Calling Out Of Context
"The compilation that started the renaissance. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to compile and issue previously unreleased and out of print material from Arthur's vast archive. This first album Calling Out of Context, features 12 previously unreleased tracks of Buddhist Bubblegum Alt Disco Pop recorded during Arthur's prime years 1985-90."
"Four years ago, Audika Records began releasing the exceptionally varied, long sought-af…
Live at Trans Musicales, Rennes, France, 7th December 1996
If a music critic could design their own super group, it might look something like the one that released the experimental, unique, and pulse-quickening 1996 album Cubist Blues. The trio–Suicide’s Alan Vega, Big Star’s Alex Chilton, and singer-songwriter Ben Vaughn–are outsiders each and cult heroes in their own right. Their unlikely union happened in December 1994 in a fog of cigarette smoke at two barely-lit, all-night improv sessions at Dessau Studios in New York. After that fateful session, t…
Deux Deserts
Astounding electric guitar and lapsteel solo work by Guilhem Lacroux, the music diviner if any. The thirty single minute-long tracks present on this motion picture soundtrack will take you far-out in this far-west slide show of sonic landscapes and nature scenes. Highly soulful and magic, these recordings are with no doubt the most exciting guitar work produced in a looooong time... Hot off the press!
Percussion Loops
"On this record, Mads Emil Nielsen divvies up two sides of 7” with a healthy ratio of two to two drum loops, each offering a smattering of ricocheting, crackling and structureless percussion, occasionally abetted with a bit of the ol’ synth additive.As far as comparative pointers go, what comes to mind first is Nicolas Jaar’s construction site ambient record ‘Pomegranates’, which used drums to punctuate long, meandering trails of drone or textural excess. Here, though, Nielsen’s compositions sta…
Crutches
No Balls is Drajan Bryngelsson and Dan Råberg from Brainbombs. Filthy and monotonous protopunk. Drums and guitars, with some vocals and trumpets thrown in occasionally. Kind of like a mix of Brainbombs and DNA. Raw and intense. “Crutches” is a brand new six song tape : another giant leap towards total destruction. Pro-duplicated tape with on-shell printing and black/white j-card. Limited edition of 100 copies.
Sub Umbra
YokoKono is part of a wider creative process of Cristiana Palandri, artist that creates a double identity from visual arts and music bonding together. After playing electric guitar in various progressive rock and experimental bands, from 2011 she started djing and producing her electro acustic music. Her music influences are coming from psychedelic music such as Acid Mothers Temple, CAN and from Steve Reich’s minimalism : YokoKono stands for a polyhedral and multi-shaped electronica, that space…
Dinner / Come on baby / Real man
Shetahr is a three headed trash pop band from Brussels. They are primitive, demented and existential. Driven by animalistic drums, edgy guitare and a howling voice they'll bite your face off. Expect a stripped down set-up and a raw performance. Their First Date is an aggressive take on Beat Happening's legacy, a retarded take on Sabbath's legacy. Factual, geographical, existential lyrics. But no one cares, I don't care, neither do you, you better bang your head. e.g.
Playing The Schoolhouse
Playing The Schoolhouse, a new CD EP length composition by David Sylvian recorded in March of this year in Norway. Based on an improvisation by Jan Bang and Sylvian it also features contributions from Otomo Yoshihide and Toshimaru Nakamura. 'Confront is a small bespoke label, that specialise in small run editions. David has been a long time admirer of what we do and the way we do it - and a loyal customer too - as well as a contemporary of a number of the artists on our roster. I asked David t…
Orgasm
An absolute psychedelic tribal UFO and proto-industrial-noise in the story of music. A pioneer touch of Throbbing Gristle, SPK, Whitehouse, Test Department mixed with something full stoned and tribal ... ahead of its time in the 60's !!! This epic album is presented for the first time remastered with the same real rough sound and same feeling seeked at the time. And more volume added. this 1969 album has long been hailed as an underground classic. Included in Spin's 2013 list "The Top 100 Alter…
Divers
The dreamer dreams again with her 4th album of otherworldly microcosms, 'Divers', recorded by Steve Albini and featuring contributions by Nico Muhly and The City of Prague Philharmonic Orchestra, arriving five years since her last opus for Drag City. Still possessed by a voice that teeters between sublime and ridiculous (I honestly laughed out loud at the first song), Joanna Newsom remains a precious spirit within the indie folk paradigm, blessed with an air of stately patience and poised, imma…
Soul Music 2
Swedish iDEALIST, Joachim Nordwall spills the psychic contents of his skull temple in Soul Music 2, just over two year since his 1st volume, also for Entr’acte. Technically a collaboration with Dungeon Acid on percussion, this album pursues a rich seam of solo releases under Nordwall’s own name since 2010 with a typically ascetic approach to hypnotic, icy minimalism, dissonant tone and plaintive rhythm.
