We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
In The Wilderness opens with textured drums, a muted bass, celestial sound, like stars breaking into puddles. Confident engineering and gentle instrumentation invite the audience to wander into the unknown. The project draws from an experimental performance by drummer Gerald Cleaver and bassist Brandon Lopez, at 577 Records’ Forward Festival, which was later deconstructed and rebuilt by hip-hop producer Hprizm of the Antipop Consortium. All three musicians were involved in visioning the project’…
Gerald Cleaver’s newest album, 22/23, journeys through genre, exploring the future and recalling history, in his most place-based album yet. Born and raised in Detroit, Cleaver is a product of the Motor City’s rich musical history. Long the manufacturing capital of America, Detroit citizens have never been afraid of imagination: technological innovation, a strong labor movement, techno-utopianism or afrofuturism. This spirit of innovation is felt on Cleaver’s newest album, particularly on songs …
Efraín Rozas’ "Still" posed this question in the form of an installation made for quadraphonic sound, architecture and light. Still was first developed at Queenslab as part of a one-month residency with The Kitchen, New York City in April 2021. This album is a live, stereo room recording of Still as it was presented over three one-hour viewings.
Electronic musician Dominique Laurent and Pinok Et Matho, who have been researching physical performance, mainly traditional theatre, and have produced some of the most strangest songs of all time. The first album [Les Pays De Tout En Tout] from Unidisc in 1978, the second [Azur Et Tenebres] in 1982 and this [Fantasmusics] from PG in 1983 contain everything, from childish theatre to contemporary music and jazz.
Gijs Gieskes’ creations bridge the divide between innovative modules in Eurorack format and stand-alone art-gallery installations. Fuelled by barely tamed electricity and informed by a high-tech junk yard aesthetic, they seem to possess a life of their own, like a new breed of insect androids. Some of them are electro-mechanical-acoustic and some are purely electronic. In action, they exude the kind of clumsy and lonely autonomous machine helplessness you get from a Survival Research Laboratorie…
Black Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less …
Eternally Frozen consists of a series of canon based compositions for brass ensemble, percussion and synthesizer by Andrea Belfi. The canon is an ancient compositional technique in which an initial melody is imitated at a specified time interval by one or more parts, creating illusionary never-ending musical journeys.The work is inspired by the evocative image of the Deprong Mori, a mythological bat with the alleged ability to fly through solid matter by bending atoms by its natural skill of aud…
Rachika Nayar’s fragments is a collection of sonic miniatures constructed from guitar loops and in the familiar comforts of her own bedroom. First released as a limited edition cassette by RVNG Intl’s Commend THERE imprint in 2021, fragments (expanded) adds an entire new side of previously unreleased music to the collection, which has been newly mastered by Rafael Anton Irrisari.
While growing up and developing a relationship with the instrument and her capabilities, using delay pedals to improv…
R. Iwanski presents new sound project explorating experimental approach to ethnic instruments like zanza, kalimba and other idiophones of African origin. Advanced electronic techniques are mainly used to process various acoustic sources - in order to create organic electroacoustic music.
*300 copies limited edition* As long as you come to my garden is a tribute to the Armenian troubadour Sayat Nova, through his lyrics and freely inspired by the cult movie about his life: "The color of the pomegranates" (Nrran Guyny, 1968, USSR) directed by Sergei Parajanov.The feature film tells the life of the poet, who lived in the seventeenth century, from childhood in the royal court, to retirement until his death in the monastery of Haghpat, through a series of episodes, static like paintin…
*300 copies limited edition* The latest work, after six years of silence, from Italian berlin-based composer, performer and publisher (Black Letter Press) Claudio Rocchetti, and a welcomed return on the Die Schachtel imprint after the brilliant Another Piece of teenage wildlife (2008), Labirinto verticale (Vertical Maze) takes its origin from the four years long collaboration of Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective/organization.Immersed in th…
blickwinkel welcomes Joseph Kudirka to its label with the release of his new album "Music Box Music". As the title suggests, the album is entirely made with music boxes and is based on compositions which were sent to him by friends. Over the course of the several lockdowns, Kudirka carefully translated these compositions (read: punched holes) into suitable sheets for the instrument. Given the sole use of these music boxes, it’s not a surprise that the overall sound of the album has a fragile and…
Tip! The Focus Group is the recording alias for Ghost Box co-founder and well respected graphic designer and film maker Julian House. This debut album was first release in 2005 on a burn to order CD-R. Now packaged in a 4 panel digipack with the original sleeve art by Julian House that established the rules for the primary Ghost Box artwork layout. It’s a design grid that the label has continuously revisited and tinkered with ever since. “...it often sounds like hip hop if it had been invented…
Tip! HUH are the wild, freeform duo of Kyosuke Terada and Takuma Mori. Based in Tokyo, and playing together since 2007, HUH have released a clutch of cassettes, CD-Rs, and digital albums; they’ve toured Europe (in 2017) and Australia (2019); and they count amongst their collaborators the likes of T Mikawa of Incapacitants, ASTRO, and Government Alpha. You may know Terada from his duo with Shizuo Uchida, MAI MAO, who recently released an LP on An’archives, but he's super prolific, performing solo…
Let the Moon Be a Planet marks the first volume of Reflections, a new series of contemporary collaborations orchestrated by RVNG Intl., and documents an inspired exchange between guitarist and songwriter Steve Gunn and pianist and composer David Moore of Bing & Ruth. Conjured by a mutual curiosity, and appreciation, for the respective musician’s work, Let the Moon Be a Planet initially took form over a progression of remote sessions and ultimately harmonized when Gunn and Moore completed the alb…
*Packaged in a deluxe, gatefold Stoughton tip-on jacket. Hi-res download included* Junko Tange’s second and final album - a minimalistic, phantasmagoric masterpiece of distant, dreamlike voices woven through pulsating, dubbed-out drum machines, synths and static, originally issued by Osaka’s Vanity Records in 1981. Did this unassuming dental student (who vanished from the music world following this release) inadvertently invent dub techno? You be the judge. Label head Yuzuru Agi said this was hi…
MK/CT is the duo of Chris Dreier (Die Tödliche Doris) and Tim Löhde. Spree is the main river that flows through Berlin. It is not often that it gets cold enough for the river to freeze over but a few years ago, the ice lay solid. Chris Dreier recorded the sounds of the ice, the cracking and popping as the temperature changed, and sent the recordings to Tim Löhde. Löhde responded, and that was the beginning of the musical correspondence that defines MK/CT. Since then, Dreier and Löhde have sent s…