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A globetrotter in the most pure and respectful sense, away from the trappings of neo-colonialist ventures and predatory tourism, Discrepant head honcho Gonçalo F. Cardoso returns to his Island impression series to offers us another glimpse of his deep, abstract impressions of (an)other island. After passionately collecting the sounds and lives inhabiting the main Island of Zanzibar, Unguja, released through Edições CN back in 2018, Cardoso now dwells into the Malaysian heartbeat of the Borneo fo…
Tip! Elders is the debut release from Ensemble Nist-Nah, a nine-piece percussion group led by Nantes-based Australian drummer and percussionist Will Guthrie. The diverse group of French musicians that make up Ensemble Nist-Nah – whose collective experience encompasses traditional Gamelan performance, contemporary composition, noise, jazz, and everything in between – perform on drum kits, traditional and junk percussion, and a complete set of Javanese Gamelan instruments. Though building on the f…
Dirk Serries (worldwide renowned for his ambient alter-ego Vidna Obmana from 1984 till 2007) returns to this expansive sound universe with a new collaborative album that redefines the genre. Together with alto saxophonist Trösta the duo delivers a breathtaking album just in time to comfort, soothe and challenge in these darker times. Island On The Moon is a symphony of harmony, depth and nuance. A solace drenched in melancholy and light, made without the aid of computers but by the hands of two …
Wire were born at the dawn of punk, but they became the quintessential art band. In the three closing years of the 1970s, the English quartet had one of the greatest opening runs of any band, shifting to post-punk before punk began to go stale and forging three masterpieces in a creative furnace so hot it burned out by the end of 1980. Those albums-- Pink Flag, Chairs Missing, and 154-- still sound remarkably fresh, and have been re-mastered and reissued with their original vinyl tracklistings, …
*200 copies edition* In its own way the music of British duo brothers Mark and Clive Ives—known creatively as Woo—seemed destined for a digital world that the internet offers. They began making music together decades ago, but it’s only been within the last decade that they’ve started to receive the critical acclaim they rightly deserve. Their music is largely instrumental (though not always the case) and is perhaps the best example of “mood music” I can think of. Occasionally it’s meditative and…
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
We're marking 40 years of the one and only Chris & Cosey in the new issue of Electronic Sound. Our cover story is an in-depth interview with Chris Carter and Cosey Fanni Tutti, who look back over the highs and lows of their incredible musical partnership, which they formed straight after Throbbing Gristle imploded. The fact that Chris and Cosey are a couple has always been central to everything the pair have done, including the 20-odd albums they have released under a range of different guises, …
Second Sleep presents Mercury Hall's latest release Night Calls. Mercury Hall is the solo project by the label's founder Matteo Castro, one of the most relevant figure in Italian noise scene. With this solo project, Castro delivers long excursion of concrete music.
Seven sound-paintings inspired by the poems of Finnish writer Eeva-Liisa Manner and the paths of the Deep North which revolve around the boreal circle, those lakes, shores, cliffs, fjords and large forests inhabited by other lives, other presences than ours. Le rêve, l’ombre et la vision is constructed from field recordings of natural phenomena at various open sites: echo in a wooded valley, geyser, cliffs rocks, glacial lake sculpted by a forgotten glacier, fire, landscape after freezing rain, …
In 1976 the Entourage Music and Theater Ensemble reached a creative zenith. The nomadic troupe had just released The Neptune Collection, its iconic second album for Moses Asch’s Folkways Records, and decided to present the music to audiences across the rust belt in its most miasmic, elemental form. Extended stretches of full-group improvisation mingled with folk-tune like melodies during these performances, which featured multiple dancers spontaneously interpreting the music, at times in elabora…
Abschattungen is the band Giovanni Di Domenico formed to pay hommage to everything that goes under the name ‘funk’. Strong grooves are laid under a forest of psychedelic textures and intense melodies, filling the auditory space with dense metaphysic dance movements. Taking inspiration from albums as Sun Ra’s Lanquidity and Gruppo Di Improvvisazione Nuova Consonanza’s Feedback, black music inspired pulsations are fused with contemporary music’s sensibilities and the power of free jazz, resulting …
Henry Birdsey is a multi-instrumentalist, composer, and audio engineer based in New Haven, CT, working primarily with the pedal steel, lap steel, microtonal organ, violin, and homemade instruments. Educated by microtonal theorist and composer Kyle Gann, among others, Birdsey has emerged as a prominent voice in the avant-garde music scene over the last several years. Touring extensively in the United States and abroad as a solo act and as half of Tongue Depressor with Zach Rowden, Birdsey has dev…
*300 copies box set* Som Desorganizado is an annual meeting promoted by Sonoscopia, gathering ideas and sounds from innovative sonic explorers. It is based around open presentations and discussions of artistic works, collaborative efforts and new directions in music. From a broader perspective, Som Desorganizado is also a reflection on the meaning of sound, and how it can be organized into musical artifacts.Box Set:- 2 CD's- 138 Illustrations by Ilan Manouach / Microworkers (12x12 cm)- 6 Photos …
"As far as my artistic memory goes, I have always been fascinated by the boundaries between continuity and discontinuity, between the sayable and the unsayable, between the countable and uncountable; between what can be described completely by an algorithm and what cannot; between precise writing and writing that only manages to approximate any given phenomenon; between directionality and a lack thereof, adirectionality — a conflict that, not without a certain degree of internal struggle, I woul…
Hamburg sound artist Gregory Büttner often surfaces on his own 1000Fussler label, but here he is on Gruenrekorder, the home of artistic field recording releases. Voll. Halb. Langsam. Halt. (Gruen 181) was recorded on an old steamboat that was built in the 1930s and happens to be made completely of metal. Using his contact mics, Büttner has created a “metal” record putting him directly in line with Test Dept, Neubaten, and other industrial acts who recycled metal to produce a robust clang. „Voll.…
* 20th anniversary edition gatefold reissue on pink vinyl. Limited to 300 copies * Merzbeat, a beautiful and distorted dream of drum samples, jazz, swing, noise and bliss, by Harsh Noise giant, Masami Akita (Merzbow), last press issued by Aurora Central.
Reading Group is thrilled to introduce the debut LP from a new improvising group of three singular artists: Fred Moten (voice), Brandon López (double bass), and Gerald Cleaver (drums). López and Cleaver have been improvising together as a duo for a number of years, over which they’ve developed a secret, unspoken language of organically growing repetitive figures in a wide range of sonic palettes. López and Cleaver have long been recognized as some of the most vital voices in contemporary experim…
** Limited edition of 100 tapes, 50 on blue colored version (this one) and 50 on original colored version cover. ** Certainly Amlux is a very cohesive and well-constructed piece; starting more softly than usual, the record slowly builds into the chaotic harsh sound that Merzbow is well known for, but this time adding some actual recognizable music elements (like rhythms), and constructing various surprisingly well-texture soundscapes, that made of this album a more focused and immersive piece th…
** Limited edition of 100 tapes, 50 on original colored version (this one) and 50 on blue colored version cover. ** Certainly Amlux is a very cohesive and well-constructed piece; starting more softly than usual, the record slowly builds into the chaotic harsh sound that Merzbow is well known for, but this time adding some actual recognizable music elements (like rhythms), and constructing various surprisingly well-texture soundscapes, that made of this album a more focused and immersive piece th…