some rarely seen band photographs. Tracks include "We will fight back", "Rock Rock", "Granite Grind" and "Totally Gone". An Ind…

Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number of years. While 2015’s “Deviate From Balance” 2xLP was expansive and chronicled performances and work employing many other musicians, here Wiese dissects and reassembles portions of his vocabulary alone. Simultaneously dense and sparse, delicate and abrasive, free and tactical, the resulting recording s…

Aakash marks the debut recording of the Portland, Oregon-based trio of Matt Carlson (Golden Retriever), Michael Stirling (a disciple of the late Hindustani master Pandit Pran Nath and a student of Terry Riley), and Doug Theriault. Derived from live improvisational performances, the record finds Carlson's rich analog synthesizers joined by real-time processing of Stirling's lilting voice and Theriault's idiosyncratic guitar work and electronics. Dipping into a kind of liminal void, Aakash isn't j…

Edition of 300. 'L'etat intermediaire' (the intermediate state) began amidst the ending points of 'A Paper Doll's Whisper of Spring' (FP 022 : recorded 2012) and further inspired by some live performances in Leuven and London using mostly acoustical instrumentation. 'L'etat intermediare' collects 10 pieces by Andrew Chalk  & Jean Noël Rebilly recorded over four years and into a narrative of personal journeys using some collected sounds, clarinets, string and keyboardinstruments.  “Dreaming when …

Not long after recording her 10th album, Ruins, Grouper (Liz Harris) traveled to Wyoming to work on art and record music. She found herself drawn towards the pairing of skeletal piano phrasing with spare, rich bursts of vocal harmony. A series of stark songs emerged, minimal and vulnerable, woven with emotive silences. Inspired by the idea that something is missing or cold, the pieces float and fade like vignettes, implying as much as they reveal. She describes them as small texts hanging in spa…

Pionneering production from the Düsseldorf mid 80s electronic underground world. Transferred for the first ever time from the original cassette to vinyl and CD. Konrad Kraft (Detlef Funder) is one of the still overlooked producers of Düsseldorfs fertile electronic music scene. Arctica was originally released on Cassette on Funder's imprint SDV Tonträger in 1987 in a handmade edition of about 50 copies only. Reduced to its essential musical elements, Arctica certainly contains some of the most un…

Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…

**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…

Angélica Castelló is a Mexican and Austrian composer, sound artist, performer, curator and teacher. Her sound work and compositions concentrate on fragility, dreamworld and the subconscious. Performs continuously solo or in cooperations everywhere between Mexico City and Vienna. Numerous compositions for ensembles, radio works as well as installations that operate at the interface of music, performance and visual arts. Several releases on labels like Mikroton Recordings, Interstellar records, Mo…

2018 release ** "“score” or inspiration for this CD was a solo concert of Burkhard Stangl at the Reheat festival at Kleylehof in 2014. The theme of the performance was the song Bésame Mucho by the Mexican composer Consuelo Velázquez.  Chesterfield then took the recording and recomposed it, and composed new pieces mixing everything with old and new recordings, home recordings, accidental recordings, live performances ... all Chesterfield from 2013 till now... a Chesterfield diary of songs, of noi…

"Exit Future Heart" is an LP of improvised sessions by the conjoined ensemble of Tokyo—based abstract pop duo Dustin Wong and Takako Minekawa and Chicago’s free music trio Good Willsmith. "Exit Future Heart" follows three Good Willsmith albums released on Umor Rex and three albums by Dustin Wong and Takako Minekawa on Thrill Jockey. Recorded live at home in Chicago over the course of one night when Wong and Minekawa passed through on tour, Exit Future Heart showcases a program of spontaneous com…

For stridulations, Pali Meursault confronts recorded and performed sounds, composition and improvisation: field- recordings of animal communication (insects, birds and bats recorded in France, Japan and South America over almost ten years) mix and dialog with the ‘sonification’ of fluorescents tubes. Orthoptera, hemiptera and chiroptera recorded in Japan, France and Brazil between 2007 and 2016. Electromagnetic fields of prepared fluorescent tubes sonified with pick-up coils and process…

