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2024 stock. "Decibel is a fundamental point of reference for the preservation and refurbishment of the rock in opposition genre in Latin American lands. Originally released 20 years after the excellent, challenging debut effort "El Poeta del Ruido" (…
2024 stock. Absolutely riveting reissue of this classic French underground album from 1976, appearing for the first time on CD. "Pole is the first and only co-operation, where both were working as musicians, between Jean Louis Rizet and Philippe Beso…
2024 stock. Third volume in MIO's Besombes reissue program (and first time on CD), features recordings made in France between 1972 and 1979. "This 1976 release includes early ballet music that was originally recorded between 1974-1975 for several con…
Very limited edition document to accompany the Various Artists - Noho EP: Turning The Crank Ep. 68 page, A5 size 'Zine' Printed with Risograph in grey scale.
Back in 2012, after series of concerts alongside each other, Vincent Dupas, Jean Baptiste Geoffroy and Jérôme Vassereau created Binidu in parallel with their respective bands, Fordamage and Pneu to name just a few, then very singular and of the most …
* 99 copies, numbered * Akifumi Nakajima, renowned for his prolific and captivating work under the alias Aube, stands as one of Japan's most intriguing noise artists. His artistic prowess extends beyond the sonic realm, encompassing an impeccable sen…
Nice Music presents 'Lagash' - the brand new album from Dunedin, New Zealand's legendary experimental songwriter, multi-instrumentalist and tape music idol Alastair Galbraith. His quietly stunning output in recent years includes the solo LP 'Seconds …
“While much of Wanderwelle’s music feels adrift, when they choose to make movements, they’re deliberate and poignant. In fact, they best capture the feeling of cataclysmic weather events with “Drowned Lands”, a track which feels as if it’s trapped un…
Originally released in 1996 as a limited fan-club pressing for Rockathon, Guided By Voices' Tonics And Twisted Chasers has always existed as an anomaly in Robert Pollard's vast discography. In many ways, the album serves as the tail of a creative com…
Remixed tracks of original soundtrack for experimental film I Am A Darkroom; written and recorded by Lucy Johnson. Produced by DoBeDo productions, Edd Carr's film I Am A Darkroom showcases the work of artists in the Sustainable Darkroom, a grassroots…
Having worked silently in her sonic philosophy for almost a decade, vocalist, music producer and Dj Telva has launched her music label byt’, starting with the publication of her debut album. The album, ‘Revelation’, opens with an unusual and experime…
*50 copies limited edition* Pieces of debris washed up on a coastline shrouded in mist. Gratification comes from an eternal search for solace. Locked away at the top of a lighthouse somewhere on an unnamed isle, Grady Steele broadcasts to those withi…
This album was recorded at Liu Ying Studio in Shenzhen. An improvised session on acoustic guitar from start to finish, it nonetheless demonstrates a highly original, coherent artistic conception: a distinct “Oriental” aesthetic redefined by Mamer’s o…
*2024 stock* This series of reel-to-reel tape recordings, to be jointly released by Old Heaven Books and Liu Ying Studio, aims to offer to our listeners the best quality of sound we can achieve so far. Whilst a small part of these releases come from …
*2024 stock* "This is one of the many solo albums that Mamer completed in 2013. At that time Mamer's desire to create erupted like a volcano. I remember that bookstores had just released his solo albums "Stars" and "Cycles", as well as IZ's "Echoes";…
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitti…
Trombone, electronics and cello, the trio opts for a sparser, more irregular path, with perhaps a higher degree of difficulty. Two cuts, both emerging more or less unscathed, but somehow striking me as overly forced. Actually, it's a tough one for me…
As George Lewis recently said, it has become increasingly difficult to distinguish between improvised and composed music. It’s a distinction he would like to see dropped. For much of its length this delicately nuanced recording could quite easily …