Saturday Night Fever
"Saturday Night Fever takes the concept of the movie of the same name and stretches the night a bit later, the fever a bit higher to the point where the party ends up blending into something much more sinister and wild. What starts out as a disco drumbeat with funky guitar swagger and melodic horns may slowly deteriorate into some sort of corroded ambient loop that eventually morphs into melodic horn samples. Basically every track is subverting its own gestures, carving out a narrative of …
Live at Lons Le Saulnier, 1974
A band formed in France, 1973, by English vibraphonist, guitarist and singer Robert Wood, together with Olivier Didier (ex-Herbe Rouge) on drums and Simon Wheatley on electric bass. Patrick Fontaine (ex-Ame Son and ex-Bananamoon Band) replaced Simon Wheatley a few months later. In 1974 Robert Wood & Woodlands played more than forty concerts in France. The LP offers a selection of the recordings that were made at those shows. This is a limited and numbered edition of 1.000 copies, Including postc…
Movin Gelatine Plates
2015 release. This album contains previously unreleased versions recorded between 1970 and 1978 by the legendary (slightly experimental) psych/prog unit Moving Gelatine Plates. Edition of 1.000 copies on clear pink vinyl (gelatine colour) in a deluxe gatefold sleeve with flyer, family tree and postcard. This album includes a 7-inch record facsimile of the original acetate made in December 1970 (one copy) only with unreleased versions of 'X25' and 'London Cab'. These first recordings of the band …
Almasty
Solo bass played and composed by Kasper T. Toeplitz. Layers of noise full of details like the voice of dead machines !“A purely formal présentation of Almasty would point that it is a composition for solo bass – electric bass, which implies a few electric/electronic machines around the string instrument, which change or modifiy its resonances somehow, but nothing more that what is seen those days around any electric instrument. And Almasty is also a solo composition, as it is recorded and presen…
Grand Tour
Tilbury left communist Poland in 1964 and his visits grew rare. He got involved with Cornelius Cardew’s Scrath Orchestra and the AMM; later he went on to become known for his performances of Morton Feldman’s compositions. Meanwhile Zygmunt Krauze, aside from his work in the Musical Workshop, grew to be his generation’s leading conceptual composer, mainly thanks to his reception of Wladyslaw Strzeminnski’s unism. The worlds of Krauze and Tilbury were separate, but adjacent.
The Musical Worksh…
plays Parallel Winter
Voice, guitar and zither by Richard Youngs. Composed, recorded, mixed and mastered by Richard Youngs.Motto of Populista Winter Triangle came about on 13th of December, 2014. It was a cold and windy day, a classic of pre-winter Warsaw, cold, wet, transparent yet at the same time grey, or perhaps mostly grey. It was also a day of the first Warsaw show of Richard Youngs in Komuna// Warszawa. Not fully by accident, there was a piano in the room, which made Richard propose performing 'ParallelWinter'…
Silent Night at the Crooked Forest
Ole-Henrik Moe, viola. Kari Ronnekleiv, violin. Sheriffs of Nothingness is a stringduo consisting of two of Norway's most distinguished artists in contemporary music: Ronnekleiv as a performer and Moe mostly as a composer. Moe and Ronnekleiv won the Norwegian Grammy for best contemporary album in 2007, and in 2011 Moe was nominated for the Nordic Council Music Award.Sheriffs of Nothingness interplay is remarkable. They move inside their music like one organism with all kinds of materials and pas…
Playing with a Dead Person
When you contacted me about the duos, I thought there is nothing more original than playing with a dead person […] which is curious because Derek Bailey is very much alive, especially when we hear his voice and I feel he's sort of sitting here, in the studio, and he's waiting for me and I'm waiting for him and we're not quite sure what's gonna happen. „Derek and I always wanted to do a duo recording together and we never quite managed that. Within the later years that we were trying to set somet…
Pianophonie
'Forte e piano' is one of Serocki's lesser known and acclaimed works, while 'Pianophonie' is considered his greatest masterpiece. However, it's worth remembering that 'Forte a piano' and 'Pianophonie' are interrelated. It's difficult to imagine the latter without the former. Serocki was born in Torun. He studied composition with Kazimierz Sikorski and piano with Stanislaw Szpinalski at the State Higher School of Music in Lódz and graduated in 1946. He continued in Paris, studying composition w…
Pieces of solitude
Natalie Sandtorv is releasing her debut solo album 'Pieces of Solitude' on the 20th of November. Using a voice with an organic interaction with electronics she expresses distinctive poetic sound art characterized by droning tension and intense abrupt parts. 'Pieces of Solitude' is about the many forms of loneliness in both a positive and negative sense, and is therefore particularly suitable as a solo album. The album is imbued by a dark and melancholy mood with occasional massive and intense se…
