Experimental / All styles

AMM (John Tilbury, piano; Eddie Prévost, percussion) recorded live on 16 May 2012 at CODES, the Festival of Traditional and Avant-garde Music in Lublin, Poland: a single 61-minute improvisation.

AMM as the duo of John Tilbury (piano) and Eddie Prévost (percussion) in two London concerts of 2011: The Rag Factory, Spitalfields, on 6 March and the Purcell Room on 27 November.

AMM as the duo of John Tilbury (piano) and Eddie Prévost (percussion), in three improvisations recorded at the concert hall of the Jasielski Dom Kultury, Jasło, Poland, on 15 May 2010.

AMM (Eddie Prévost, John Tilbury) with John Butcher, Ute Kanngiesser and Christian Wolff in a single 51-minute improvisation, recorded at the Freedom of the City festival, Conway Hall, London, on 3 May 2009.

AMM (Eddie Prévost, percussion; John Tilbury, piano) with John Butcher on soprano and tenor saxophones, four improvisations recorded at Trinity College of Music, Greenwich, on 13 January 2008.

Eddie Prévost's first solo percussion album, six pieces recorded at Gateway Studio, Kingston, England, on 10 September 1996, produced by Evan Parker.

Three AMM concerts on three CDs: Aarhus, 16 December 1969 (Cardew, Gare, Hobbs, Prévost, Rowe); Goldsmiths' College, London, 20 February 1982, and Context Studios, New York, 3 May 1994 (Prévost, Rowe, Tilbury). Issued for the group's 30th anniversary.

The complete AMM concert recorded at the Crypt, Lancaster Road, London, on 12 June 1968 by Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost and Keith Rowe, first issued in full on this 1992 double CD.

Organum (David Jackman) with Michael Prime, Dinah Jane Rowe, Roger Sutherland, Robert Hampson and Jim O'Rourke: five drone pieces recorded between 1985 and 1994, including a 1990 live track from Recommended Records, London.

A single 76-minute concert by AMM (Eddie Prévost, John Tilbury, Keith Rowe), recorded at the School of Music, Memorial University, St. John's, Newfoundland, on 2 July 1992 during Sound Symposium 6.

A single improvisation by Evan Parker, Keith Rowe, Barry Guy and Eddie Prévost, recorded at a concert in London on 3 September 1984; first released in 1988, reissued remastered in 2015.

AMM (Eddie Prévost, Keith Rowe, John Tilbury) with cellist Rohan de Saram, recorded live at the Union Chapel, Islington, London, on 10 January 1987. CD reissue of the 1987 LP with additional music from the same concert.

AMM's first studio album with John Tilbury, recorded by the trio of Tilbury, Keith Rowe and Eddie Prévost at Crescent Studios, Bath, on 11 and 12 December 1982, plus a 31-minute section of a concert at the Zagreb Biennale, 24 April 1983.

AMM as the duo of Eddie Prévost (percussion) and John Tilbury (piano), in concert at the School of Music, University of East Anglia, Norwich, on 14 February 2005.

Duo of John Tilbury (piano, prepared piano, organ) and Eddie Prévost (drums, stringed barrel, tam-tam, percussion), recorded at Gateway Studios, Kingston upon Thames, on 6 January 2004.

AMM (John Tilbury, Keith Rowe, Eddie Prévost) in a continuous performance created with the dancer Fine Kwiatkowski, recorded live at the Musique Action festival, Vandoeuvre-lès-Nancy, France, on 24 May 2001.

AMM (Eddie Prévost, Keith Rowe, John Tilbury) in a continuous improvisation of about 57 minutes, recorded live at the free radiCCAls festival, McLellan Galleries, Glasgow, on 4 May 2000.

Duo improvisations by Evan Parker (tenor and soprano saxophones) and John Tilbury (piano), two long chapters and a short epilogue, recorded at Gateway Studios, Kingston-upon-Thames, on 3 August 1998.

Haunting Lithuanian folk songs and luminous choral frames, Merope’s Salos folds ancient melody into a modern hush. Centered on Indrė Jurgelevičiūtė’s lead voice and the Vilnius chamber choir, the suite drifts through seven pristine scenes folk, minimalism, and subtle electronics yielding an intimate, non-sentimental pastoral that rewards close listening.

On State Music, Laurent Güdel turns his fascination with classic electronic studios into a political instrument, folding EMS, KSYME, Radio Belgrade and Columbia CMC into a critical sound‑essay on funding, soft power and the uneasy bond between DIY dreams and state apparatus.

Huge Tip! 200 copies. Japalm is a place in a vague geography, a place of memory and an abyss, fantasies and melancholies that take the names of imaginary cities. Loops, aleatory rhythms, the nostalgia of oniric places traced on an perpetual changing map, an image consumed by sunlight: LF RDamb, Dcramb, Nosun, Chllamb, Mneist, Niobu. Japalm is the second record from Hampar Soum, as well as the duo second work with Matteo Castro's label, Second Sleep. Hampar Soum are Stefano Scattolin and Guido Mo…

*300 copies limited edition* SOL OP is based on a collective composition for unconventional pipe organs made by the three Danish composers and musicians Jonas Olesen, Anders Lauge Meldgaard and Sandra Boss. On three mobile, midified and modified pipe organs,the trio has constructed a musical universe inhabited by animals, humans and machines. SOL OP is based upon an exploration of the organs' more alternative sonic features. Incorporating the full instrument in the compositions – including the a…

Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temple, and Gaseneta, as well as projects related to tributes to The Stalin centered around Jun Inui. Alongside his work in these seminal bands, he has toured internationally, participated in numerous collaborative sessions, and released a series of home…

Before history will be made by machines, British musician Thomas Bush sends a new humane record. DIY chamber music, for the Kashual, no Plastik. Ten curious arrangements, looking for new horizons, those hiding behind the previous. They are short, they are epic. A great beautiful mess, in which Thomas Bush occasionally sings and speaks in veiled pitch. On hallucinated rhythms. Along the guitar, that’s everywhere. As chord. As melody. As sound. As a sliding desert stoner. Droning, zoning. Keeping …

*119 copies limited edition* Bury the bag full of nostalgic complaints on "how things used to be better" at Schoonselhof, and get blown away by the fresh Air Force that is Adia Vanheerentals! We are damn proud to present Adia’s first solo release! Seemingly from out of nowhere, Vanheerentals has been blowing minds in many different shapes the past years: as band leader in Bodem, in various free improv set ups, as a guest with The Groovecats, in a trio with Elisabeth Klinck and Maya Dhondt and as…

**200 copies ** The first solo release from Danish drummer Anders Vestergaard. The LP documents four pieces executed on a self-made setup of varying acoustic percussion instruments and electronic feedback-chains, with a skeletal yet intricate structure, moving through differing expressions of insectile hyper dynamism and mesmeric equilibrium. The title also designates the instrumentation being part electric part non-electric; and it equally describes the mood, both beautiful and grotesque, convi…

Radically exploratory, Raphael Loher’s Figuren is an album shaped by process and experimentation. Guided by intuition, listening, and a deliberate distancing from his primary instrument—the piano—, the LP marks a decisive step in the Swiss pianist and composer’s artistic development, expanding his sonic vocabulary while maintaining a distinct and personal language. Figuren draws on ten intimate concert recordings from Keemuun—Loher’s debut for Three:four Records—created during the pandemic and p…

This album is a collection of 20 solo guitar and turntable improvisations performed and recorded by Otomo Yoshihide in his home studio in March 2023. Otomo has released solo guitar and turntable works in various forms in the past, but this is the first time he has recorded an entirely improvised studio performance. This will also be the first time that Otomo himself has illustrated the jacket.

Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…

Frantx is a glit-noise band based in Paris that creates music in a dimension of hyper-speed where individualities get blurred, immersed in post-internet sonic drifts. The four members of Frantx explore the limits of their instruments and new modes of interaction through extended techniques, heterodox amplifications and electronic extensions. Frantx was born to question our roles as musicians and target the political dimension in which we are supposed to exist in this contemporary context. Music …

LP pressed at RTI. Tip-on jacket printed at Stoughton Printing Co. Atrás del Cosmos have been called Mexico’s first free jazz ensemble. Founded in 1975 by pianist Ana Ruiz, saxophonist Henry West, and percussionist Evry Mann, the trio soon became a central force in Mexico City’s creative arts community, mentoring a generation of improvisers, incorporating a revolving cast of artists into their immersive happenings, and sustaining a scene through their legendary weekly performances at El Galeón t…

An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …

This is a boxed set of six consecutive CD releases from November 2017, re-edited in chronological order from the "G.R.O.S.S." CD-Rs that recorded live performances in the 2000s, the mature period of Aube's activities. Aube is a noise project by Akifumi Nakajima, born in Kyoto in 1959.Since the 1980s, he has been using synthesizers and other devices to create small-scale sounds as a hobby. In 1990, he was in charge of the music for the installation "Water 1990" by the artists Soichi Arichi and Ta…

Purge launches into the new year with an absolute burner: the first ever collection dedicated to the 1980s, Hungarian countercultural music collective Trabant. Drawn from a body of over a hundred, never before issued DIY recordings, made by the band during during the period between 1980 to 1987, across the LPs two side unfurls some of the greatest, unheard post-punk and indie pop ever made behind the Iron Curtain. It’s an absolute revelation that can’t be recommend enough.

** Special Discounted Bundle ** The complete archival collection of Hungary's legendary underground collective Trabant (1980-1987), preserved by Purge in two essential volumes. Active behind the Iron Curtain during the harshest years of authoritarian communism, this loose collective of songwriters and filmmakers - including Mihály Víg, János Vető, György Kozma, and Marietta Méhes - created hundreds of DIY recordings that were hand-traded on cassettes within the Hungarian underground. Described a…

Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom.  In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement.  All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…

Documentation of a live solo performance at the Old Church, Stoke Newington on May 29th 2026, for the Ukrainian label and promoter ШЩЦ [shshchts]'s London showcase.

Created by correspondence between Christchurch and London, Nebular pairs Roy Montgomery's decaying post-rock, folk and drone guitar with Martha Skye Murphy's wordless, glossolalic voice. Stems traded by email at nocturnal hours, raw emotion launched into a time capsule for the stars.

Never-before-released 1981 live recordings by Alterations, the great British free-improv quartet of David Toop, Peter Cusack, Steve Beresford and Terry Day. Hundreds of instruments cover the floor; the music reacts to room, noise and audience alike. Playful and rigorous at once. From Sub Rosa's SubLogos series. LP.

Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…