Experimental / All styles

The final Daniel Menche's solo drum excursion is one hour futuristic shaman's flight. The Native American drum, both recorded clean and processed beyond recognition, pulses with the primal beat of the earth. Packaged in black, hand assembled, emd.pl-…

Brand new studio compositions from Portland's corporal sound purveyor Daniel Menche. Comprised of deconstructed organ and trumpets. Recorded from 2006 to 2007 at House of Menche.

Beautiful densely layered frantic percussions & rhythmic soundscapes, pushing Daniel Menche's work even further into new territories of sound and performance.

Sounds compiled and scathed fall and winter of 2003 at House of menche and mixed and mastered at Private Studio Recordings,Portland

Sounds compiled and mutated winter and spring of 2003 at "House of menche" and mixed and mastered at Private Studio Recordings,Portland. "...All hell is breaking loose... (Graeme Rowland)" Brainwshed (USA)

Recorded live 2000 at Berlin (1) and 2001 at Graz, Wien (Vienna) and Berlin.

Debut of the Norwegian psychedelic drone trio Lumen Drones: Nils Økland (Hardanger fiddle), Per Steinar Lie (guitars) and Ørjan Haaland (drums). Recorded November 2011 at ABC Studio, Etne, Norway, with engineer Kjetil Ulland.

Eleven pieces composed and performed alone by Stephan Micus on nine instruments, including the Moroccan genbri and the San ndingo, both new to his work, plus voice. Recorded 2012-2014 at MCM Studios; his 21st album for ECM.

Including the films 'Hashima, Japan 2002' (installation and documentary versions) and 'Al Qasr, Bahriyah Oasis, Egypt 2005'. Plus 'filmmakers in conversation'. 'Straddling the line between documentary and audio-visual meditations on landscape, the Ha…

Second ECM album by the improvising quartet Dans les arbres: Xavier Charles (clarinet, harmonica), Ivar Grydeland (electric guitar, banjo, sruti box), Christian Wallumrød (prepared piano, harmonium) and Ingar Zach (gran cassa, percussion). Recorded i…

Solo album by Iva Bittová (voice, violin, kalimba): twelve pieces titled Fragments I-XII, mostly her own. Recorded February 2012 at Auditorio Radiotelevisione svizzera, Lugano, produced by Manfred Eicher.

Waves of polytonal freedom and poetic beauty... lines of noise clusters and complex patterns... She is sculpting her sounds around a microtonal hub, transforming slow melodies into free improvised structures and drama (...) a new language - with a to…

Solo album by Stephan Micus in ten parts, layering raj nplaim (Laotian free-reed pipe), nohkan, sho, zithers, kalimba, shakuhachi, sinding and up to nineteen of his own voices. Recorded 2007-2010 at MCM Studios; released 2010.

Recorded in June 2003 at Radiostudio Zürich. Mixed and mastered 2004/05.

This is seen by many as the "turning point" between early Fennesz electronic abstract works such as the Instrument 12" and Hotel Paral.lel CD, and the more guitar-based works such as Endless Summer and Venice. The two tracks, "Paint It Black" and "Do…

From Montreal across the Prairies to the North-Western Arctic, down to the Pacific and back through the Badlands. The Mercury minivan took to the road, loaded with recording equipment, tools, DAT cassettes, tent, Coleman burner, sleeping bags and coo…

The purr of a leopard close up against a baobab tree, waiting. Whales surfacing, breathing in cold air. Coll starling imitate the noise of farm machinery from the hollow ring of a ruined bothy. The rattle of wood over a black stream... Chris Watson's…

For her second solo album, Hug (pronounced 'hoog') concentrates on solo viola without any electronics in a series of pieces inspired by her recent visits to London. Her strong musical personality and original extended techniques ensure that this is a…

Eight-part suite by Stephan Micus, who plays every instrument and sings every voice: duduk, bass duduk, Bavarian zither, sinding and doussn' gouni harps, charangos, hammered dulcimers, nay, gongs. Recorded 2005-2007 at MCM Studios; his 18th ECM album…

Debut album of the Norwegian-French improvising quartet Dans les arbres: Xavier Charles (clarinet, harmonica), Ivar Grydeland (guitar, banjo, sruti box), Christian Wallumrød (piano), Ingar Zach (percussion). Recorded July 2006, Festiviteten, Eidsvoll…

2nd album from 1987 by this French trio made up Gilbert Artman (post-Lard Free, Urban Sax), Jac Berrocol and Jean-Francois Pauvros. Chaotic, experimental rock & wave.

