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Since the duo’s inception in 2021, Kjetil Brandsdal and Thore Warland have released 5 LPs of their turntablism/percussion fusion. This is their first single before adding Helge Thornes as a vocalist and morphing into Hebbex d’Expectatio Expectata. Recorded during the 2023 Get Next recording sessions at Consulatet in Stavanger, this single compresses the duo’s sound and approach into two 3-minute no-nonsense tracks. Pressures of the Fresh is a hectic electro-pastiche drowned in the murky waters o…
*2026 stock* Hand marbled LP covers with foil embossing and screen printed info. Each cover is unique. Marbled vinyl.
Kjetil Brandsdal: Record players/sound effectsThore Warland: Percussion/sound effects.
Recorded at Consulatet, Stavanger. Benefits & Savings recorded live at RIMI/IMIR Scenekunst, Stavanger. Recorded and mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. Foil by Bokbinderiet Erland. Thank you: Gaute Granli, RIMI/IMIR Scenekunst. F…
*70 copies limited edition* This album invites quiet self-reflection within a carefully defined space. It traces the subtle movements of introspection, guiding the listener through a gradual journey toward a serene and final state of awareness.
On Ash, Paul Chain strips his sound down to its smouldering core, turning slow‑burn riffs, funereal keys and desolate vocal invocations into a stark ritual of aftermath, where every chord feels like a fragment left behind by some unnamed catastrophe.
** 2026 Stock ** An unpublished portrait of one of the greatest occultists of the 20th century: Fulvio Rendhell. From his childhood spent in a family of mediums to the founding of the Navona 2000 spiritualist circle. The incredible story of the founding father of modern magic understood as a true science. Extra: interview with Fulvio Rendhell by Silvia Vecchi. Reissued in a new elegant graphic design with commentary by Italian cinema maestro Pupi Avati. Duration: 43 min.
Ghostly industrial from One of my favorite local projects. 60 minutes of warm and dreamlike tape music. This recording is for me a perfect example of how music for magnetic tape can feel as organic as the vibrations of a string or the humming of a voice, when utilizing the flaws and unpredictability of tapes and tape machines.
Beautiful bedroom noise from Malmø, Carrying the Swedish tape noise torch forward. Stripped down and restrained, but with a lot of depth to be found in the textures. Philip, who is behind the project also does the amazing label Sinkhole Editions.
One hour of exquisite microcassette manipulation from a great friend of the label. A free flowing audio diary documenting daily routines and primitive audio experiments. Some of the best tape murk to be produced on danish soil for many years.
I’m very happy to present a split cassette of two of my favorite tape music artists from Denmark. A half hour of strange magnetic signals, unidentifiable voices, and all round textural bless. Too quiet to be noise, too gnarly to be ambient, but absolutely perfect for this label.
Ultra homemade brilliance from my friend Johannes. Four years of bedroom recordings edited down to a half hour of DIY perfection. Best pop record on the label for sure. The only pop record maybe but crazy good nonetheless.
Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.
*200 copies limited edition* Erik Klinga’s second entry in his Thanatosis trilogy is darker, more dystopian in its bloom. Where his debut glowed with incandescent warmth, Hundred Tongues absorbs the unease of the present and yet throws a flash of light, albeit blinding. Composed at Malmö Art Museum on the 16th-century Genarpsorgan, threaded with his Buchla synthesizer, field recordings from Skåne and Öland, and a deliberate, focused touch, it reads as one long form: episodes that coil, return, a…
*75 copies limited edition* A two-chapter suite for modular & FM synth, wind & string instruments, electronics, sound objects and field recordings. The work is structured as a two-chapter descent from concrete score to analog & digital abstraction. It begins with the tangible written material and human presence of the performers, which are systematically subjected to a process of erosion. The initial components are reduced to "digital dust” — meaningless data fragments — then recombined algorith…
*75 copies limited edition* Aves de Nahá is the result of an interdisciplinary exchange of knowledge between anthropology, ornithology, and the Lacandon community of Nahá, Chiapas, México. It centers on the aural relationships between the Lacandon people and the birds of their jungle. The work invites us to listen to birds as sentient beings — creatures whose calls and songs announce shifts in weather and time cycles, accompany rituals, and participate in a shared environment where the jungle it…
Renowned composer and guitarist Oren Ambarchi releases Long Story Short, a captivating solo guitar album that distills his signature sonic explorations into intimate, hypnotic compositions. Recorded on December 9, 2024, by Daniel Bengston at Studio Rymden in Stockholm, and mixed in February 2025 by Joe Talia and Ambarchi at Good Mixture in Melbourne, the album features two evocative tracks: "Apricot/Paper Cut" (4:02) and "And So Say All Of Us" (4:12).
Ambarchi's mastery shines through in these …
In the ever-expanding universe of ambient and minimal electronic music archaeology, certain discoveries feel more significant than others - those rare moments when a previously overlooked recording emerges to fill gaps we didn't even know existed in our understanding of the genre's evolution. Stroom's reissue of Milan W's Leave Another Day represents precisely such a revelation, offering contemporary listeners access to a work that exemplifies the sophisticated minimalism that flourished in expe…
Alan Michael Bloor was making experimental music before he started developing his now long-running harsh noise project Knurl. These recordings see Bloor using homemade instruments to create sounds that are like if John Carpenter was part of the 70s Berlin School gone lo-fi. All tracks recorded in October 1991, on the verge of harsh sound explorations that would soon become Knurl. Sourced from the original master tape in Bloor’s archive.
*200 copies limited edition* Pefkin is the alter ego of Gayle Brogan, a Sheffield-based creator of slowly-unfolding, ritualistic hymnals that draw deeply on landscape, nature, and the histories that bind them. Her sound is built from a mesmerising layering of voice, viola, analogue synths, harmonium, melodica, zither and field recordings manipulated with a kaleidoscopic array of effects. Hereby she blurs the boundaries between folk, psychedelia, and experimental music. Over the years her work ha…
Tip! *2026 much needed repress!!* Thorn Wych is a musical instrument maker and musician based in the Lancashire town of Bacup, specialising in work made from tree branches. Particular to her interest are UK native trees; so far Wych Elm, Lime, Wild Cherry, Oak, and Yew. With these unique instruments, crafted in her backyard workshop, she creates music that evokes memories of an unknown world—out of sync with time and place and beyond the boundaries of the material realm.
Her pieces consist main…
On Reflections Vol. 3: Water Poems, Félicia Atkinson and Christina Vantzou channel their friendship and atmospheric artistry into ceremonial focus. Spoken-word environments and orchestral imagination flow like tributaries into a unified stream, resulting in a collection of dreamlike songs and soundscapes anchored in sea, sky and stone. Through electro-acoustic instrumentation, voice, and environmental sound, Water Poems invites listeners into a subconscious space somewhere between everyday intim…