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The London-based duo Tomaga are back with a new record. The Shape of the Dance is their second full length album, a follow-up to Futura Grotesk, which was released in 2014 with Hands in the Dark. The instrumental, experimental tracks compiled on this new opus evoke something which feels closer to the band’s impressive live performances than their previous recordings. The spiralling polyrhythmic percussion, performed with a range of materials, the vibraphone, the frenetic bass, the organ and o…
In the wake of the star-filled A Minute To Pray A Second To Die, The Flesh Eaters' frontman Chris D. assembled a leaner, meaner band to deliver his next unbound vision. Forever Came Today, the group's third full-length album, was originally released on Ruby Records in 1982 and features Don Kirk on guitar, Robyn Jameson on bass, Chris Wahl on drums, Steve Berlin on sax and Chris D.'s unmistakable voice."My Life To Live" and "Shallow Water" are masterfully wrought punk tunes, reverberating with he…
XXX is a four LP collection featuring Scorch Trio's recordings. It includes Scorch Trio (2002), Luggumt (2004), Brolt (2008) and a radio session entitled Oval. In Norway, Scorch Trio was greeted with 6/6 reviews in the two biggest newspapers and The Wire said "the scope of their improvisational ideas is breathtaking", in spirit comparing the album to The Mahavishnu Orchestra's The Inner Mounting Flame (1971). Four years after Luggumt, Brolt was to become the final album with Paal Nilssen-Love be…
LP version with bonus CD. Bushman's Fire, Bushman's Revenge's second live album, captures the band at Oslo´s rock den Café Mono at their most cosmic and trippy, taking their prog-jazz explorations into outer space and beyond. With an extended line-up including sax giant Kjetil Møster and Hammond whizz David Wallumrød they stir up quite a storm, with "Total Fucking Marmalade" being a brand new track, "Yoga", an extended workout of "Baklengs Inn I Fuglekassa" from Thou Shalt Boogie! (RCD 2151…
LP version. First pressing of 500. Includes CD. Bushman's Revenge have been called the missing link between Albert Ayler and Black Sabbath and a Marshall amp version of John Coltrane's Interstellar Space (1974). With Jazz, Fritt Etter Hukommelsen, their eighth album, they go all the way back to their humble beginnings and for the first time do what can loosely be dubbed a "proper" jazz album, hence the album title which translates to "Jazz, From Memory" in English. The goal, according to gui…
After superb solo CDs on piano and luthéal piano, Veryan Weston makes an equally fine solo organ album. Touring England in search of tracker-action organs, Weston tried about 40 to see if both the instrument and the space were suitable for the planned trio tuning out tour. In several cases there wasn't the opportunity to try them extensively, but in others it was possible to get beyond the discoveries of the particular instrument, and make some magnificent music. This collection consists of seve…
A 2012 set of trio improvisations by Evan Parker playing soprano saxophone, Mark Nauseef playing metallophone based percussion and Toma Gouband playing lithophone based percussion. Recorded by genius engineer Adam Skeaping in the warm, natural acoustics of St Peters, Whitstable.