As you might expect from a core member of The Skull Defekts, Fire! Orchestra, and Saturn and …
White Shadows in the South Seas
receding the Killing Melody LP by ten years, this EP was recorded by Mike in the late '90s and originally released on his own CDr label Hipshot. A 500 only pressing, these are the last remaining copies. Mike Cooper is a British blues legend. In the early 60s he supported John Lee Hooker, Jimmy Reed, Howling Wolf, Son House and many more American blues artists on their UK visits - as well as backing British R&B bands. He honed his guitar skills to later include steel blues and Hawaiian lap …
Dark Souls Need Light
"When Jersey teen Marianne Nowottny arrived on the scene in the late '90s, she had the looks of a typical NJ gum-snapper but possessed a voice that was way beyond what you'd expect to find hanging out in the parking lot of White Castle trying to bum cigarettes. Her vocals had the rich, smoky maturity of Marianne Faithfull's late-'70s work, hauled into an off-center bedroom pop universe that was almost impossible to decode. Her subsequent studio recordings have investigated magnificent nooks of p…
Oh.
"Roger Miller, king of many roads both known and unknown, has a long and illustrious recording history. As a member of Sproton Layer, Destroy All Monsters, Mission of Burma, The Din, etc., he has made many records that are definitive statements of powerful outsider rock music in many guises. But this, his third solo LP, originally released by Forced Exposure in 1988, remains one of the great lost chords in his discography. Although he'd been focusing mostly on extended keyboard techniques for a …
Stopcock
Founded in 2010 in Oxford, The Set Ensemble is dedicated to the performance of experimental music and contemporary composition. All of the members of the ensemble are also composers and they often write for one another, using the ensemble as a testing ground for new ideas, developing and rehearsing pieces together. This process is a collaborative endeavour with the score acting as one material amongst many, directing or shaping actions within a complex field of activity.
This disc contains six s…
Oera
This new release from the UK label Consumer Waste features four untitled improvisations from Glasgow guitarist Neil Davidson and Norwegian double bassist Michael Duch. Although unusual on the face of it, the combination of mostly bowed acoustic guitar with a likewise mostly bowed double bass is a felicitous one. The four tracks, although differing from each other in sometimes significant ways, have in common an architecture constructed of overlapping planes joined or separated by varying rhythmi…
Sunday Girls (Directors Cut)
The legendary first 12" EP by UK underground heroes Family Fodder, originally released in 1979, is now reissued for the first time. Sunday Girls (Director's Cut) is a lovingly assembled full-length album compilation featuring the complete Sunday GirlsEP, the debut Family Fodder 7" Playing Golf (With My Flesh Crawling)/My Baby Takes Valium (1979), the Debbie Harrry/A 'Version' 7" from 1980, the 7" A-side "Warm" (1980), and two tracks from the rare Te Deum 12" (1979) by Alig Fodder's pre-Fodder pr…
Unreleased Tapes 1981-1984
Experimentation in early electronic music in the Sahara from the singular Mamman Sani. Dreamy organs and droning melodies reinterpret ancient folk tradition into sublime fantastical soundscape. Never before released recordings from the very beginning - unreleased tracks from his first album, recordings of a short lived trio, and a cover of an American folk ballad.
Mammane Sani Abdullaye is a legendary name in Niger's avant garde. A pioneer of early West African electronic music, for over 30 yea…
Rivers And Streams
Lubomyr Melnyk is a Ukrainian composer and pianist who has pioneered 'Continuous Piano Music'. Classically trained and greatly affected by the minimalist movement in the early 1970s, he has developed his own unique language for the piano, named after the principle of maintaining a continuous, unbroken stream of sound. Lubomyr Melnyk is a true innovator, exploring new directions for contemporary music. Not only is he regarded as one of the world's fastest concert pianists, his compositions…
Raised Coils Of The Giant Serpent Of Eternity / I Heard Only The
Opening the album with a harmonious set of gently spiraling tones, Daniel Menche’s piece “Raised Coils of the Giant Serpent of Eternity” offers only this brief moment of serenity before a headlong dive into a cacophonous abyss of darker dimensions. Suspended in pools of liquid bass, layers of molten brass hover, dissolve and reappear. Pitches rise and fall, intersecting for brief periods of melodic convergence before crumbling again into heaving slabs of rumbling dissonance. Closing out t…