Hegemony of Delete
Hegemony of Delete is electronic music in dialogue with the real rhythms of work and leisure. As Co La, Matthew Papich courts the minor distractions and interruptions typically seen to dilute workflow or artistic process. With or without an audience—in the studio and in performance—his music subtly works the room, not unlike those comedians who semi-secretly draw their momentum from crowd “interruptions.”
The six songs of this 12” bear the marks of Co La’s working method, to which the title refe…
(untitled)
(untitled) is a devastating set of almost pure white light. The intense drone music on (untitled) represents a return to "sonic-ism" for the quartet of Jack Rose, Mike Gangloff, Patrick Best, and Mikel Dimmick. Like Pelt's 2003 effort Pearls from the River, (untitled) is an all-acoustic affair. On (untitled) the group concentrates on producing dense clouds of overtones from guitar, cello, tibetan bowls, gongs, sruti, and esraj. Track 1 is an overpowering straight line ala the Theatre of Etern…
Visitors
Visitors was the brain-child of French producer/composer/genius, and enfant terrible Jean-Pierre Massiera. In 1974, he recruited a group of nineteen musicians (most notably jazz violinist Didier Lockwood, who made an indelible mark on Magma's 1975 live album), to record his latest compositions. Massiera had been impressed by violin-fronted jazz-rock acts such as the Mahavishnu Orchestra and Jean-Luc Ponty. He decided that his new psychedelic nightmare should be a concept album on the theme of ex…
Like Sunburned Snowflakes
Limited edition 45 RPM 12” of Alex Turnquist’s not-like-anyone-else guitar stylings, with 5 tracks using only plucked harmonics on his 12 string guitar. Using this limited palate of sounds, Turnquist crafts sparkling waves of notes, employing the minimalist sensibilities that have informed his more recent work (e.g. his 2011 VHF LP/CD release Hallway of Mirrors) on a smaller scale. The harmonics here are frequently struck hard and in complex patterns - this is arguably “new age” but not drifty-a…
No Fans Compendium
Restocked! The unplaceable, implacable Richard Youngs presents a personal selection of five CDs taken from his long-running private press imprint, No Fans, plus 2 discs of previously unreleased and very covetable early material. An enigma to most, us included, Youngs' output over the years stretches as far as the ear can see, from tangled modular pop craft to noisy psychedelia and cranky folk, earning him a considerable cult fanbase in the process. These CDs include some of his rarest mate…
Ghil
2015 repress (yuppie!). A native of Korea, cellist/composer Okkyung Lee has been developing her unique voice in both improvised and composed music by blending her wide interests and influences. Since moving to New York in 2000, she has worked with numerous artists ranging from Laurie Anderson, David Behrman, Douglas Gordon, Vijay Iyer, Christian Marclay, Jim O'Rourke, Evan Parker, and John Zorn, just to name a few, while leading her own projects and releasing more than 20 albums and touring…
Deviate from Balance
John Wiese's long awaited Deviate From Balance is the artist's first album since 2011's Seven Of Wands (PAN). Recorded throughout Europe/UK, Australia, and the US, the album includes scored ensemble pieces including over 20 musicians on each, recorded in Melbourne and Portland, as well as audio documentation of installation pieces Wind Changed Direction, a four-channel sound piece presented in the garden of the Getty Center (curated by Liars), and Battery Instruments, an eight-channel piece…
Playing in the Dirt
Great back-story - reprinted below - on this LP, issuing the home-recorded experimental music of Bob "R.A." Cantius, an instrument builder/performer and Electronic Music Composer working out of my own former stomping grounds of Northern New Jersey in the mid-late 60s.Sonically, there's a commonality with kindred trawlers such as Charlie Nothing, Allan Bryant - specifically the latter's "Space Guitars" LP - and even Harry Partch's inimitable constructs, all wrapped in the same grand "Aleat…
Cold/Burn
Superstar live drone fiesta time here. Recorded in Oslo, during an Aurora Borealic night of January, 2010, this beauty thrums with a majesty-vibe arising deep from within the earth. Each of the participants has been horn-blown around the globe for mastery of individual string/machine attack. C. Spencer Yeh's violin arcs have powered a million strange improv scenes. Jon Wesseltoft is clearly the king of Norwegian harmonium dudes. Okkyung Lee is a Korean polymath re: formal cello innovations, …
Music For Piano
"Although it might sound perverse to say so, Music for Piano may well be my favorite Gary Wilson record. Most people who dig Wilson are very into his lyrics, but I actually find them to be a bit taxing after a while. Those early records all sound and feel amazing, but what I really wanted was to hear the music without the words. I had high hopes when I found a copy of Another Galaxy, the 1974 Gary Wilson Trio LP, but it had a very different heft than that which Gary displayed on You Think You…
