Cat Guarding Geese
Cat Guarding Geese is composed of field recordings and performances on Roosevelt Island, and a studio recording in Brooklyn, NYC. Tucker Dulin plays bells, bowl, can, cymbal, lentils, mallet, whistle and Ben Owen: paper mic, speaker boxes, op amps, cassette. Recorded by Billy Gomberg on Roosevelt Island, NY in January 2015, April 2015, March 2016 and in Brooklyn NY in February 2015. Mastered by Taku Unami
Disquiet
Trost presents Disquiet. Performed by Christof Kurzmann - lloopp, vocals, Sofia Jernberg - voice, Joe Williamson - double bass, Mats Brandlmayr - drums. Recorded by Hans Holler at Nickelsdorf Konfrontationen festival 2018. Mixed by Mats Brandlmayer. Mastered by Martin Siewert.
The Fool
Trost presents The Fool by Bruch. Released together with Cut Surface. All music and lyrics by Bruch / Philipp Hanich. Additional Vocals by Anna Pü. Mastered by Dino Spilutini. Layout & design by Kathi Reidelshöfer. Artwork by Philipp Hanich.
Mad Song
** Edition of 300** Oaken Palace Records is excited to present its 20th release, a sonic journey to the roots of drone music, performed by Bombay Lunatic Asylum. The musicians behind this name are no others than Louise Landes Levi and Bart De Paepe, who already played together on Ikiru (OAK-013), our fastest selling release so far. On Mad Song, they are joined by Koen Vandenhoudt, who also recorded the album. De Paepe’s harmonium and Vandenhoudt’s shruti box form the perfect backdrop for Levi’s …
no record
* 2021 Stock * "In 1965, eight guys from London, Ontario, decided to start a free-improv group — 'free' to the point of building their own instruments, which they decided couldn't be set up to produce specific pitches... Their vocalist, schoolteacher Bill Exley, banged on a cooking pot and bellowed hilariously about stupidity and destruction and Canada. They didn't treat what they were doing as an advanced, visionary form of experimental music, but as a big, stupid, fun, ecstatic noise. By the '…
Michael Oosten
* 2021 Stock * Keeping a band together was difficult in the late 1960’s. Tough too, because Michael Oosten was writing songs that veered away from pop-song structures. There was also the relative ease and lack of responsibility required for hauling around a guitar. So, Oosten took off, with a Martin guitar in tow, playing coffeehouses and clubs across the country. By the end of 1973, he was ready to record an LP—five psychedelic folk/rock tracks, ranging from the brightly smiling ‘Sunny Day’ to …
Zone of Swans/Lucid Actual + 1/2 Dativa
* 2021 Stock. 8-page insert booklet contains the Daszu manifesto, poetics for most tracks, a measure of band history, and Part 1 and 2 of Mark Rudolph’s poetry from the Daszu era. * If there’s one thing we’ve learned from doing reissues for twenty years, it’s that there is often a lack of justice in the arts. All too often, the intensely talented are shunted aside, or not able to access the means to a greater hearing, or marginalized (or eradicated) by larger societal (commercial) (racial) (poli…
Ptarmigan
* 2021 Stock. Rated by many as the best “folk/progressive” and/or “folk/psych” album ever made. Sourced from the master tapes. Huge insert comes with lyrics, liner notes from the band, and more * Hypnotic, mystical, largely instrumental tracks, all based on a complex interplay of recorder, hand drums and acoustic guitar—one of those hidden gems that make life better when you discover them all these years later. Ptarmigan recorded the basic tracks for what would eventually become their only album…
Tenno
For over four decades, Reiko Omura and Tori Kudo have endlessly woven themselves throughout the avant-garde and underground scene of Japan. While internationally appreciated in countless incarnations and contexts (Maher Shalal Hash Baz, Guys & Dolls), if one were to seek out an early moment in which the two artists created something truly awe inspiring, 1980’s Tenno (天皇) would be it. As Noise, the duo experimented with the juxtaposition of Kudo’s extended organ based dirges (be they eerie and/o…
Nobody Knows The Heaven
* 2021 Stock * It's 1975 in Paris. Two young guys in their bed-sit (one of whom is French music maven/famous producer Jay Alansky) are dreaming of counter-culture, and their internal versions of California and New York. The result is this album, a child begotten of Marc Bolan, Baudelaire, and Lautreamont. It's a fascinating record, engaging as it is scare- a look into a parallel pop universe. Somehow, the duo got their record released on Monde Melody's one-off "Silk" imprint. And what twisted so…
