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*Ltd to 400, silkscreened jacket with obi (light blue, tan) inserts and postcard* LSD March is a band from Himeji, Hyogo Prefecture, whose members revolved around Shinsuke Michishita, guitarist/singer, the band’s black star, before being reborn nowadays, after several years of hiatus, as a duet with Ikuro Takahashi, legendary drummer who was the heart muscle of Fushitsusha, and of most of the underground Tokyo bands. Shinsuke Michishita has a taste for immersion, for plunging into the electric …
*LP ltd to 285, silkscreened jacket with obi (red or black) inserts and postcard* Albedo Gravitas is an extension of Albedo Fantastica (released on An’archives in 2018), the duo of Keiko Higuchi and Sachiko (Kousokuya, Overhang Party, Vava Kitora). Both of them are well known names to those who are evolving in the Japanese underground waters since each has been involved in many projects and each has a consisting discography on labels as Musik Atlach, Improvising Beings, Utech. Their respective…
* Edition of 100, orange vinyl * After Dinner from Japan, embraced new wave, traditional Japanese music, free contemporary and avant-garde rock. Founded under hand of delicious female vocalist, musician and composer Haco in 1981, broaching a very interesting collective cohesion; their background, though however various, brought them together during times of recording and live performance.
1982-85 includes all their first production; the complete 1st album “Glass Tube", 2 tracks from the 1st 7” s…
There are commitments whose delineations are only defined by a territory. The series initiated in 2016 by Marion Cousin prompts an exploration of the Iberian Peninsula through its enchanted traditions, and creates for to each region a singular collaboration, born from her desires, encounters and friendships. How many albums will this series include? What forms will they take? Who will her fellow music explorers be? Nothing seems fixed here. This second opus clinches the project in its playground…
*Edition of 100* San-kofa Rhythm Records is an independent Antwerp based record label, in order to release Leftfield Electronic and “Afrocentric” Rhythm-and Percussive music. 'SKRR' wants to return back to the root element and link this to the essence within the contemporary music scene. Susubrino’s EP is dedicated to his guitar teacher in Castilla La Mancha, as he opened Pandor’s Box and introduced Susubrino to a new world of classica land traditional guitar music. His Spanish teacher always …
The stars aligned and in October 2014 Neil Hagerty (Royal Trux, Pussy Galore, The Howling Hex) and James "Wooden Wand" Toth went into a Denver studio with the crack rhythm section of Darin Gray (Tweedy, William Tyler, Wooden Wand) and Eric Van Leuven (The Howling Hex). The full length "Qalgebra" was the result of those sessions. Hagerty and Toth share songwriting and vocal duty with both of their unique voices and styles equally shining through. Shifted out of time, the Hagerty-Toth Band would h…
"Originally issued as a CDR on Matt's own Child of Microtones label, the stone madness of this session was so overwhelming we begged him to let us do it on vinyl. Luckily for one and all, he agreed. Recorded here and there, with a variety of different ensembles. Galactic Ooze is one of the most fully warped missives from Planet MV, and that is saying something. While there is a certain continuity between the layered threads of MV's deeply processed vocals and amazing stunned-noodle guitar figuri…
The follow-up to Chuck Johnson's acclaimed Balsams LP, The Cinder Grove delves further into the compositional possibilities of the pedal steel guitar. This halcyon collection of tracks draws on a wider palette of sounds, adding strings and piano, to dive deeper into the sound bath of Johnson's meditative music. The Cinder Grove is a profound, affecting statement on the nature of loss and irreplaceability as well as a major addition to the canon of Johnson's work. It's a suite of requiems for los…
“I was born to lose; I won’t have this form forever.” So begins Horseback’s fifth full-length studio record, "Piedmont Apocrypha", with an incantation that could very well serve as the shapeshifting band’s raison d'être. Since before 2007, Horseback has served as a musical vehicle for multi-instrumentalist Jenks Miller (also of Mount Moriah and various solo outfits), chronicling his prolific, exuberant, and at times altogether whimsical investigation of heavy music(s) and their relationship with…
You might have lost track of Wooden Wand some years back. No one would blame you. Under a decade into a recording career, his tangled discography had sprawled to Sun Ra-like breadth and complexity. He had parted ways with his longtime collaborators in the Vanishing Voice sometime around 2006, seemingly replacing them afresh with new (and newly named) backing groups on every subsequent release. He even threatened to jettison his own moniker—a threat he made good on for the pair of album he releas…
