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A 2012 set of trio improvisations by Evan Parker playing soprano saxophone, Mark Nauseef playing metallophone based percussion and Toma Gouband playing lithophone based percussion. Recorded by genius engineer Adam Skeaping in the warm, natural acoustics of St Peters, Whitstable.
Parachute presents a reissue of art rock unit Starfuckers' legendary Sinistri LP, remastered and pressed on vinyl for the very first time since its original release in 1994 on Underground Records. Formed in 1987, Starfuckers, an Italian avant-garde band primarily from the 1990s, were considered to be a notable part of the experimental rock scene and one of the more "out there" acts during their active tenure. Originally inspired by '80s post-Stooges noise and New York City no wave, Starfuc…
Four LP version. "It's been over a decade since Roy Montgomery's last album, and RMHQ is a hell of a return. This release contains four distinct records of new material. Listening to any of his work is a visceral experience -- repeating phrases swell and decay, immersing the listener in the cyclical narrative of his compositions. Montgomery was in his rock band period in the eighties, when the dark, minimalist post-punk of The Pin Group lead into the gloriously open-ended freedoms of Dadama…
LP version. "The Benoît Pioulard Listening Matter is the sixth Kranky album from Thomas Meluch under the nom de plume Benoît Pioulard. It arrives on the 10th anniversary of his first LP, Précis, and offers a rekindled focus on self-examination, as well as a return to vocal-based pop structures following the mostly instrumental Sonnet (2015). Recording for the Listening Matter began during a period of grief, turmoil and self-medication, and continued throughout two years of growth and healin…
Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall's Grotesque is the true pure-bred Fall release from the Marc Riley era. Released in the immediate wake of The Fall's most beloved single (Totally Wired), the album carries over that righteously famed teeth-chattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of reco…
If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10-inch EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' and Lie Dream of a Casino Soul) alongside lengthy rumblings normally restricted to long players.The tumbling and phased "Middle Mass" begins on an incredible high note, s…
Leaving behind their folk based trilogy, Mohammad return to their own original material. Heavy and concentrated, majestic and dark, ethereal and subtle, Pèkisyon Funebri marks a new era in Mohammad’s existence, unfolding earthly murmurs and ghostly chants over their distinctive seismic diapasons. An exhilarating procession through highly charged sonic plateaus, from the burning core to the silent skies.
Already established in the world of contemporary interpreters, with her debut release presents Hsin-Huei Huang her multiple pianistic abilities and approaches. Covering different composers through their very different styles, Huang offers mechanics (Lang's Hammerklaviersonatenmaschine), virtuosity ( avli) and sensitivity (Pintscher) all of that through fascinating amount of not only performing, but programming responsibility...
London based duo Tomaga present Familiar Obstacles, a sprawling assemblage of over thirty compositions that channel the more diverse elements of their multifaceted sound world into a feverishly divergent blend. If Futura Grotesk is the wakeful thought form, Familiar Obstacles is the unconscious interzone, evoking numerous musical hinterlands; fusing studio experiment, field recording, and tonal spectrum into something that by turns resembles musique concrete, imaginary soundtrack and library mus…
After many years percolating, this third release by Ossatura documents a quite dramatic aesthetic shift – including more acoustic instruments alongside the electronic; more settled, cyclic rhythms; more harmonic concord - even a song. On occasion reminiscent of the Necks in abstract mood, these pieces offer pools of complex, grounded, shifting textures, interpenetrated by atmospheric field recordings. Immersive.