Ten-part instrumental suite by Stephan Micus, who plays every part through multitracking: sattar, mudbesh, hné, nay, suling, sho, shakuhachi, mandobahar, sitar, guitars, hang and gongs. Recorded 2003-2006 at MCM Studios. ECM 1987, 2006.

North Six is a mind-bogglingly great trio recording from two adepts and an up-and-coming interventionist. Definitively old-school noise in inclination, the performers repeatedly set bombs and deviant devices of their own making against each other, st…

Five chapters of sound inspired by one of the most powerful and complex emotions of humankind. arrogance is a departure from the digital machine insanity of his previous full length release, Welcome Home (Important Records), for a world of total anal…

There has been a connection between carl michael and raster-noton since the early days of the label. First meeting was at documenta x in kassel in 1997 where carsten nicolai, olaf bender, frank bretschneider, mika vainio and c.m.v. hausswolff came to…

Stephan Micus's first album with the Armenian duduk, an eight-part suite for duduk, kalimba, shakuhachi, dondon, sattar, guitars and voice, all played by Micus. Recorded 1999-2001 at MCM Studios, released by ECM in 2002.

Fifteenth solo album by Stephan Micus, who plays every instrument and sings every voice, among them doussn' gouni, kalimba, dondon, sarangi, dilruba, sattar, nay and shakuhachi. Recorded 1997-2000 at MCM Studios, Mallorca; released by ECM in 2001. CD…

1: Recorded live at Adam Art Gallery, Wellington. Overdubbed at C/Psi/P, Lower Hutt. 2, 3: Postal exchange recorded in Lyttleton and Lower Hutt. 4: Live collaboration recorded at Adam Art Gallery, Wellington. 5: Postal exchange recorded live in Chris…

The first DVD of the new collection “Evidence Video” : Four experimental films realised by bruce licher (guitarist for the legendary bands Savage Republic and Scenic) and a panorama about his letterpress graphic work. An exceptional collector item ! …

Brast Burn was a legendarily obscure Japanese ensemble that existed in the first half (I presume) of the 1970s. For many years, they were known only as an entry in the notorious Nurse With Wound list, with no way for anyone to check them out. Thus th…

Stephan Micus's fourteenth album, built on two West African harps, the bolombatto and the sinding, with voices, steel drums, suling, shakuhachi, nay and tin whistle, all played by Micus. Recorded 1995-1996 at MCM Studios, released by ECM in 1997.

Stephan Micus's cycle of three days and three nights inspired by a stay on Mount Athos, with zither, sattar, shakuhachi, suling, ney, flowerpots and his own multi-tracked voice, recorded at MCM Studios between November 1993 and February 1994.

Coelacanth (june 1992) was a collaboration between Borbetomagus and The Shaking Ray Levis (Dennis Palmer and Bob Stagner).

One of the heaviest live documents of the original Borbetomagus big-band - Jim Sauter and Don Dietrich on saxophones, Donald Miller on guitar and Brian Doherty on live electronics - live at In-Roads, New York, 27th November 1982. This one was origina…

Bratra shows some well build rhythmical tracks, as the debut release of Boca Raton. Completely constructed of manipulated or synthesized (contact) mic-recordings, bratra moves on the edges of lo-fi sound and noises in an almost hypnotizing way. These…

With John Zorn (alto sax) and Fred Frith (guitar). Ostertag liner notes, 1990: "This recording is the direct precursor to Say No More. Here I also began with solo recordings, one by John Zorn and the other by Fred Frith. But instead of performing imp…

Heiner Goebbels' setting of a monologue from Heiner Müller's play Der Auftrag, with Arto Lindsay, Don Cherry, Fred Frith, George Lewis and actor Ernst Stötzner, recorded in March 1988 in New York and Berlin and released by ECM in 1988.

Benny Nilsen writes: 'Fade To White contains material from the making of 3 pieces which were created within a different season and then edited, re-arranged and re-mixed in the summer of 2004. 6 pieces contain outdoor field recordings from travels in …

New York is pretty different from Lower Hutt. In a lot of ways. But that doesn't mean New York is BAD... its just 'different', y'know? I was down the Lower East Side recently with the guy from Sonic Youth. He was as cool as he looked in Rip It Up ma…

This collection of three pieces is dedicated to artists and musicians whom Bernhard Günter admires. The collection's title translates to "Enlarged Details," an apt description of Günter's approach to composition. Musically all of them involve a limit…