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Mental Experience present the first ever reissue of Mouvements, originally released in 1973. An impossible to find artifact from the Swiss underground avant-garde scene of Geneva, originally released as a private boxset limited to 150 copies in 1973, only sold at art galleries. A unique, instrumental mix of free-jazz, classical, psych-rock, folk, improv, kraut, funk, and musique-concrete with tape effects. In the late 60s, musician/guitar player Christian Oestreicher, "a savage in the era …
**Screen printed edition of 300 hand-numbered copies. Edition comes packed in inner cardboard disco sleeve, high-quality open screen printed sleeve, and heavy outer screen printed PVC sleeve.** Working the sweet spot where noise communication decisively rubs up against textural experimentation are the verdant improvisations that make up Plant, the new LP from Rimouski-based electric bassist Éric Normand and Australian alto saxophonist and bass flautist Jim Denley. Don’t be fooled by the title, t…
After years of scheming indoors, the duo Leroux + Vanderstraeten now presents its first album: ‘Zonder Webben’. The sounds speak for themselves and develop in an unconventional way. The improvisations are gossamered at times, and on other occasions they are closely interwoven by different elements that happen at the same time and without hierarchy. This album maintains the spontaneity of the moment - the duo always starts from a blank canvas - however without being isolated from the environment…
A split album is a marriage of autonomous partners. On each side of the vinyl, one artist presents a limited selection of music. Both sides relate to each other, but they do not intertwine. On Aspen’s first split, guitar brothers Ruben Machtelinckx and Frederik Leroux each contribute twenty minutes of solo performance. Both Machtelinckx and Leroux make use of the oating sounds of the banjo, but in a quite distinct way. While the former presents a determined and solid selection of music, the latt…
Belgian euphonium player Niels Van Heertum leads the acoustic quartet Veder. After the minimalism of his solo album JK's Kamer +50.92509° +03.84800° (on Smeraldina-Rima)—on which he also played tuba, trumpet & electronics—Van Heertum turns to the sort of chamber jazz played on his previous collaborations with guitarist Ruben Machtelinckx. Felt like old folk (Smeraldina Rima, 2015) and especially mono no aware (Aspen Edities, 2017) presented him as part of an acoustic, often improvisational ensem…
The first release on the new Belgian label Aspen, mono no aware is clearly the product of a carefully refined aesthetic. From the Cy Twombly-like cover art provided by Ante Timmermans to the peculiar lineup listed on the back — among other instruments listed are baritone guitar, banjo, alto clarinet, hardanger fiddle and euphonium — it is evident before one even hears the album that this is going to be a unique and thoughtful experience. Mono no aware (pronounced: moh-noh noh ah-wah-ray) is a …
35 years after the release of their critically acclaimed 1981 album, Vibrant Stapler Obscures Characteristic Growth (SR 428LP), the British dadaist group Hastings Of Malawi release their second album, an epic sound poem entitled Visceral Underskinnings. It is a 40-minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers. It is a sound collage of…
Aguirre Records present a reissue of Distant Voices, Steve Lacy's rare Japanese collaboration album, originally released in 1976. Renowned for remarkable solo concerts that confirmed his mastery of the soprano horn and that carried its instrumental language into previously unexplored regions, Lacy also loved to collaborate with musicians who could inspire him to stretch the boundaries of his own artistry. During the summer of 1975 Lacy toured Japan, and on June 24th he entered a Nippon Columbia …
The Fossil Aerosol Mining project continues their post-industrial dialectics through their "songs of enhanced decay and faked resurrection." this cryptic ensemble from the american midwest has been quietly producing such works since the '80s, with a deep catalogue highlighting a uniform brilliance in the exquisite reconstruction of exhumed cassette tapes and moldering 35mm film stock.On august 53rd, fossil aerosol has collaged their reclamations of found sounds into an inquisitive, dynamic cinem…
Beautiful, insightful improvisation pieces by two master-musicians full of creativity and musical knowledge. Mastered by Jean-Marc Foussat. Liner notes by Ken Vandermark. Artwork by Lasse Marhaug.Personnel: Elisabeth Harnik - piano; Joëlle Léandre - double bass.