Electroacoustic and minimal studio composition for guitar and percussion performed by Clara de Asis. Six beautiful solo pieces developed over the course of 2017. “It’s the way I work now. To me, one of the differences between improvisation and composition is how I think about and experience time. Meaning the time within the piece itself, but also the time of my life in which I develop the piece, and how I live through that time. I believe that, as with any other activity, music is very mu…

Hiele Martens is the duo of Roman Hiele and Lieven Martens Moana.   Lips is a musical story about a Lord of Castle daydreaming about his favorite fetish... and other things. It has compositions created in the Worm studio (Rotterdam, Netherlands) on The Putney, ARP 2500, Serge et al; combined with our own midi, voice and other techniques. In eight short songs, we sing the Lord’s favors, whishes and fears. This record was originally released may 2017, in a currently sold out and limited edition of…

Arriving like the mysterious fully formed monoliths in Stanley Kubrick's 2001: A Space Odyssey is the new album from Warsaw, Poland based artist Aleksandra Grünholz aka WE WILL FAIL. Despite the fact this isn't her debut (that was 2014's "Verstorung" also for Monotype Rec.), this new double barreled shotgun of an album entitled "Hand That Heals / Hand That Bites" rings with the boldest sense of arrival you could possibly imagine. With a unique sound that is neither electronic, noise nor experime…

Synthònia is an electronic ambient album record only with analog synths -- Roland System 100, Roland TB 303, Roland JX 3P, Korg Polysix, Korg MS-10, Korg MS-20, Yamaha CS 15, Kawai 100F, Teisco 100F -- which refers to Tangerine Dream, Jean Michel Jarre, Klaus Shulze, The Berlin School, and John Carpenter. Dyno, from Pesaro, Italy, discovered the passion for electronic music and analog synthesizers at the early age of 15. His first single was released in 1995. For over two decades Dyno has …

When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of relevant moments of musical epi…

Electronic Modular Orchestra: from Neil Young to Stravinsky. Curiosity is the element that allowed the birth of this project. Gabriele Bombardini, Nicola Peruch, Matteo Scaioli, and Max Vicinelli are musicians who have decades of experience in all fields of music. The desire to combine seemingly distant sounds such as the use of old analog synthesizers, a pedal steel that recalls the American folk tradition, and the modular synthesis that leads back to the so-called concrete musical research…

**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …

Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…

Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…

Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …

Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations to application of mystical folk instrumentation & enharmonic percussion sonorities, this is an incredibly eye-opening survey of the work of a composer of whose work I was completely unfamiliar prior to this issue.Like many countries in …

Jochem Peteri a.k.a. Newworldaquarium a.k.a. 154 blesses our 12x12 series (already home to releases by Kara-Lis Coverdale, Beatrice Dillon, Raime, DJ Sprinkles & SND and V/Vm) with his first new release in 14 years. His 'Strike' album under this alias remains unsurpassed in its field today, influencing everyone from Actress to Lee Gamble and Huerco S over the past decade and more, and it’s fair to say that this new LP beautifully lives up to that classic high water mark. In Wherever You Go, I Wi…

**Edition of 300** Luciano Lamanna 'Sottrazione' hems to the shadows with suggestive, half-heard mutters and the silhouettes of writhing, druggy rhythms illuminated by flashes of Carpenter-style synth and splashed with salty guitar distortion. A masterwork in fluid, groovewise techno reduction and atmospheric rendering 

**Edition of 300** The Star Pillow is the drone-ambient project of italian guitarist Paolo Monti. The project started in December 2007 with the aim of researching expressions and relations between sound, space and human emotions. The new album is composed of three improvisations, recorded and mixed at home by Paolo Monti himself. As the title suggests, the sound is an ever evolving series of guitar drones that seems to ascend above the terrestrial atmosphere, in search of other civilizatio…