Kurt Vile and Steve Gunn collaborated for their contributions to Three Lobed Recording’s Parallelogram series. The two artists, originally connected by mutual friends and geographic proximity, have long pushed the other’s continued artistic development. Despite sharing many live stages over the years, this installation of Parallelogram represents the first time that the two have worked together in the studio. Vile’s side sees him recast tracks by John Prine (“Way Back When”) and Randy Newman (“P…
Long before the indie rock vampires got hip to the jam, Wet Tuna's Matt Valentine and PG Six (Pat Gubler) were twisting folk-blues, the avant garde, west coast and Swedish psychedelia into a fat one in the beloved underground unit Tower Recordings. Tower's journey ended some time ago but MV and PG Six found new paths—Matt mostly around the MV & EE tree and Pat's solo songwriter sojourns. These brothers of the steel-string reconvened a couple years ago to delve deeper into rural electrification …
It’s an anomaly to make a record created out of the pleasure and desire of simply making music together. A record with no commercial aspirational location. The new duo record from John Truscinski (drums, synths) and Steve Gunn (guitars), "Bay Head", makes it look easy, carving out a space where none existed before with assurance, resonating beautiful along the way. If I were forced to put what John and Steve play into a genre I would simply call it “music.” There’s a quality of timelessness to i…
This music does not come out of nowhere. It comes from a guitar amplifier and a drum kit, and you are standing directly in front of them. And it’s beautiful, all dozen tracks of the Gunn-Truscinski Duo’s "Soundkeeper": beautiful loud exchanges between Steve Gunn’s shimmer-blast guitar and John Truscinski’s outside-in drums, beautiful quiet exchanges that hum, beautiful melodies that evoke long-lost screen worlds and old filmstock, beautiful phrases that telescope into saturating pinwheels. With…
Razen are back with a second album on HITD, follow up to last year's release 'Robot Brujo'. On 'Blue Rot', the band introduces a softer palette and a new quartet, as the core duo of multi-instrumentalists Brecht Ameel and Kim Delcour is augmented with new band member Berlinde Deman on Serpent and guest Thomas Bloch on Glassharmonica and crystal Baschet. Drawing inspiration from late 19th-Century Symbolist art, 'Blue Rot' summons heartbreak and the perils of isolation in languid, hypnotic modes,…
*300 copies * 2020 has been one of the worst years in recent history: a global pandemic with deadly outcomes, hateful police brutality leading to cold-blooded murder of countless black people and a wack conspiracy theory about a satanic, pederast network of the elite which further derailed society. These circumstances have been a direct inspiration for the Rat Licker 7” by Dead Neanderthals. Rat Licker is a scorching 12-tracks-in-9-minutes record that not only reminds us of the early days of De…
On While Whirling, French-Japanese violist Frantz Loriot unleashes the essence of the viola as an explosive expressive force. Pushing the instrument to extremes, he ceaselessly explores its most subtle and unexpected sonorities. From a single acoustic string instrument, he miraculously teases and evokes hallucinatory impressions of harpsichords pounded, bells struck, electronics cracked, dirt shoveled; Loriot has created a unique, personal music filled with moments of textured transcendence and …
** Edition of 300 **Salamanca, the fifth and darkest moment in Sexores discography, is a journey through the different passages of its sound history. The Mexico-based duo creates a tribute to all the witches who were persecuted and serves as an introduction to various types of magic. The lyrics are the result of an exhaustive investigation that collects elements of folklore from various parts of the planet and absorbs an unusual power and meaning when music enters some darker passages explored b…
** Edition of 300 **Anamnesis is Liquidarlo Celuloide's new studio album. The band has turned into a landmark in Lima's underground, due to the synthesis of their multiple musical influences ranging from noise rock to dance rock. Anamnesis was produced by Killing Joke's Jaz Coleman, who saw them open KJ's 2018 Lima show, and offered to produce their next recording. The result has been another explosive work from the Peruvian band, who have expanded their sonic palette into new terrains. Dissonan…
** Edition of 300 ** Ale Hop (Alejandra Luciana Cárdenas) is Peruvian composer, instrumentalist and producer based in Berlinis an artist, researcher, and experimental instrumentalist. She composes electronic and electroacoustic music, by blending strains of noise, pop, avant-garde, ambient, and a complex repertoire of extended techniques for electric guitar and real-time sampling devices which she uses as her sound vocabulary to craft a performance of astonishing physical intensity, saturated of…