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**500 copies** New album by New Zealand composer and guitarist Roy Montgomery in close collaboration with Emma Johnston. After Nietzsche is in a way the sister-album to last year’s Suffuse, where Montgomery composes songs for guest vocalists. Only this time it’s in close partnership with Emma Johnston. Montgomery's distinctive, interweaving guitar play is set as background for Emma Johnston’s angelic vocals and experimentations.Swimming through the four tracks of the album, it’s surprising to no…
Mais Alors!!?... C’est à l’envers is the first release of new French Label Ici Bientôt (Here Soon ...), launched by Paris Fleamarket’s Record Shop, Geminicricket. On the Menu...: Suspended Time, Unsung Heroes, Hidden Records and Next Door Marvels.In 1983, Nef released their first and only album, Mais Alors!!?... C’est à l’envers. At that point, the band already had a long history, interwoven with that of various musical trends and alternative movements from the late sixties to the early eighties…
Recorded live by Michal Kupicz in Basilica of the Sacred Heart of Jesus in Warsaw on 13th December 2014 during the Playback Play #7: Adwent. Curated by Michał Libera and Michał Borkiewicz. Cover Design by Kama Sokolnicka. Mix by Gerard Lebik, David Maranha. Mastering by Joe Talia. Phil Minton - voiceDavid Maranha - organGerard Lebik - generators
Trigger is an acoustic wind instrument trio working in the context of experimental music. Together they aim for the creation and shaping of a homogenous overall sound. The three instruments function as generators of noise and sound and blend together in a complex sound mass, which is permanently moving, changing and renewed.By using advanced playing techniques such as circular breathing, multiphonics and a vast palette of air sounds the instruments are removed from their traditional context and …
**250 copies** The aural pleasure created by this somewhat mysterious trio of London musicians continues to accrue. After two fine self-released records (one a 7", the other a 12"), and the superb Drip Water Hollow Out Stone on the great Ever/Never label, Feeding Tube is honored to present the Mosquitoes' latest assault on the temples of beauty.The music on Vortex is of a piece with earlier recordings. By this, I mean there is a wonderfully 'out' approach to basic rock instrumentation and vocals…
Max Eastley: arc (electro-acoustic monochord)Fergus Kelly: invented instruments, found metals, electronicsMark Wastell: tam tam, metal percussion, piano frameRecorded at Studio 3, Stoke Newington, London on 8th March 2017 by Rupert Clervaux. Edited, mixed and mastered by Fergus Kelly. Produced by Mark Wastell.
**250 copies** Two personalities. Two different instruments. Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, have produced a unique musical matter, both homogeneous and complex at the same time, showcasing a form of freedom hidden between the musical notes. The two musicians, free from the typical conventions in both their content and the shape of their work, become receptors and then transmitters of the vibrations surrounding every space. In unison, …
Touring in support of theIR classic LP, Daydream Nation, Thurston, Kim, and the gang rolled into Austin's legendary Liberty Lunch club for what would turn out to be one of the most highly regarded live dates in the group's history. With a track list that drew heavily on their latest LP, Live at Liberty Lunch captures the touring Sonic Youth at their noisiest and gnarliest, proving once and for all that they were the best and most important indie-rock group of the 80s (and beyond).
Classic line-up of early Amon Düül in a spacey live performance during the heyday of Psychedelic Underground. The band was comprised of: Renate Knaup-Kroaetenschwanz (vocals), Chris Karrer (guitar), Johannes Weinzierl (bass), Peter Leopold (drums) and Falk U. Rogner (organ).
Amazing french performance recorded live in Lyon on the 17th of January 1976. The classic line-up comprising of Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums) and Irmin Schmidt (keyboards), is here strengthened by malaysian vocalist Thaiga Raj Raja Ratnam, who played a mere four dates with the band between January and March 1976, all of which were recorded, and did considerable studio work with them. A series of highlights from their repertoire stretched with improvising t…
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
**200 copies** Already sold-out at the label, numbered edition in silkscreened covers by Alan Sherry. Personnel: Susan Alcorn - pedal steel; Chris Corsano - drums; Bill Nace - guitar. Recorded September 5. 2018 live at Rotunda Philadelphia, PA.
**300 copies** "Ned Collette's last album, the 2LP set Old Chestnut, was hailed as a masterpiece by almost everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog / folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-ins…
Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: Soft Machine and Pink Floyd 1967-68, The MC5’s Kick Out the Jams, The Stooges, Sun Ra’s Cosmic Tones For Mental Therapy and The Heat Is On by The Isley Brothers. Dirty Songs Play Dirty Songs is the musical offshoot of a project conceived by artist Maxime Rossi, originating in (among other thi…
Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s life changing 'Electronic Music, Tar a…
Celebrating the 50th anniversary of Scott 4, here comes a special edition half-speed mastered vinyl cut at Abbey Road Studios for ultimate sound quality. In over 15 years of half-speed mastering, Abbey Road engineer Miles Showell has mastered the art of creating the finest audio-quality vinyl pressings available with his specialist work, creating a whole new listening experience for some of the most iconic albums of all time.Scott Walker’s fifth studio album features some of his finest compositi…
***80 copies*** Music by Spyros Emmanouilidis, singing Bowl and psaltery on side B played by Vasilis Liolios. Recorded by Spyros Emmanouilidis, mastered by Giuseppe Ielasi. Design and artwork by Yorgos Vourlidas (Opora).
**60 copies** Gianluca Favaron join forces with Lunus to present a new exciting project based on vintage technology. All noise, except from vocals, originate from Commodore C64 and Commodore Vic20 computers programming tape cassettes. No synths were harmed in the making of these audio recordings.
Hochono House is a re-imagining of Haruomi Hosono’s 1973 solo debut album Hosono House. Recorded 45 years after The Band-like sessions that produced the rootsy Japanese Americana classic, Hochono House is an entirely solo affair, with Hosono himself handling all the recording, engineering, programming, arrangements, instruments, and singing. It’s a perfect distillation of the various styles Hosono has cultivated over his 50 year career, from his folky beginnings through his techno-pop era, to pu…
**300 copies** The second in the Zoviet France reissue series compiles a pair of their early 12”s. Less murky and more stripped-down, rhythm driven than their debut, Garista (1982), the tracks on both $oviet France (1982) and Norsch (1983) are more easily identifiable as products of the post-punk / post-industrial era, yet they still sound as though from a parallel musical universe or overlapping timeline. We’d attribute this perceived difference to the rest of UK tape culture and post-industria…