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2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
**300 copies** A new work by David Jackman (Organum), Herbstsonne consists of a single 47 minutes long track which is the result of recording sessions at RMS Studios South London in 2018. Using the sounds of tanpura, piano, organ and bells the music perfectly captures the title of the piece which translates to Autumn Sun. Precision editing by Alan Jones. Excellent artwork by Jonathan Coleclough. "It is very easy to misunderstand David Jackman. Well, also to understand him, really. I don't ‘get’ …
**300 copies** Duo recordings by Sven-Åke Johansson (vocals) and Simon James Phillips (piano), made in 2017 in Johansson's studio in Berlin. Phillips is an Australian composer and pianist working in the contexts of classical, experimental, and improvisational music. Johansson is a Swedish percussionist and performer in the circles of fine arts, new music, and free improvisation. Both live and work in Berlin.
"Simon arrived in my studio with songs by Jean Sibelius to try out. However, being bad a…
**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…
With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room. Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…
Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…
** 500 copies ** "Barring some miraculous discovery (never out of the question!), "Mars Archives Volume Three: N.N. End" is the final LP in our series of LPs documenting the music of New York's most amazing combo of the No Wave era, Mars. From their more-quotidian beginnings as China, whose sound was influenced by The Velvet Underground and Television, Mars mutated and grew in a variety of nearly unchartable directions. "N.N. End" documents the latter, immaculate stages of the band's destruction…
** 250 copies ** "Mette Rasmussen is a Danish saxophonist, based in Norway, who has been recording with some of our favorite players (Chris Corsano, Alan Silva, Mats Gustafsson, Ace Farren Ford, etc.) She has also formed this duo with Asheville-based guitarist, Tashi Dorji (whose combo, Manas, has had two LPs on Feeding Tube this far: FTR 208LP, 2015 and FTR 330LP, 2017). The duo material for this LP was recorded in Montreal, right around the same time Mette and Tashi recorded a trio set for Tro…
Noise Poetry is a beautiful example of a concrete attitude of improvisors more concerned with collectively constructing a sonic complexity than gestural free expression. All three of them plunge into a universe akin to that of a Japanese garden – where the space between the stones is more important than the stones themselves – inventing an acoustic synthesis in a development of stratified objects that act like a giant mobile. David Chiesa: double bassDidier Lasserre: drumsMathias Pontevia: horiz…
** 200 copies** A solo album by guitarist Tetuzi Akiyama, who carries out an energetic performance schedule in and out of Japan. Amazingly, this is his first solo album since the 2008 release of "The Ancient Balance to Control Death" on the U.S. label Western Vinyl. That album included both acoustic guitar and singing, so "Misrepresenting Memory" is actually Akiyama's first instrumental solo album with guitar in 13 years, since the release of the CD-R "Terrifying Street Trees" in January 2006 on…
** 200 copies** Zhao Cong is a Beijing-based experimental and improvisational musician. In addition to performing in live events in Beijing such as Zooming' Night, organized by composer andperformer Zhu Wenbo, she has in recent years been expanding her range of activity, visiting Japan each year and performing in various locations around the country. She has also released solo and duo albums on Zhu Wenbo's cassette label, Zoomin' Night. This CD contains three solo tracks: tracks 1 and 2, each ab…
** 300 copies** This CD documents the complete first and second sets (each a little over 30 minutes) of a concert at Ftarri on September 29, 2018, performed by Yasumune Morishige (cello) Yoko Ikeda (viola), and Takashi Masubuchi (guitar), three improvisers active mainly in Tokyo. The tones produced by the three acoustic stringed instruments are rich and vivid, and the listener can't help but be mesmerized by the interweaving of the sounds. And although the performances are improvised, they're so…
Dead Beats: A new composition by American avant-garde composer Alvin Curran for Dutch pianist Reinier van Houdt, brought together with the first ever recording of Inner Cities No 9 '9-11-01' The piano has always been at the core of Alvin Curran's oeuvre. Granted, you'd expect a statement like that from the liner notes to a collection of his piano pieces. In this case, however, he's said so himself, in a candid interview with sound artist Andrew Liles: "It’s the focal point and kind of a totem fo…
Terreng a constitution of an open-ended landscape of contrasts defining space both in time and depth. a set of structuring elements forming by its positionally interaction a common platform created through its dimensional properties. The drums and electronics on Terreng trade off each other at times creating a sense of improvised space, but also comes together in parts to form a narrative structure of almost concrete sensibilities. Where the instrumental identities gradually bleed into each othe…
Piano Music is a release with two short tracks which are based on piano recordings Orphax made at De Ruimte in Amsterdam Noord in Mid and End of Summer 2017. On this release musically Orpax breaks with his other work by using more melodic ambient sounds and focus less on the drone. It is one of his most personal works to date. The music on this 7" is about closure and trying to leave things behind, how difficult this might sometimes be. It is about making the wrong decisions and regretting those…
Cyril Lefebvre recorded this remarkable and fanciful album in 1979 with three veterans of the French underground, namely Guigou Chenevier (Etron Fou Leloublan, Les Batteries, Volapük...), Jean-Pierre Grasset (Verto) and Jean-Pierre Arnoux (Mahjun), and the hawaiian guitar virtuoso Harry Hougassian. This reissue comes with no less than six bonus tracks recorded with the help of some of the best names from the free music scene (Mike Cooper, Lol Coxhill, Steve Beresford...) and the rock scene (Elli…
Mandatory Reality, the new album by Joshua Abrams and Natural Information Society, is here. Setting aside (for the moment) the electric instrumentation of Simultonality (GB 048CD/MTE 068LP, 2017) and Magnetoception (MTE 063-64LP, 2015), Joshua Abrams conceived Mandatory Reality for an eight-piece acoustic manifestation of NIS, consisting of himself on guimbri, Lisa Alvarado on harmonium and gongs, Mikel Avery on tam-tam and gongs, Ben Boye on autoharp and piano, Hamid Drake on tabla and tar, Ben…
Xabier Erkizia is a Spanish musician, producer and journalist from the Basque Country. His work is based on research among different people, sounds and formats in different situations as sound installations, recordings and musical compositions, radio-art pieces, working with bands or collective improvisation.This release is a sono-geographical research about the Petropolis (Caxias do Sul, RG, Brasil) neighbourhood, and includes a 16 page booklet with photos and texts by Michele Mainardi, Lorena …
Dark and gloomy string arrangements by Michigan’s Michael Collino (Dog Lady Island, Alien Passengers) on both sides, concluding to an intentional dragged out silence on side B to complete those sounds of loss. “Funeral Zither” at its best.
Few copies, sold out at source. Additional contribution from Toshimaru Nakamura (no-input mixer) recorded by Steve Bates and David Sylvian, Montreal. Tubular bell and concert bass drum recorded by Matthew Sansom, Surrey University, 2006. Original text by Bernard Marie Koltès. Compositional structure by Mark Wastell. Mixed and mastered by Rupert Clervaux. Personnel: Rhodri Davies - lap harp, table harp, vibraphone, radio; David Sylvian - voice, vocal treatments, electronics; Mark Wastell - tam ta…