Continent
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 45rpm. Two new tracks from Canada's Korea Undok Group.
Continent is a record about memory, time and identity, and marks the
first non-reissue vinyl output from KUG. The title track, and a-side of
the record, concerns memory and its disintegration over time. Throughout
our lives, we encounter far too many people, places and things—so many
that it will always be completely impossible…
Backlit Colander With Holes Shaped Like Numbers
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two six-minute montages of reversed mitosis episodes, in which scaly pods, ruptured eggs, and clumps of partially digested hair smush through one another and glom together in unstable strains of S-Glass-spanktified dad-noise. 'Backlit Colander With Holes Shaped Like Numbers' crawls with bacteria from munched electronics, murmurs of a chimney-entrapped Frampton (plus camel, but th…
Open Day
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Following a slew of recent solo releases, this is the first vinyl single
from Stefan Christensen, known from New Haven, CT bands like Estrogen
Highs and Permanent Feels. Like a one-legged Crazy Horse sort of walking
on the Xpressway towards the Twisted Village and stopping by Columbus,
Ohio for a minute, these 5 tracks range from Galbraithian
over-before-it-began cassette-fo…
Fanzine Ink Dries Like Black Blood
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
Kid Brother
200 copies. Black vinyl, white cardboard sleeve with postcard attached,
stamped white labels, insert. Plays at 33rpm. The duo of Russell Walker and Tom James Scott follows up the Coventry
Campbell CS from 2015 with two new tracks. A splendid, minimalistic
mixture of post-Savoury Days UK DIY slow motion pop through shimmering
organ melodies, sparse drumming, piano and field recordings, with a
sense of melancholia sort of recognizable from Tom James Scott solo
recordings but at the same time…
Engines Of Desire
Since the early 80s, Blackhumour has been stubbornly dedicated to an
investigation of the cracks which exist in common speech practice and
the vacancy of the signifier. Vocal event is mined for stochastic
determinism and glottal smut. While affinities exist, it would be difficult to categorize this
material as sound poetry, despite a focus on voice, breath and the
subtle diversion of linguistic intent. What is it. Repetition and
magnification direct the incremental units of a sound which m…
Dinggg Donggg Dinggg Vs Singgg Songg Singgg
Last copies**Deluxe Art Edition of 240 copies, the LP comes with a extra 7", engraved with an exclusive track on one side and etched with a Charlemagne drawing on the other** Singing songs while playing ding dongs, Charlemagne Palestine’s solo voice over the bells of his studio carillon is a premiere in his recorded works, and possibly the first voice/carillon record in musical history. All the little shamanic stuffed deities inhabiting the carillon added their souls to the spirit of the reverbe…
Hi-Fi Is Sweeping the Country
Populäre Mechanik is an improvisational group from Berlin playing a unique amalgam of Fluxus-inspired garage rock, free jazz, and live electronics. It was originally founded in the early 1980s by Wolfgang Seidel who had previously been the original drummer for West-Berlin leftist rock band Ton Steine Scherben and after that became a long-time collaborator of Conrad Schnitzler with whom he played in Kluster and Eruption, as well as in duo recordings. Recently, Seidel emerged as an author and has …
Abandonnée/Maléja
La Tène is back with a double invitation to its third full length LP. The hurdy-gurdy/harmonium/percussions trio welcomes two bagpipes (cabrettes and 23” to be exact), and a combo of string instruments (12-string guitar and electric bass). Beyond the instrumentation, we’re looking at a gang of high esteemed guests: Jacques Puech, Louis Jacques, Guilhem Lacroux and Jérémie Sauvage, whom works are given their due credit (with the La Novià collective and its multiple variations, the France group…
Molen
Circle Bros is the longrunning onemanproject of Wim Lecluyse (founder of Morc Records). What started out as a way to experiment with sounds and recording techniques, evolved throughout the years into a more song-oriented outfit. The roots are to be found in the world of drone, lo-fi and improvisation, which results in songs that are half improvised, and therefore have a more spontaneous structure. A sort of singer-songimprovisation for those that prefer soundexperiments over traditional verse/ch…
A Une Gorge