Ossatura are an Italian trio (Elio Martusciello on guitar and sampler, Fabrizio Spe…
That guitarist Bill Orcutt & drummer Chris Corsano would play as a duo should come as a surprise to no one. As artists, both of them have bent sonic boundaries to the breaking point, especially as regards rock-based music, and they have long flowed through the same international sub-underground arteries. It was only a matter of time. The first fruit of their union was a brain melting LP called The Raw & The Cooked (2013), recorded on tour in 2012. Live at Various / Various Live is made up o…
“Litio” is the first album from the project composed by Alberto Boccardi (electronics), Antonio Bertoni (double bass) and Paolo Mongardi (drums).After the release of “Fingers”, Cassauna - Important Records, Alberto asked Paolo and Antonio to join him in October ’14 for performing live the album. During the extensive tour dates the trio started to lay the groundwork to new materials, with the three feeling the need to work on something deeper,at the edge between electronics and acoustic. Th…
"Modern/Antique" which marked his departure from the drugged-out songs and the stepping into the world of loops and beats.Less aggressive and more focused on quasi hip-hop beats, "Gnosis" is again built on raw loops of almost broken circuitry, semi-danceable beats are sometimes interrupted by more meditative and spacey moments or disturbed by stretched and unintelligible vocals.What also emerges sometimes from the numerous layers is a sense of lament, a blues for the year 3.000 maybe.
CD version. "Hubris continues the exploration of relentless, driving rhythms heard on Oren Ambarchi's Sagittarian Domain (EMEGO 144CD/LP, 2012) and Quixotism (EMEGO 202CD/LP, 2014). Where those records looked to krautrock and techno for their starting points, the side-long opening track on Hubris begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi's love of Wang Chung's soundtrack to William Friedkin's To Live and Die in L.A. (1985). Leaving b…
Kye is proud to announce the release of Community, the new solo LP by Graham Lambkin, following 2011’s Amateur Doubles. “Community is a music steeped in sociological review. It sits as a keen barometer, taking the temperature of the world around it. Community is both willing servant and social mirror – it performs its basic civic duty without fuss, then shatters.” (José Perez)Mastered by Jason Lescalleet, Community arrives in a deluxe matte finish gatefold with corresponding printed inner-sleeve…
Discrepant present a vinyl release of Meridian Brothers's El Advenimiento Del Castillo Mujer. Originally released back in 2006 by Colombian label La Distritofonica as a limited CD-only album, El Advenimiento Del Castillo Mujer showcased a rare style of "abstract folk music" inspired on the experiments of some Bogota collectives from the time (2005-2006). Recorded and composed in Copenhagen between 2005 and 2006 by founding and core member Eblis Alvarez (vocals, guitars & electronics), each s…
Chupame El Dedo, from Bogota, Colombia present their self-titled album. Recorded live in the studio, Chupame El Dedo recreates the live performance by delving deeper in grind-core, speed and black metal clichés whilst marrying a tropical rhythm section made of salsa, cumbia, currulao & reggaeton. Tropical disoriented madness, stylistic dislocation and very fast drums.
The artist formerly known as Ergo Phizmiz, releases his first work under his birth name, DW Robertson with Disco Carousel Vol. 1, a demented ode to the power of mechanical music. Robertson on the record: ''Everybody knows that mechanical music is the highest form of entertainment, that's why the fairground, that age old uber-entertainment, rang with the chaotic splendor of Barrel Organs, Orchestrions, Bellenoens and Serinettes. In the 20th century, as the delicate mechanisms of automata fe…
Camberwell, in South London, pops up infrequently in pop culture. Perhaps you know it from the Camberwell Carrot, the heroically sized joint smoked in cult movie Withnail & I, or perhaps – if you’re attuned to experimental music – you know of Camberwell Now. The group formed from the ashes of This Heat, the art-noise group whose catalog was reissued on Modern Classics Recordings in early 2016.
Not so much a supersession as a continuation of that group, Camberwell Now featured This Heat’s vocalis…
Solid blue vinyl version. Edition of 200. On Mahjun's second eponymous album released by Saravah in 1974, percussionist Nana Vasconcellos joined the line up on the nearly 14 minute long track "La Ville Pue" and "Fin Janvier". Their politico folk-prog sound moved to an ethnic flavored psychedelic fusion. First time reissue of this classic and influential album. Standard black vinyl LP version is in an edition of 500. Comes in 350 gram sleeve with an obi strip, insert and matte printing.