Melting into foreground
Henrik Munkeby Norstebo, trombone, half clarinet, electronics.Melting into foreground is the second solo album from trombone player Henrik Munkeby Norstebo, and his debut on the SOFA label. The first track is solo trombone. No effects. He is using the whole spectre of his instrument, from pure tones to noise and the barely audible, in an attempt to find the balance between the intuitive and the strictly constructed. About the second part, Henrik says that all the electronic sounds stems from one…
Solo Books
The 8th release on Silent Water's catalogue (although it shows the 009 number, but that's a story to be told another time) is Pak Yan Lau's magnificent solo effort Books. Divided in three parts, as the three different 10 vinyls that host them, it brings all the magic and true imaginative sonic world of Pak Yan, being it on the prepared piano (Book of Wood), on synths & electronics (Book of Star) or on toy pianos (Book of Toy).The purity and the very strong 'naif' commitment that we can hear on t…
Dread Live
Sunn O)))’s feedback architect Stephen O’Malley cranks the amps even louder on his solo vinyl LP Dread Live. This is an extended and extremely loud improvisation for solo guitar (though the colossal heaviness sounds like an army of guitarists). Relentless waves of heavy drones and squeals bombard the listener; the man has turned distortion into an artform.The minimalist electric guitar mantra Dread Live was performed at Studio Helmbreker in Haarlem, Netherlands, September 2013, and recorded…
Hirn Fein Hacken
First of all, really? Is it really 6 years ago that Austrian stalwarts of weirdness and this nucleus of avantgarde hedonism have blessed the planet with their latest full-length album? It is indeed. Yet unbelievable considering how “bulbul 6″ has accompanied us over these years. Well, it must be admitted that there was an undisputed yearning for new stuff arising with every spin and when the Vienna based three-piece announced works on a new album in mid 2013 the joy was unbearable.
And he…
Reorchestrations
This new collection of Joe Acheson's 'Reorchestrations' (including two previously unreleased tracks) takes works by exceptional experimental/classical/folk musicians as source material, and passes them through Joe's studio where they are intricately reworked with the signature Hidden Orchestra composition and production techniques. The result is a cohesive new Hidden Orchestra album, consisting of tracks produced since 2012, and representing the best of the music to come out of Joe's stud…
Schon geht anders
29 tracks of sheer joie de vivre form this manifesto of musical positivism. Reductionist on their acoustic surface, constructivist in their compositional core, the tracks themselves and in their sequence point to a sociological base: a sociology of sound or a sound sociology driven by the rough necessities of political acoustics. Advanced 4-track tape recording techniques struggle with primitive digital technology, thus forming a class of sound which contains itself as an element and attribute. …
A Bird In The Hand Is Worth Two In The Bush
This record should be seen not so much as a tribute to Zbigniew Karkowski than as an ongoing concern to further his work and thinking as they were when he was alive, reacting, and questioning, uncompromisingly. Nevertheless, these are his final recordings, which he made- a homecoming of sorts - in Sweden, at EMS Studios in Stockholm, with his friends Jean-Louis Huhta and Lars Akerlund. Late november 2013. a reminiscence from the 1980s, the creation of the label Radium 226.05 by Carl Mich…
Vooruit 17.05.2015
A live recording, made during the Ultra Eczema Strafstudie night at Vooruit in Ghent, one of the most beautiful ballrooms in Flanders. Four turbulent parts blended across two sides. It is sometimes hard to hear who’s doing what here: vocals and strings, tapes, bells and percussion become an oddball of dust, blown into the narrow streets of improv; none of the ‘free music solo rules’ are obeyed here. Somebody else, living in that same street as it were, mentioned that ”it sounds like a whol…
Opgenomen Verantwoordelijkheden
** sold out at source ** This album is the result of 10 years of preserved sounds, vocal blubber, field recordings and printed leftovers. These elements are collaged together into a travelogue of sorts, departing from Vom Grill’s (or Dennis Tyfus) bedroom towards the bar across the street — a short journey indeed! — where a destroyed piano is pushed by Jos Steen onto Bert Pels and DT, who crawl out from underneath clad only in kids’ accordions. “I’m going over to the over side” -- where Gre…
The Electronic Hole
The Electronic Hole (1970) is a raw, noisy, droning, and completely mesmerizing album recorded by Phil Pearlman between the first Beat of the Earth album (RAD 001LP) and Relatively Clean Rivers (ASH 3007CD). Pearlman assembled The Electronic Hole in 1969. Recorded in local studios during off-hours, the album is entirely different from Beat of the Earth, as it abandons a free-form improvisational approach in favor of "compositions," including a wild cover of Frank Zappa's "Trouble Every Day." …