Lisa Wants to Talk to You
Vinyl actualization of a Gary Wilson album originally released on CD in 2008. The second of Feeding Tube's Wilson retrievals (following 2011's Forgotten Lovers, FTR 065LP), the label considers this the most solid of Gary's post-revival albums. While it goes in a slightly different musical direction than the deranged porn-lounge inventions of You Think You Really Know Me (the classic '77 LP, heisted in toto by Beck during his Odelay phase), the naif-ache of the lyrics and the music's laid-back…
Between You And The Shapes You Takes
Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations, tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn R…
The Road: Volumes 1-5
2015 Restock. There are bands whose finest work allows its roots full exposure while burying them. Henry Cow was one of these, emerging at a time of widespread upheaval and making bold new statements and fashioning order of the resultant chaos. The label has a history of producing similarly fine compendiums, most notably from groups such as Faust, Art Bears and This Heat, but the Cow set is a more ambitious project, befitting the band’s complex style and legacy. With roots deep in the mult…
The Road: Volumes 6-10
Volume 2 of the definitive collection of unreleased recordings, unrecorded compositions, one-off events, radio and concert recordings. These four CDs and one DVD cover the period from 1976 to 1978 and include the legendary Stockholm and Bremen radio concerts, many otherwise unrecorded late compositions, and the only known video ever made of the band (a complete 75 minute concert from 1976). With a substantial 60-page book of information, unpublished photographs, documents, recollections and subs…
40th ANNIVERSARY BOX SET - VOL 3
Finally arrived back, this is the 40th Anniversary Box Set, Volume 3featuring The complete re-mastered Henry Cow studio recordings in the third matching box: Legend, Unrest, Desperate Straights, In Praise of Learning and Western Culture. Formed in 1968 and disbanded in 1978, HENRY COW's influences included rock, blues, classical, opera, jazz and of course, the avant-garde. Their compositions are complex, challenging and extremely original, but they are also dedicated improvisors who would som…
Rustl
Italian electro-acoustic maestros Giuseppe Ielasi and Nicola Ratti, aka Bellows, serve an engrossing, labyrinthine LP of freeform concrète dub on our occasional Boomkat Editions label. 'Rustl' is Bellows' 4th album following a critically acclaimed trio of LP's released since 2007 for Entr'acte, Planam and Kning Disc, and also follows our last release by another Milanese artist, Lorenzo Senni, which was coincidentally also mastered by Giuseppe Ielasi. In a slight change from their usual wo…
Electronic Music, Tar and Sehtar
Limited 2015 repress, regular printed sleeve this time; available early May. This release will undoubtedly be met by the same deep breaths that have been shared by the small group of collectors who, over the past few years, have held original copies of this rare Folkways release in such high regard. In simple terms this LP is the kind of record you wished existed while nothing really came close to the mark. Respectfully and subtly combining traditional Persian instrumentation, modular synt…
Feeling Romantic Feeling Tropical Feeling Ill
Mica Levi has already more or less owned our year with the release of that astonishing soundtrack to Jonathan Glazer’s ‘Under the Skin’, but this new hour long album-cum-mixtape for Demdike Stare’s DDS imprint has just completely blown us away. Mica is an artist who basically seems to channel attention deficit into exploring and re-shaping a myriad musical ideas and directions without bound - sometimes all at once. She’s an artist who has by her mid-20’s merged the disciplines of codeine-…
Musica su schemi
2015 repress. In the early 1960s, Franco Evangelisti assembled Gruppo Di Improvvisazione Nuova Consonanza, a collective of Italian composers, aspiring to revolutionize composition through group improvisation and -like their peer, Karlheinz Stockhausen-musique concrète, aleatory (controlled chance) techniques and early electronic music. One significant influence in the studio was their use of chess to define key parameters of their music. Musica Su Schemi is unpredictable, fluid and always marked…
Arcana en Cantos
2010 Release. Anahita is the first release from the duo of Tara Burke (Fursaxa) and Cellist Helena Espvall (Espers) a first vinyl edition fully remixed for wax from the cd masters that first appeared on a ltd cdr from deserted village in 2006. plaintive semi abstract vocals strain and wind over ecclesiastical notes held so long that your head becomes the organist’s domain. Rarely have vocal harmonies been this ethereal or perfectly held. Not the glottal gymnastics of Joan la Barbara but rat…