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*385 copies limited edition* Mura were a previously little-known group from Japan, formed by friends Kota Inukai (vocals, guitar), Masaki Endo (bass) and Sho Shibata (drums) in the late noughties. Performing mostly in small events in Sapporo, they were outsiders, and felt a kinship with few other groups, though Inukai mentions rock group Green Apple Quick Step, and hardcore band Ababazure as fellow travellers. This isolation surely feeds into the uniqueness of Mura’s music – they sound little li…
*285 copies limited edition* 'The latest entry in An’archives’ ‘Free Wind Mood’ series, Ki is a trio that pits long-time collaborators Tamio Shiraishi (saxophone, voice) and Takahashi Michiko aka Mico (drums, voice, vocoder, melodica, piano, percussion) against drummer, percussionist and vocalist Fritz Welch. They each bring a wealth of experience, from Shiraishi’s early moves in the Japanese underground of the late ‘70s and early ‘80s – he was a founding member of Fushitsusha, and played with T…
'14 musicians from nine different countries went on a sound journey directed only by their own musical fantasy, no borders – except one, more about that later. The venue, the newly built „Schwere Reiter“ in Munich, is perfect for this: clear acoustics, clear architecture. In the middle of the covid pandemic, in a short time when concerts were possible, such an intense and open exchange could happen, two days in a row, on October 1st and 2nd 2021 – a stroke of luck. A music that moves, stimulates…
The most promising vibraphone virtuoso Emilio Gordoa collects an excellent quartet with such fantastic young colleagues Dag Magnus Narvesen and Don Malfon and legendary iconic bass player John Edwards. They presented their music first time at the Artacts Festival in St. Johann in Tirol. Now this great performance is available on CD.
*2022 stock* Splendid, expanded reissue of this monster album, which most people know from its placement on the NWW List. Stapleton even went so far as to name a track of his ("Fashioned to a Device Behind a Tree") after a mis-hearing of one of Flee Past's' many memorable lines. The music has its roots in Hampshire College's Electronic Music Studio in the early 1970s. While taking a class on electronic composition, Robert Carey was smitten by the potentialities lurking inside piles of reel-to-re…
2024 Small Repress, gold foil cover. Gary Wilson's monumental 1977 LP reissued with a glamorously shiny foil cover bearing the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision …
Luis Vicente, one of the most demanding trumpet players from Lisbon with the companion of the excellent pianist Seppe Gebruers and magnificent drummer Onno Govaert. Three young faces in an improvised world in their second trio recording. Unedited improvisations in the order as played, are composed by an interaction between the musicians, instruments, a nameless room, audience, microphones and you.
*2022 stock* Jim Sauter & Don Dietrich (saxophones), Donald Miller (electric guitar), Adam Nodelman (bass guitar). The 3rd annual Halloween extravaganza. Recorded October 29, 1986. Reissue of cassette only release Live in Allentown (Lowlife LL02). Includes the entire second set with Scott Legath on electronics, not previously released.
*2022 stock* The work of upstate New York noise-jazz trio Borbetomagus is frequently described in terms of overwhelming power and aggression. In a live context, that's absolutely the dominant impression one is likely to get. On record, though, it's possible to have some control over the volume, and thus to listen closely and carefully and discern real technique at work, not to mention a subtlety that's not really surprising, given that saxophonists Jim Sauter and Don Dietrich, and guitarist Dona…
Andy Guhl’s career as an improvisational musician went from strength to strength in the 1970s but it wasn’t until 1983 that the Swiss experimenter and architect stopped using any traditional instruments in order to embrace electronic collage, a technique that incorporates the use of modified radios, turntables, transmitters and other objects in a sort of ante-litteram circuit-bending. A similar approach emerged in collaboration with Norbert Möslang as part of Voice Crack, a collective active fro…
Tip! For over 25 years, Keiji Haino has used the Hurdy Gurdy to channel dark dimensions- creating music that bridges the centuries between distant medieval eras and a future awash in densely layered sounds that grind and float in an otherworldly atmosphere. “My Lord Music…” is a suite of nine pieces that reveal the startlingly distinctive and wide range of Haino’s approach to the instrument. The music is at once dissonant and hypnotic, rich with unfurling drones that dynamically ebb and flow - H…
"The album offers a varied collection of adventurous improvisations in different constellations. Underlining that Keeffe is a multi-sided, very inventive and inspired musician." - Dolf Mulder Vital Weekly
That a variety of moods are conjured so effectively speaks volumes about how both artists are in synch with their objectives, so clearly vested in the realization of their ideas, so highly attuned to their birthing of new musics that to accompany them on their magical mystery tour is an experience not soon forgotten." - Darren Bergstein, DMG The electronics / woodwind duo celebrates its 15th year of existence with a new album, the first for 5 years. Material developed for concerts during the per…
*350 copies limited release* A new album from Anglo-Norwegian trio The Geordie Approach, in a unique collaboration with Japanese koto-player Michiyo Yagi. Live at SuperDeluxe is both a tribute to the long-lost venue which for many years constituted the hub of high-end Tokyo experimentalism, as well as a testament to the transnational ethos of improvised music. The three musicians of The Geordie Approach have long been drawn to the experimental, rustic, activist-run underground venues found in ba…
2CD set. The dark, atmospheric and energetic mix of choirs, strings, various FX-sounds, heavy drums, and tribal sections makes this the seed for the raison d’etre sound trademark that began with the album 'Prospectus I' from 1993. Released in 1992 'Apres Nous Le Deluge' became the first official output from raison d'etre when it went available on the Cold Meat Industry subsidiary label Sound Source. There are three versions of 'Apres Nous Le Deluge' and now they have finally all been joined int…
Sofa Music continues to release Microtub’s unique research into the microtonal tuba. The music on Sonic Drift achieves an even greater depth and leaves the listener sucked in to the trio’s extraordinary complex band sound. Sonic Drift is Microtub’s fifth album since their debut in 2011. Whereas the first four albums were recorded shortly after the music was composed, the music for Sonic Drift evolved considerably through the process of playing live concerts throughout Europe. Initially developed…
There are enough ideas in the first couple of numbers to fill a whole album, with wailing sax and clarinet and lightning propelled guitar in the brief opener ‘Heat Patch’- think Zappa- then Fripp in ‘The Celebration Restriction’. It’s a whirlwind, visceral listen with the free spirit of experimental jazz and the nous of heavy rock." Phil Jackson.
Conceived and realised over an 8-month period of intense solitary work, "Gated" is Alex Ward's most ambitious musical statement to date. The ten pieces…
In August 1969, Masayuki Takayanagi formed his first New Direction group and embarked on an unparalleled musical journey that over the final 22 years of his life would define him as an uncompromising artist who would forge a visionary new musical language. Comprised of himself on acoustic and electric guitar and joined by Motoharu Yoshizawa on bass and Yoshisaburo "Sabu" Toyozumi on drums, Takayanagi's group created a new unconstrained form of music; It expanded on the most radical, fiery elemen…
Masayuki Takayanagi was one of the truly iconoclastic musicians to emerge from Japan, or anywhere else, in the 20th Century. Though he won acclaim in the 1950s and '60s as a master of the electric guitar and jazz improvisation, Takayanagi was a restless spirit, deeply engaged with the era's new movements in contemporary art, music, literature, and philosophy. His work, beginning in the late 1960s placed him on the leading edge of these developments; he began expanding on the most radical element…
*Limited edition 100 copies* 4th compilation of French unconventional projects on Out of Standard!!, ADN side label. Mastered by Ruggero Tajé. Dedicated to Chris Marker.