Fill My Body With Flowers and Rice
Alice Kemp creates a cryptic yet coherent body of work through drawing, painting, objects, sound, audio composition, performance, and beyond. She has performed in Japan, USA, UK & Europe, and her more recent musical output has been released by labels such as Fragment Factory and Harbinger Sound. «Fill My Body With Flowers And Rice» is Kemp‘s first full-length release to vinyl - a compelling work of more than 40 minutes, including two collaborations with Rudolf Eb.er (Schimpfluch, Runzelstirn & G…
Rags/The Golddiggers
Consists of the whole of the LP previously issued as Re/arc and most of "The Golddiggers". Featuring Lindsay Cooper, Sally Potter, Phil Minton, Georgie Born, Fred Frith, Chris Cutler, Marilyn Mazur, Kate Westbrook, Collette Lafont, Eleanor Sloan, Lol Coxhill and Dave Holland. Explores the song form as so many of the early post Henry Cow records by ex alumni did. With a full book of texts and pictures (74+ minutes).
CMCD (Six Classic Concrete, Electroacoustic And Electronic Works 1970-1990)
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nig…
The Shunned Country
A collection of 52 very short songs on uncanny themes, illustrated in the exquisite 24p full-colour booklet with a set of 20 commissioned paintings by Ray O'Bannon. Perhaps the scariest thing is that each of these miniatures is a fully formed, fully orchestrated and complete structure - no lazy snippets here - and Bob Drake plays all the parts with his famously Paganini-esque virtuosity in spooky variable tempo synchrony, packing more ideas and material into 50 seconds than many manage on an ent…
Bob's Drive-In
A set of twisty, forty-ideas-a-minute, niftily arranged, irredeemably eccentric, but strangely brilliant songs that skip blithely across genre borders - from Nashville through the Miskatonic by way of the Beach Boys… even the production values range across the history of recording, sometimes switching inside a single song; so it’s a high-information ride - but still engagingly listenable. So far so good: another crafted, dense, idiosyncratic studio album. Now comes the twist. Finished with his …
13 Songs and a Thing
The latest collection of twisting, turning instrumentals and songs, and another instant classic. If you didn't venture down this way yet, now is a good time to start. In a category of one, Bob Drake undermines musical, technical and production norms with a breathtaking amalgam of broken rules and unimaginable musical logic.
The Skull Mailbox (and other Horrors)
The strangest so far. Mostly songs; a lot of acoustic instruments, a lot of unidentifiable sounds, a lot of fragments borne on a wind from somewhere else; bizarre picking interludes, humour (maybe) and snatches of incandescent playing. You can't pin this one down; it's full of twists and turns and a geometry that doesn't quite add up. Seemingly casual, there's not an ounce of fat on it, and the production - or anti-production - is, on repeated listening, quite extraordinary. Impressive.
Little Black Train
Thinking Plague, Hail, EC Nudes, 5UU's bassist and mixmaster with his second solo CD. Fast and furious country picking meets weird fragmentation and fast cut compositions. Guitars, Bass, Drums, Violin and odd unidentifiable noises all flawlessly performed, recorded and mixed into a single organism of musical strangeness. One of a kind.
Itsunomanika
Paolo Angeli and ex-After Dinner/Volapuk violinist/singer Takumi Fukushima present an integrated, complex and largely composed programme of deft, focused pieces that make the most of their not inconsiderable individual talents and instruments; mostly sounding like a much larger ensemble. The sonorities of Paolo’s extended, customised, prepared giant Sardinian guitar doing extraordinary, and sometimes chameleonic, work as bass, chord accompaniment, melody instrument, viola/cello, and even percuss…
S'Û
An amazing record. It’s beautifully recorded and almost impossible to believe that such a layered and polyphonic music, with chords, percussion, lead lines, bass lines, harmonies, string sections and sometimes voice could all be produced by one person in real time, without overdubs or loops. But it is. The instrument, a specially designed and augmented Sardinian guitar (almost the size of a cello) is equipped with motors, pedals, individual string mic’ing, and extra appendages; and of course the…
Vertigo
The Necks 18th album Vertigo is an eventful, kaleidoscopic tone poem set against a darkly shimmering background. Slowly but inexorably moving forward, it crosses many frontiers yet remains true to the mission and mood established in the opening stanzas of this cinematic 44 minute journey. A work able to be viewed either as a whole, or two symmetrical halves, Vertigo sees The Necks once again offer an excursion in sound that reflects both the light and darkness of some preternatural world.