**300 copies, offset printed covers** First album of the french trio composed of Sourdure, Elg and Clément Vercelletto, as well as a new snapshot of an extended family that is doing so much at the moment to enrich the French musical landscape. A collective of musicians spanning central and southern French regions including Auvergne, Rhône-Alpes and Limousin, with a self-appointed mission to refresh French folk music and the instruments associated with it, irrigating traditional songs via experim…
Fuel 217 / Sacre'
Private Edition of 230 copies. Historical 'lost' 1982 recordings issued on a 7" picture disc, blending the wonderful voice of Jacques Doyen, the music by Jac Berrocal and a background collage of distant, heavily-treated and distorted sounds from Anne Gillis (whose voice is also filtered through a De Dion Bouton oil can) "Yet another Jac Berrocal picture disc! Is there another member of the French underground more dedicated to this format than Berrocal? I say no! And this one’s as good as all the…
Agitation | Stagnation
Double CD, the first one containing Zeitkratzer's instrumental interpretation of Kasper Toeplitz's electronic score from Disc 2. Though these works are intended to be heard separately, the two discs can also be played simultaneously"The idea behind the composition for the Zeitkratzer ensemble, "Agitation / Stagnation", was from the very beginning to work in the pure sonic domain, and not to give to the musicians a score written on paper (be it in traditional notation or some more fancy graphic w…
Space Happy
In the first episode of the new Twin Peaks series, a man - a security guard or janitor kind of guy - is staring intensely into a human sized glass compartment. There is nothing Inside it but the image of his own reflection, but the intensity of the scene and the man’s gaze is high, as if a monster could appear inside the compartment at any time. We get the feeling this box is a portal to another dimension. Space Happy sounds like this kind of mysterious box or portal. Several pieces are built ar…
Like Driving
Streifenjunko has taken a shift towards electronic sounds. Their previous albums "No Longer Burning" (SOFA 2009) and "Sval Torv" (SOFA 2012) was remarkable in the magnificent sound achieved only with a saxophone and trumpet. With the seemingly endless possibilities of electronic instruments their strategy of finding simple tasks has been put to the test, and in the making of this album Streifenjunko was put back to the starting position to re-discover their focus and recognisable simplicity. The…
14
Currently a trio featuring Helge Sten, Arve Henriksen and Ståle Storløkken, Supersilent ’s album number 13 marks a turning point in the group’s two-decade career. After a dozen recordings under the umbrella of the diverse Rune Grammofon label, Supersilent have now signed to Oslo based Smalltown Supersound, where they join the likes of Lindstrøm, DJ Harvey, Prins Thomas and Andre Bratten as labelmates. After live and studio dalliances with Led Zeppelin’s John Paul Jones in the last few years, the…
Transportation Eps
Chandra Oppenheim was a child star like no other. As the daughter of famed conceptual artist Dennis Oppenheim. By age nine, Chandra was staying up late at her parents' art-world parties, collaborating in her father's projects, and performing her own plays at downtown hotspots such as The Kitchen and Franklin Furnace. This set the stage for Chandra's course-altering collaboration with members of The Dance, who were looking to form yet another project and found their muse/fuse in ten-year-old Chan…
Different Train
Nonesuch Records' 1989 recording of Steve Reich's Different Trains, the Grammy Award winner for Best Contemporary Composition that year, and Electric Counterpoint has returned on vinyl for the first time in more than twenty-five years. The album features the first recordings of the two pieces, performed by Kronos Quartet and Pat Metheny, respectively. The vinyl edition—mastered by Robert C. Ludwig at Gateway Mastering in Portland, Maine, with lacquers cut by Bernie Grundman, and pressed on 140-g…
Ann Arbor
Reissue of an obscure 1978 LP in Ash-Ra Tempel/Stooges vein. The tracks forming Tötenköpfs first album were composed between 1970 and 1976 by the Frenchman Bruno Rooke. Eventually, they have been put to tape (in gogolphonic sound) during his stay in Karlstad (Sweden) in February-March 1978. Rooke (vocals, drums, keyboards, percussions) recorded with the help of his cousin Erland Malberg (bass, guitar, effects) and a friend of the latter, Mats Meyer-Lie (guitar, tapes, violin), a chaotic album ti…
Two Degrees of Separation
A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.Tony Conrad, who can be described as an artist, composer, musician, filmmaker, and performer, might be considered the first true “crossover artist.” For the exhibition at the Kunsthalle Wien, Conrad built a replica of a jail cell that wa…