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Here the work of the last 4 years by Capricorni Pneumatici. A double CD with 8 medium/long sound dissections recorded in Sweden, UK and Southern Italy. Dissection 1 is a frizzling track based on Tibetan bowl, maracas and music machine. Dissection 2 is a very long suite introducing low, calm waves of a forgotten sea that you should listen in a dark room. Dissection 3 is shorter with the addition of percussive echoed noises. Dissection 4 has a harsher sounds produced by synth, el guitar, tubular …
LP version. Red vinyl. Italian composer Caterina Barbieri has spent the best part of a decade breaking apart the rigid structures of electronic music, using advanced, idiosyncratic techniques to build bridges between academic experimental, dance and pop landscapes. Her breakthrough moment came in 2017 with the Important Records-released "Patterns of Consciousness", a confident fusion of analogue synthesis and algorithmic compositional methodology that defined her unique voice. And when she follo…
Black Vinyl edition. Three years after the original release date of Caterina Barbieri’s career defining album Ecstatic Computation, the Italian artist reissues the record on her newly found own label light-years. The re-issue features previously unreleased music (on CD only), as well as a beautifully reworked version of the original cover art. Caterina Barbieri is an Italian composer who explores themes related to machine intelligence and object oriented perception in sound through a focus on mi…
Descent is a selection of works spanning over 20 years. While it reflects Prior's background in the acousmatic tradition that emerged in the UK from musique concrète, Descent departs from several of the core Schaefferian precepts that underpinned the musique concrète to which it owes so much. The idea of sound as a quasi-sculptural material is a central tenet of musique concrete, with the goal of plasticity brought ever closer through generations of sound processing technologies. As with the chi…
Harald Grosskopf is best known as drummer in the band Ashra and for Klaus Schulze ("Moondawn") and as an electronic musician. Following "Synthesist" (1980, see below), "Oceanheart" was his second solo album. It may sound like a child of the 1980s, but in a compositional sense it is related to the Berliner Schule / Berlin School of the 70's. The reissue comes with a new artwork and was mastered from the original tapes.
Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was ï¬rst founded in the mid-seventies, when Germany's creative class chose musical therapy in order to indulge their shared hallucination of a new Europe. Fuelled by the catalytic fusion of globalisation and new technology, the world was turning ever faster and the kosmische generation were ready to keep the pace. With synthesisers, rhythm computers and hu…
Gegenwelt (Parallel World) is the second LP by CEL, a duo Kubin and Zemler formed. More melodically-evolved than their eponymous 2020 debut, it is an even more explicit example of the syncretic impulse that impelled these guys to form the band. Their basic notion was to explore the juncture between two streams of German underground sounds -- the Motorik 4/4 rhythms first posited by Can's Jaki Liebezeit and Kraftwerk's Klaus Dinger, and the sequencer-driven brain loops of early, experimental pion…
Two Form a Click (DJ Snaffy, Wretchen Redspiders) collide with Horatio Pollard to deliver two sides of beautifully coalesced psychedelic synthesis, heavy with dub’s production values and freed from the grid of analog electronics. Though primarily operated by the duo of Snaffy and Redspiders, 2FAC has an open door policy which is happy to embrace lone lurkers such as Pollard. Pollard, born in Ibiza, raised in the UK and resident in Berlin since the mid 2000’s, has surely been exposed to all ends …
What is - or rather: what could be - a "Pruttipal Index"? In books, libraries and databases, an index is usually a concise overview or inventory. It suggests that this album could be a mini-encyclopedia of the work of its makers. In economics, indexes are measurements of the current state of an economy; which, in the case of this album, could be a vitality metrics of the Goodiepal & Pals/GP&PLS/BananSkole collective that produced it. In semiotics, an index is a sign that functions as a trace (li…
ugne&maria is the duo project of Ugnė Vyliaudaitė and Marija Rasa Kudabaitė, both based in Brussels. Their music is made from a mosaic of samples and carefully triggered field recordings, in dialogue with Vyliaudaitė’s violin. Intricate and calming but far from ambient, in that where ambient music recedes ugne&maria’s music sounds always close to the skin. The compositions are subtle and precise, setting up a logic and then gently manipulating it or letting it hover for several minutes. Elem…
* * Much-needed 2023 Reissue * * Drone: as with anything else that rarely changes, it's necessary to latch onto subtleties. What minimal suggestion put forth by a drone is so easily applied to pretty much any impression you might have that, predictably, describing one often leads to vague subjectivities bordering on bad poetry. And as much as I'd love to go around proclaiming my love for "deeply resonant, holy abysses" (not), I wish there were an easier way to communicate the real power of the t…
With her debut solo album rocketing into the UK Top 10 on the week of its release, we are delighted to have Alison Goldfrapp on the cover of the new Electronic Sound. We have a fantastic red vinyl seven-inch by the always stylish and often elusive singer to accompany the issue too.
Super Tip! Last copies... Anestis Logothetis (1921-1994) is known as one of the leading pioneers of 20th century composition. His graphic notation system, developed around 1958, is a milestone in the evolution of musical notation. Logothetis employs this system to different ways of imprinting the contemporary sound on the score in order to express the sense of space in musical notation and redefine the roles of the composer, the performer and the audience, during the composition and performanc…
Arthur Chambry is a mysterious troubadour, walking the artistic crossroads of sound, poetry and theatre. Using a wide range of personalised gear to compose music, his is a viral energy: hiding and showing off behind the unexpected, playing gut-vibrating frequencies with violins, trumpets or lungs, fruits, pipes, or tapes. His new album La Seuz draws a map of a parallel world made of singing peasants, luthiers, communities of musicians and mystical quests... Arthur carves out a place between trad…
Dadaglobal is one of the headstrong, camouflaged in elegance: one of the crazies. With him, we are being hoaxed. He is not to be pinned down to anything other than his artistic urge to move. «Pudel» is an intermediate stop. And the bohemian forest begins to speak. The subway. The soccer stadium. New York City, London Town, Paris, Berlin, Tokyo, Kyoto, Beijing, Hongkong, Shanghai, Hangzhou, Baden. A journey, ongoing. Dadaglobal takes a seat at the Clavinet, bells in orbit and gameboy on standby. …
«A collection of pieces about the discovery of sounds and sonic universes hidden in objects, places and within yourself.» - Feldermelder & Julian Sartorius
«While focusing on the current conditions we find ourselves in and bracing for what seems like the collapse of humanity, I made this collection of music in an attempt to ignite the essential remnants of my inner euphoria, and perhaps yours too» - Feldermelder
«We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life.» — Sara Oswald + Feldermelder