Novaks Kapelle were one of the most legendary bands of the Austrian underground, famous and feared for their wild live performances and strict anti-establishment/music-business/audience/everything attitude. They went from raw psychedelic rock in the late '60s to proto-punk to some kind of weird glam/hard rock at the end. 1978 saw later jazz-star guitarist and Gipsy Love member Harri Stojka joining. Beside some bootlegs available on the internet, many labels tried over the years to release …
Massimo Pupillo (heavy bass player of ZU) teams up with the mesmerizing voice of Cindytalk, Gordon Sharp. Recorded live at Cafe Oto, UK at their first meeting -- producing haunting music from another sphere. Dark, atmospheric, wondrous. Personnel: Massimo Pupillo - electric bass; Gordon Sharp - voice, computer.
sold out at source, edition of 250 copies, few copies available. "Gorgeously psychedelic debut LP by this new guitar/violin duo, created by two of the form's great maestros. Samara Lubelski and Bill Nace are both veterans of the American sub-underground. Between them they have many projects under many names on many labels. Most recently, however, the two have been focused on string-based duo aktion, Samara in cahoots with Marcia Bassett, and Bill with Kim Gordon in Body/Head. These two ens…
Improviser/composer Hiroyuki Ura, sculptor Kenichi Kanazawa, and classical pianist Satoko Inoue released two CDs on the Meenna label in 2017, and the three artists are united again in Hermits. The earlier CDs, Scores and Scores at Ftarri (both released in 2017), are made up of their live performances of a composition by Ura, which was based on a sculptural work by Kanazawa. The performance heard on Scores took place at The Museum of Modern Art, Gunma, in October 2016; the performance on Scores a…
**2xLP edition of 300 on white vinyl** A Fragment Factory release in association with centre d'art contemporain – la synagogue de Delme. Stones, Air, Axioms Delme is an ongoing art and research project by French sound artists Jean-Luc Guionnet and Thomas Tilly, dealing with the complex relationships between sound and architecture. Delme is the third phase within this venture. By virtue of its history and exceptional acoustics, Delme’s former synagogue is the ideal setting for a customised, on-s…
Okkyung Lee is a cellist, composer, and improviser who moves freely between of artistic disciples and contingencies. Since moving to New York in 2000 she has worked in disparate contexts as a solo artist and collaborator with creators in a wide range of disciplines. A native of South Korea, Lee has taken a broad array of inspirations—including noise, improvisation, jazz, western classical, and the traditional and popular music of her homeland—and used them to forge a highly distinctive app…
Femme is the duo of Arno Bruil (Descendeur / France Sauvage) and Jo Tanzprocesz (Fusiller / Opera Mort).When it comes to head-scratchers, no one plows into the scalp like Bruit Direct. For their 24th release, they’ve ponied up this melange by the duo Femme, whose lp, Chroma, summons forth a soundscape of stellar post trance, electro magma. As dense as it is deft. The 10 gurgling innards effortlessly spewed out here rank it alongside other Moltenadelic CO-2 snuffers such as Ilitch’s ‘Perio…
Drum-Machines, the 2nd recording made and produced under the label Percussions de Strasbourg, marks an important turning point in our approach, that of the 4th generation of our ensemble. At the junction between contemporary and electronic music, Drum-Machines was created following a process of dynamic composition: the performers first proposed sound materials on two research residencies and then eRikm ensured the composition, the music production and mixing. Commissioned by Percussions de …
**CD edition** Juri Camisasca is one of the towering artists of Italy’s remarkable musical avant-garde. Evolving across the 1960’s, 70’s, 80’s, as it continues today, this movement suffered under a long-lasting, one sided isolation - unheard by the world beyond. Recently, under the care of labels like Black Sweat, it has begin to emerge from the shadows, gathering a momentum of marvel and praise. Over the years, beginning with 1974’s legendary La Finestra Dentro, Camisasca has released a slow tr…
The jewel in the crown of Compendium Records’ brilliant back catalog is the eponymous album from the progressive jazz- funk band Saluki, released in 1977. Featuring members from the highly signi cant proggers Junipher Greene, Saluki is a much loved rare groove classic and a crate digger favourite.
The album consists of eight advanced and ambitious tracks showcasing Saluki’s blistering fusion of prog rock, jazz, west- coast harmonies and funk, as well as great songwriting abilities. Extreme…