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Ernesto González traded the Chavez regime for comfortable living in a dreary place called Waterloo, near Brussels. He picked up the guitar, practiced his Hendrix skills, got introduced to the world of scorching fuzz, demented kraut rock jams, dron…
The comeback we were all waiting for! Ever since his “Bruce Willis” album (Western Vinyl, 2003) Jürgen De Blonde mainly focussed on music for dance and theatre productions. Until recently when he relived his old synthesizer fetish. This finally resul…
Butzmann has been plying overt eccentricity for quite some time, as "Wundershone Ruckkoppelungen" (released archivally on Vinyl-On-Demand) documents via his work from the late 60's/early 70's, though he'd find his true metier during the NDW zeitgeist…
His first album, with recordings by the mid 70s: Butzmann has been plying overt eccentricity for quite some time, as "Wundershone Ruckkoppelungen" (released archivally on Vinyl-On-Demand) documents via his work from the late 60's/early 70's, though h…
Rare original edition, a few back in stock. ** 300 copies ** Cornelius Cardew's opus magnus Treatise is a 193 page graphic score written between 1963 and 1967 while he was performing with the improvisation group AMM. The score's graphic notation, wit…
Following on from their only prior published recording ('1968' reissued on Emanem 4102), here are over two hours of previously unissued recordings from 1969 and 1970, featuring: Mel Davis, Terry Day, Lynn Dobson, Eddie Edem, Tony Edwards, Mike Figgis…
A side each of fertile noise-rot from Montreal's Cousins of Reggae and Brooklyn's Mouthus. Soundly rejected by Discovery Channel, the Cousins' five-track suite about the Hudson Bay follows up their limited and hard-to-find debut LP (on Ohnonoise) and…
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electroni…
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considere…
A series of 7” records of 1 minute tracks and lock grooves. Focus of each volume is on one particular instrument and on the ways in which invited artists address the specifics of duration as defined by the given format. Duration here is not considere…
An unreleased live by this legendary cult no-wave NY band from 1979. In around fifteen years exitence since their formation in 1978, the history of Circle X can be divided in two parts and for each, with few but always powerful releases : the late 70…
A veritable tour de force of 'inside' prepared piano playing - preppiano extensif. The whole of a solo set performed at Les Instants Chavirés near Paris. Sophie Agnel's preparations, neither static nor fixed, evolve during the course of her playing a…
Taku Sugimoto : metronomes, mandolin... Taku Unami: computer, mandolin... Recorded live by Taku Unami at Loop-Line on May 2 and October 16, 2008. Mastered by Taku Unami.
An unusual, very nice release for Maurizio Bianchi/M. B. playing a decadent piano using sostenuto and damper pedals effects. Ultra limited edition of 100 copies
Debut collaboration of Richard Garet (who has recent releases on winds measure recordings, Non-visual Objects, and/OAR), and Brendan Murray (23five, Intransitive, Sedimental among others). Garet and Murray are both known for their carefully measured …
There is no CD sleeve... only disc in the ordinary jewel case. Limited edition of 300 copies. “Luke Fowler is an experimental filmmaker. His work is a kind of anti-documental work. We are working together, recently. He asked his family and close frie…
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".
Sylvia Hallett (violin & electronics, voice), Danny Kingshill (cello, voice), Gus Garside (double bass & electronics). First formed in 1988, arc have developed, through improvisation, a collective language that draws on the European textures of the v…
These recordings were made as part of a proposed file-sharing collaboration with Austrian sound artist Helmut Schfer. The recordings were abandoned after Schfer's death in April 2007 but largely due to his original interest and enthusiasm, newly-reco…