Ricochet Screen is the first proper LP from New York based Tint (aka Zane Morris). Encompassed as an overview of his solo recordings dating as far back as 2007, Ricochet Screen unfolds as a storied arc on the obsessiveness of composition, conception and mechanism. Culled from ad hoc recordings in vacant industrial buildings, lunchroom cafeterias and bedroom studios, the record functions as a meditative associative collage regarding a rebounding from omnipresent glass monitors, intrusive s…

'Sunlight': Berlin duo Tyndall bathe their sequencers in warmth. Bright arpeggios and melodic synth lines glide through classic cosmic terrain, homemade German electronics of real charm, a cult reissue.

Andrew Chalk and Daisuke Suzuki have known each other for many years now, as Suzuki runs the Siren label out of Japan and had released Sumac, Chalk's masterful collaboration with Jonathan Coleclough. Suzuki is also responsible for one of the very few published interviews with the somewhat reclusive Chalk. Their friendship certainly runs deep, and out of this friendship came the impetus to collaborate once again (both Suzuki and Chalk had contributed to the now defunct Ora project well ove…

First Frederik Croene & Timo van Luijk album in 10 years. ‘In 9 sequences 'Fortune de Mer' describes the power and beauty of dramatic fate,  the irreversible. Like a clause of force majeure, an unforeseen one way trip to the  desperate bottom. After losing the long battle nothing is left, only acceptance and  resignation.’ Noirish atmospheres, disturbed lullabies with sideways glances continue on the second side (Coil meets Suicide on the last part of the record) laced with maddening clusters of…

In the past years we’ve seen many cool albums released as they were, just beautiful music artifacts with no particular purpose rather than pleasing the most trained ears in the underground scene of music listeners and cassette tapes aficionados. After a big research involving a copious amount of people including musicians, housewives and household management's scientists, Artetetra, in collaboration with the bolognese crew of Islandsexp, ended up with a catalogue of music that serves bo…

2016 Release. All instruments, machines, effects, trash, vocals, tapes, samples, loops, overdubs, lyrics and non-lyrics by Nils Herzogenrath. Recorded, produced and mixed in various homes, bedrooms and basements between late 2008 and 2015 using cheap equiptment.

2016 Release. Léonore Boulanger sings in French, German, improvises some unknown languages. The voice searches the lines and colors in an extra-European vegetation. Synesthesia. Impediment. Anomaly. Restart. Primitivism.

** Edition of 200** René Bertholo Alhandra (1935-2005) was mainly know as sculptor and visual artist, and his musical work, though including classical composition, largely focused on a digital modular sequencer/synthesizer of his own design. This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973.In 1973, when tired of repairs I had decided to give up making …

**Available in vinyl for the first time, edition of 200** Born in Lisbon (1932), Armando Santiago studied singing, piano and cello at the National Conservatory of Lisbon. In Italy he studied conducting with Hans Münch and Franco Ferrara, and in Paris he studied with Pierre Schaeffer at the ORTF Research Service. Fellow of the Governments of Portugal and Italy, he worked in Rome with Boris Porena and followed the course of Goffredo Petrassi in the Academy of Santa Cecília, obtaining the diploma o…

I've been talking about releasing music from this trio since I knew them almost seven years ago. Now it's time for me to let you know about one of the craziest projects I had the chance to put my ears on. Marino Zuccheri was the sound engineer of the famous Milan RAI Electronic Music Studio, where he helped to shape the music of great experimentalists like Berio, Nono, Maderna, Cage, Pousseur and many others. This 12” EP is an homage to the great figure …

2017 repress. This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic unity and …

CD version. For fans of the Italian avant-garde, few names inspire the loyalty and devotion offered to the percussionist and composer Lino Capra Vaccina - a perfect emblem of the country’s extraordinary movement of musical Minimalism. He first gained note as a member of Aktuala, a project which laid the groundwork for a entire generation of practitioners following in their wake - creating a hybrid of rock, avant-garde, and ancient musics, while incorporating a diverse number of sonic traditions …