I Must Be More Like an Ant Than a Cigale Because I Like to Sing in Winter
* Hand numbered edition of 100 *
Turn Back Metropolis
The very latest album by the Brighton duo built around drums, electronics and vocals. As with the previous album, 'Void Axis', from 2018, this is joint-released by drummer Andy Pyne's own Foolproof Projects imprint and arrives adorned in wonderful, characteristic artwork by vocalist Lisa Jayne. Also packaged with an 8pp booklet featuring all the words. "A stream of angst and agitation not seen since the anarcho-punk days of the eighties worms its way into the rhythm and voice of this Brighton ba…
Under the Radar - Underground Zines and Self-Publications 1965 / 1975
* 2021 Stock. Language: English * The mid-1960s witnessed a boom in underground and selfpublished works. Hectographs, mimeographs, and offset printing not only allowed for the production of small, lowcost print runs but also promote a unique aesthetic: using wild mock-ups, »messianic amateurs« combined typescript aesthetics, handwriting, scribbled drawings, assemblages of collaged visuals, porn photos, snapshots, and comic strips. The typography consciously frees itself, in parallel to a liberal…
Fini!
* 2021 Stock * Introducing the debut collaborative release from sometime Nurse With Wound/Current 93 member, Andrew Liles and Jean Hervé Peron of Faust. Neither of these artists needs any introduction and all expectations are overtaken with this incredible album. Here is something that sounds like both a Krautrock album and also like nothing else you can imagine. Its twists and turns keep surprising and thrilling you several listens on from the first. The words "classic" and "masterpiece" would …
To the Quiet Men From a Tiny Girl
Following on the footsteps of Chance Meeting on a Dissecting Table, To the Quiet Men From a Tiny Girl was Nurse With Wound's second album and shows the group refining itself from the debut and adding a lot more dynamics. The record starts off with the very short Umbrella Link, really just some guitar riffing from engineer Nicky Rodgers as a concession for NWW. to use his recording studio, before segueing into the side-long She Alone Hole and Open.Along with the clattering and clanking percussion…
Merzbild Schwet
* 6 Panel Digipak featuring original and new artwork from Steven Stapleton * Nurse With Wound began as a trio, but by Merzbild Schwet, its third album, Steve Stapleton's singular vision took over, with no compromises to other band members. As such it can be considered the first fully realized NWW. record and is a far more mature effort than its predecessors. Stapleton's editing techniques come to the fore, with abrupt transitions, quirky juxtapositions, and lots of strange sounds that would beco…
Rat Tapes One
* 2021 Stock * With 18 untitled tracks, there’s no shortage of the mutant voices and clanks from the darkness that I’ve come to expect. However, I was most surprised by the amount of rhythmic material found here, especially on the second half of the disc. “Track 10” could very well be a backing track left over from the Rock and Roll Sessions. Strangely enough, “Track 12” is a techno song with little of the Nurse With Wound signature other than some operatic elements and the oblique, gaping maw o…
Fabulous Paris
* 2021 Stock * An excellent release of classic Trevor Wishart material. Fabulous Paris was commissioned by Swedish Radio, Malmö, and the Birmingham Rumours Festival. This 3-movement, secular oratorio explores our collective and individual experience of the mass industrial society in which we live, through the medium of the human voice. CD release includes extensive liner notes on the 3 pieces.
The Litanies of Satan
Diamanda Galas' debut album "Litanies of Satan", originally released in 1982, reissued on the artist's own Intravenal Sound Operations label. The album has been meticulously remastered from the original Y Records analogue tapes and features the original classic artwork.
My Pharaoh, My King
This new duo LP, the first recorded by guitarist Tony Pasquarosa and drummer John Moloney (aka The Meatball Twins), is a masterpiece of lateral drift. Recorded as something like a tribute to the spirit of Farrell 'Little Rock' Sanders (also known as 'The Son' in the saxophonic Holy Trinity, along with Coltrane's 'The Father,' and Ayler's 'The Holy Ghost') there is no music here specifically recalling Sanders's work. But much of it seems to spring from a place that is illuminated by Sanders's art…