Concerto For Sitar & Orchestra
2026 stock “If I’ve accomplished anything,” said Ravi Shankar, “it’s that I have been able to open the door to our music in the West.” Born in Varanasi in 1920, he achieved worldwide renown as a sitar player and unprecedented influence as an ambassador for Indian classical music, revealing new possibilities to such figures as George Harrison of the Beatles, jazz saxophonist John Coltrane and composer Philip Glass. As a performer, composer, teacher and writer, Ravi Shankar is renowned throughout …
Continuation
A cascading piano improvisation by Xiu Xiu's Hyunhye Seo, recorded live during a Nam June Paik exhibition in Turin. On Side B, Japanese avant-garde pioneer Phew reinterprets Seo's performance into a new electronic landscape. Music as surrender, dialogue between performer, space and the present moment.
Genesi (Opera In Tre Atti)
Genesi (Opera in Tre Atti)" is a three-act opera composed by Franco Battiato, premiered at the Teatro Regio in Parma on April 26, 1987. This release captures the live recording from subsequent performances in late April and early May 1987, released on CD by Fonit Cetra.
The story unfolds with gods observing humanity's decline and contemplating a new flood, but they send four archangels as human messengers to Earth. The archangels discover a secretive brotherhood devoted to sacred dance and esot…
An Irish Almanac Of Noise & Experimental Music From 2025
Nyahh Records is delighted to present a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers multiple generations of artists in the field of audio experimentation, including Danny McCarthy (turned 75 in 2025) and some new heads on the block like Francesca O and Enola Christ Metalizer.
These 32 tracks cover noise, acoustic, electroacoustic, elec…
Immersion
"This was a unique experience recording for me in a studio that I have had several fantastic experiences in over 20yrs. We have not performed, had not rehearsed and were formulating a sonic world in real time as the takes proceeded. Copious light came into the room and never left! I believe we have more than a book within each of us. Sometimes a day provides a sentence. An hour provides a paragraph. A week provides a comma, and a minute provides a whole page. As Wayne Shorter says ‘Our instrumen…
1m²
*80 copies limited edition* "What wonders can be found within a single square meter? Inspired by George Haskell’s book The Forest Unseen, field recordist Tomáš Šenkyřík decided to limit himself to a meter of wetland near his house, only to discover that the area was so blessed in biodiversity that it might even be too big. A warbler comments from the weeds; a buzzard flies overhead. But beneath the surface of the water, the real wonders are found. The plants yield the subtle sounds of photosynth…
Ganz im Gegenteil
*2026 stock. 40 copies limited edition* "Ganz im Gegenteil – the title of Andy Klingensmith's new album – roughly translates to “quite the opposite”. This element of a slightly surprising shift in perspective is at the core of the record. Equally inspired by the pain and catastrophes caused by human ignorance and the vast natural beauty of the Death Valley (the lowest point in North America), Ganz im Gegenteil was composed and assembled using recordings which explore the tactile sounds of variou…
Vstal
*2026 stock. 60 copies limited edition* "Vstal is a collection of seven songs created in a dialogue between the experimentalist and composer Manja Ristić and the meticulous observer and field recorder Tomáš Šenkyřík. The album takes listeners on a journey across the European continent, from Ristić’s home on the Adriatic coast to the Czech-Austrian borderlands and the Moravian floodplain forests, which have long inspired Tomáš Šenkyřík’s sonic explorations. This broad scope, sensitively linking t…
Dreamachine
Wewantsounds is delighted to release for the 1st time on vinyl Brion Gysin's cult recordings, produced by Ramuntcho Matta in the 80s and early 90s. The release features the hypnotic 32-minute journey "Dreamachine," which transforms the effects of Gysin's legendary light art device into a mesmerizing audio experience, alongside the track "The Door," featuring the visionary saxophonist Steve Lacy. A towering figure in avant-garde art, literature, and sound, Gysin influenced generations of creators…
Grapes Of Nothingness
*200 copies limited edition* Waiting is the essence of travel. Patience is its own reward. Two people. A Telecaster guitar with a few effect pedals. A drum machine. An audio interface is connected to a laptop. The ingredients are simple yet effective. But any suggestion of four-track cassette machines and vintage bedsit productions is quickly dispelled by digital dubbiness and refined arrangements. A tail of reversed echos. The crystalline flourish of octave-pitched delays. Riddled hi-hats tickl…
Scattered Memories
*2026 repress* On his debut album “Scattered Memories”, the composer, musician and true master on the Iranian spike fiddle kamancheh Saba Alizadeh blends his instrumental virtuosity with spherical electronics, samples of Persian music instruments and field recordings from his hometown Tehran.
Born in Tehran in 1983 as son of the world renowned Tar and Setar virtuoso Hossein Alizadeh, Saba Alizadeh studied the Iranian spike fiddle with Saeed Farajpoury and Keyhan Kalhor plus photography and later…
Graze the Bell
Graze the Bell is a collection of soul-stirring, mesmerizing solo piano pieces, and the most distilled offering of David Moore’s artistry to date. Known for his atmospheric compositions with Bing & Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album. Using the piano to meditatively inquire into the human condition, Graze the Bell is a sanctuary of sound, and an invitation for listeners to meet him in the presen…
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally issued in limited form, recasting it as a crucial chapter in the same cycle that produced Kumo No Zettaichi, Sugamo Flower, Bit Bluesand Kotorhizome. Across “Gman”, “HJYUGTF2”, “Hakutouwashi” and “Lop 13”, Masami Akita works out a language of layered…
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built from a deceptively modest setup: small koto, synth, and drone box woven into three extended pieces. The title fuses “koto” with “rhizome,” hinting at what the music does structurally - traditional string resonance is fed into electronics and allowed to …
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intensely exploited setup that favours dense, bit‑crushed textures and overdriven loops over the more sprawling configurations of earlier decades. The title points in two directions at once: “bit” as in digital grain and reduced resolution; “blues” as in a…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flower Festival” on the split LP Freak Hallucinations with Actuary (2012), which gives the album a double life: document of an event and quarry for subsequent work. Central to the sound is the return of the Korg AX30 multi‑effect pedal, a unit Masami Aki…
雲の絶対値 Kumo No Zettaichi
On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as charged cloud bank rather than blunt impact.
Arijigoku (Test Mix)
On Arijigoku, Merzbow drags live drums and high-saturation electronics into the same pit, a 2008 vortex where blast-beat turbulence and molten noise spiral together like a ritual gone feral. It is harsh music with a striking sense of propulsion, less wall than constantly collapsing tunnel.
Yono's Journey
Yono's Journey invites listeners to travel through Akita's sonic landscapes, perhaps following an animal guide. Merzbow turns a 2007 home-recorded session into a three-part storm, where hyper-saturated feedback and low-end throb fold into each other like a moving landslide. It is Japanoise as pure velocity: no narrative, just impact reshaping the inner ear.
Black Rome
The ominous title evokes fallen empires, decadent excess, historical weight. Rome - eternal city, center of classical and Catholic civilization - becomes "Black," suggesting inversion, corruption, death. Perhaps this is Rome during plague, Rome in ashes, Rome as symbol of all empires' inevitable decline.
Black Rome channels these associations into dense, imposing noise constructions demonstrating apocalyptic intensity. Empire rises and falls; Merzbow provides the soundtrack to collapse.