Parachute presents a reissue of art rock unit Starfuckers' legendary Sinistri LP, remastered and pressed on vinyl for the very first time since its original release in 1994 on Underground Records. Formed in 1987, Starfuckers, an Italian avant-garde band primarily from the 1990s, were considered to be a notable part of the experimental rock scene and one of the more "out there" acts during their active tenure. Originally inspired by '80s post-Stooges noise and New York City no wave, Starfuc…
Four LP version. "It's been over a decade since Roy Montgomery's last album, and RMHQ is a hell of a return. This release contains four distinct records of new material. Listening to any of his work is a visceral experience -- repeating phrases swell and decay, immersing the listener in the cyclical narrative of his compositions. Montgomery was in his rock band period in the eighties, when the dark, minimalist post-punk of The Pin Group lead into the gloriously open-ended freedoms of Dadama…
LP version. "The Benoît Pioulard Listening Matter is the sixth Kranky album from Thomas Meluch under the nom de plume Benoît Pioulard. It arrives on the 10th anniversary of his first LP, Précis, and offers a rekindled focus on self-examination, as well as a return to vocal-based pop structures following the mostly instrumental Sonnet (2015). Recording for the Listening Matter began during a period of grief, turmoil and self-medication, and continued throughout two years of growth and healin…
Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall's Grotesque is the true pure-bred Fall release from the Marc Riley era. Released in the immediate wake of The Fall's most beloved single (Totally Wired), the album carries over that righteously famed teeth-chattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of reco…
If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10-inch EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' and Lie Dream of a Casino Soul) alongside lengthy rumblings normally restricted to long players.The tumbling and phased "Middle Mass" begins on an incredible high note, s…
Leaving behind their folk based trilogy, Mohammad return to their own original material. Heavy and concentrated, majestic and dark, ethereal and subtle, Pèkisyon Funebri marks a new era in Mohammad’s existence, unfolding earthly murmurs and ghostly chants over their distinctive seismic diapasons. An exhilarating procession through highly charged sonic plateaus, from the burning core to the silent skies.
Already established in the world of contemporary interpreters, with her debut release presents Hsin-Huei Huang her multiple pianistic abilities and approaches. Covering different composers through their very different styles, Huang offers mechanics (Lang's Hammerklaviersonatenmaschine), virtuosity ( avli) and sensitivity (Pintscher) all of that through fascinating amount of not only performing, but programming responsibility...
London based duo Tomaga present Familiar Obstacles, a sprawling assemblage of over thirty compositions that channel the more diverse elements of their multifaceted sound world into a feverishly divergent blend. If Futura Grotesk is the wakeful thought form, Familiar Obstacles is the unconscious interzone, evoking numerous musical hinterlands; fusing studio experiment, field recording, and tonal spectrum into something that by turns resembles musique concrete, imaginary soundtrack and library mus…
After many years percolating, this third release by Ossatura documents a quite dramatic aesthetic shift – including more acoustic instruments alongside the electronic; more settled, cyclic rhythms; more harmonic concord - even a song. On occasion reminiscent of the Necks in abstract mood, these pieces offer pools of complex, grounded, shifting textures, interpenetrated by atmospheric field recordings. Immersive.
Ossatura are an Italian trio (Elio Martusciello on guitar and sampler, Fabrizio Spe…
That guitarist Bill Orcutt & drummer Chris Corsano would play as a duo should come as a surprise to no one. As artists, both of them have bent sonic boundaries to the breaking point, especially as regards rock-based music, and they have long flowed through the same international sub-underground arteries. It was only a matter of time. The first fruit of their union was a brain melting LP called The Raw & The Cooked (2013), recorded on tour in 2012. Live at Various / Various Live is made up o…
“Litio” is the first album from the project composed by Alberto Boccardi (electronics), Antonio Bertoni (double bass) and Paolo Mongardi (drums).After the release of “Fingers”, Cassauna - Important Records, Alberto asked Paolo and Antonio to join him in October ’14 for performing live the album. During the extensive tour dates the trio started to lay the groundwork to new materials, with the three feeling the need to work on something deeper,at the edge between electronics and acoustic. Th…
"Modern/Antique" which marked his departure from the drugged-out songs and the stepping into the world of loops and beats.Less aggressive and more focused on quasi hip-hop beats, "Gnosis" is again built on raw loops of almost broken circuitry, semi-danceable beats are sometimes interrupted by more meditative and spacey moments or disturbed by stretched and unintelligible vocals.What also emerges sometimes from the numerous layers is a sense of lament, a blues for the year 3.000 maybe.
CD version. "Hubris continues the exploration of relentless, driving rhythms heard on Oren Ambarchi's Sagittarian Domain (EMEGO 144CD/LP, 2012) and Quixotism (EMEGO 202CD/LP, 2014). Where those records looked to krautrock and techno for their starting points, the side-long opening track on Hubris begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. (1985). Leaving b…