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Concerts
Originally released in 1976, this collection offers a snapshot of Henry Cow as audiences would have heard it in the year before. In the chronology, Concerts came between In Praise of Learning and Western Culture - that is, after Virgin had lost interest in releasing any more Henry Cow studio records and before the band quit to make one of its own. It was also the year of the 'merger' with Robert Wyatt for a series of concerts in which compositions were shared - the last show, in Rome, was…
Leg End
By public demand! First time on CD for the original mix of the album that launched a thousand careers, inspired the establishment of a number of international record companies, and built many reputations. This was the first time together on record for Fred Frith, Tim Hodgkinson, Chris Cutler, John Greaves and Geoff Leigh. An extension and fusion of the key influences of Soft Machine and Frank Zappa, the album is packed full of extraordinary tunes, complex but never pompous arrangements, an…
Western Culture
"Remastered & repackaged with expansive notes and three extra tracks (Viva Pa Ubu, Slice and Look Back (alt). I'm biased of course but I believe this was a milestone recording, perhaps the closest we came to getting the music to sound the way we wanted on disc. "-Chris Cutler (ReR Megacorp)
Unrest
Dating from 1974, and following on from the re-release of Legend, this is the second in our series of vinyl reissues of the original Virgin albums. Geoff Leigh had left the group and Lindsay Cooper joined on bassoon, oboe, flute, soprano sax. The mix was more 'live' than Legend, with the drums much more up front. The first half is highly composed material, with some of the Henry Cow's best loved tunes, like 'Half Asleep Half Awake' and 'Bittern Storm Over Ulm'. For the second half the mat…
In Praise of Learning
"Art is not a mirror - It is a hammer" - John GriersonAnthony Moore / Dagmar Krause / Tim Hodgkinson / John Greaves / Chris Cutler / Lindsay Cooper / Peter BlegvadOriginal Mix. Remastered and with new, amplified booklet of pictures and texts. Third in the definitive series.
A landmark in the history of European experimental rock, the third 'Cow' work, originally released on Virgin in 1975, represents the second act of joined forces between Henry Cow and Slapp Happy, and the first fully integr…
Live 80/81
Limited numbers, now available as a single cd, shrinkwrapped.
Until recently the only official live This Heat release has been a long-deleted cassette version of a concert from Krefeld, Germany, from 1980. This CD corrects that vacuum by officially releasing private recordings from the band's live repertoire, circa 1980-1981, taken from concerts in Tilburg, Nijmegan, Arhus, Appledoorn, Vienna and Rheims. The trio rip through some highly-charged versions of classic pieces from both Blue & …
Repeat
Limited copies, shrinkwrapped.
Repeat is This Heat's fourth album proper, posthumously released in 1993. It harbours the most extreme musical side of This Heat's experimental tendencies on disk, and is assuredly the band's most radical offering. The title track is an oxymoron: An extended/edited version of the piece "24 Track Loop", which had been previously issued on the Recommended Records' double-disk sampler in 1981, heard here sans the harmonizer effect. The original tracks were produ…
Made Available
Now available as a single CD, shrinkwrapped. Limited quantity.
This Heat's earliest public recordings came from two sessions for John Peel's BBC radio show, in April and October of 1977. Peel was one of their greatest enthusiasts at the time, hearing excellence in the band's mixed repertoire of post-krautrock songs and uniquely approached improvisation. Of special merit here is the band's maverick use of real-time tape loops to augment their basic three-piece sound, as well as their choice…
Deceit
CD edition. Another essential reissue, This Heat’s classic Deceit completes an official trilogy of reissues from their seminal and hugely influential run of late ‘70s/early ‘80s recordings which set the template for so, so much avant-rock, noise and experimental music ever since. With their debut album and follow-up maxi single Health and Efficiency, This Heat sowed the seeds of post-punk, avant rock, noise rock and post-rock, placing the trio -- Charles Bullen, Charles Hayward and Gareth …