Live at Cafe Oto
Double CD edition: hard to imagine a more powerful or intriguing, improvising power trio than these 3: Charles Hayward on drums (This Heat and Massacre), Kawabata Makoto (Acid Mothers Temple) and Guy Segers (Univers Zero) caught in wild act at Cafe OTO, London, on May 24, 2013.
- "...[Kawabata is] a genuine Guitar God..." --Pitchfork - "Hayward's interest in all manner of world rhythms and percussion... lent the music an otherworldly quality..." --Pitchfork - "Darker and more bleakly melodra…
Youuu + Mee = Weee
Sub Rosa presents Youuu + Mee = Weee (First), a vinyl edition of the first disc of the three CD set Youuu + Mee = Weee (SR 367CD, 2014). Youuu + Mee = Weee is the first recorded collaboration between Charlemagne Palestine and Rhys Chatham. And it's precious. Following the musical meetings with Z'ev (Rubhitbangklanghear Rubhitbangklangear, SR340CD/LP), and with Tony Conrad, these new Sub Rosa sessions create a sort of trilogy. Rhys Chatham began his musical career as a piano tuner for avant-gar…
Matterings
Field recording artist Jeph Jerman and percussionist and sound designer Tim Barnes are finally out with this fantastic collaborative work - here’s a certain patience that’s required to fully engage with Matterings. It’s a good twenty minutes longer than the other recent Erstwhile releases but it goes beyond album length—when your source material is different aspects of nature, the process of recording, editing, and compiling tracks feels like excavation. It’s with these slowly unfolding tracks t…
True Tears
A quintessentially sinister masterpiece reissued for the first time in an edition limited to 365 copies. A mysterious 1982 cassette masterpiece by Amos & Crew from the It's War Boys catalogue remastered from the original tapes by Amos himself. Sailored, Dutchwifed, and highly-refinedly laid-out by Studio Shitless. Art by Err o'. Large four-page full-color insert with an essay by Ed Baxter and a text translated by Derek Bentley from the original Japanese (1982). "Recorded in Tokyo, Japan …
In C
A very special and unique performance of Terry Riley's iconic 1964 minimalist piece "In C", previously unreleased. Riley and the Roberto Cacciapaglia Ensemble together at the Aterforum festival in Ferrara, Italy, on July 9, 1988.
Feedback: Order From Noise
Memory is a funny thing. 10 years after touring the UK with the Feedback: Order from Noise tour I am trying to recall the concerts that I experienced in some sort of trance. There I was, the youngest member of a group of musicians that consisted of a mixture of good friends and musical heroes, apparently the curator of this musical adventure, ravaged by self-doubt. Would it all work out? Now, ten years later my memories have been altered every time I have thought back to those days, every t…
Ecotone
Both musicians have been active in the scene of improvised and experimental music for twenty years, both have been astounding their audiences with their intricately developed playing manners. Now they joined their forces on this album.
eRikm, based in Marseille, started his musicial activities as a virtuoso turntablist in early 90s, gradually shifting his focus to more abstract music, sometimes abandoning turntables or substituting them with minidiscs or CD-turntables. His recent record ou…
Five Lines
The meeting of heavyweights of electroacoustic improvisation from Europe and the Pacific United States happened during MKM trio tour in Northern America. This recording, at CalArts in 2010, yielded interesting results: a nervous displacement of noises and rich sonorous timbres. Casey Anderson, from Los Angeles, works with sound in a number of media from composition and improvisation to installations. On Five Lines he played a combination of digital and analog instruments of his own design…
Between Two
Tetuzi Akiyama (guitar) and Toshimaru Nakamura (no-input mixing board) of Japan and Switzerland-based American drummer Jason Kahn are all leading musicians on the contemporary improvised music scene who perform internationally and have many album releases. The 4 pieces on this CD were performed live by Akiyama, Nakamura and Kahn at Ftarri in Suidobashi, Tokyo, during Kahn's stay in Japan in May 2014. Akiyama's softly resonating guitar makes subtle inroads into the pulsating electronic sounds cre…
infrantumi
Much needed vinyl reissue of a legendary Italian album from the 90s, finally remastered and housed in truly deluxe edition. Starfuckers' "Infrantumi" was recorded in the summer of 1997 in Massa, in the cramped attic of the Bocci house, all the equipment we had was: a sampler, a small mixer, an analog synth, a digital multi-effect, an electric guitar, a cheap transistor amp, a low wattage monitor, a vintage drum kit and a turntable. For recording we decided to use a mini-disc four-track reco…
This Is It
Psychedelic music all began with the tiniest possible bang: a minuscule pressing of a self-produced LP by Zen Buddhist scholar Alan Watts. In one cosmic flash of inspiration and group improvisation, the next two decades of musical innovation was pre-supposed: psychedelic rock, spiritual jazz, and even new age. As this micro pressing barely made it out of the ashram, it was his writings that actually spread his ideas, usually through osmosis: he was profoundly influential on the beat poets and th…
All At Sea
We have been following Dan Melchior since the beginning with the Broken Revue, the collaboration with Billy Childish and the amazing project Dan Melchior und Das Menace. We are amazed by his own original and personal evolution from (let's say) "orthodox" garage punk songwriter (and what a songwriter! Someone said one of the best in the US, but remember, he is british) to avant rock, experimental folk /blues and weird sounds. The stuff he played changed with him, slowly affected by electronic mus…
Happiness is Overrated
"Originally from the land of throwing sausages, eggs, beans AND tomatoes on one plate for BREAKFAST, though residing in the land of the freaks, Dan Melchior travelled many roads, between wreckless R&R bands or duo's with Wild Billy Childish, to solo collages on Chocolate Monk or Kye records, to the beautiful collaborative works he created with Letha Diane Rodman Melchior, Dan's partner who sadly passed away in November 2014, and who this record is dedicated to. Knowing this makes it uneasy to wr…
Avantgardegasse
"It has often been said, and we gladly repeat it again, here at the UE office tower, "Folks drive faster without a drivers license", and that's not a lie, it might be because the popo's are right behind you! Boy or Girl, can those assholes make a real human nervous! Once one enters Avantgardegasse, somewhere In Germany (a country known for its brutality on the road) rules and laws concerning your ride all flush down the toilet like a recycled napkin! No popo's on Avantgardegasse! Forget about th…
Untitled
Sam Kidel a.k.a. El Kid presents an extended drone work for the excellent Entr’acte label inspired by Henri Michaux's 'Untitled (Movements)' drawing. Located much farther out than his work with Killing Sound or the Young Echo collective, or even his numerous soundtracks for film, TV and theatre, the piece is based on two layers of synthesiser - one outputting the wavering, natural heat fluctuations of analogue circuitry, and another undergoing a slow and subtle metamorphosis. Pocked with collage…
Ennui
After a grueling year-long tape transfer endeavor from the original reels, Primary Male is proud to announce the long awaited and obscure second full length by Ono, ‘Ennui’, is finally readily available for mass consumption. Originally released by Thermidor in 1986, the legendary experimental group from Chicago’s southside expands upon their incredible ‘Machines That Kill People’ album three years prior while simultaneously experimenting with atmospherics and becoming fu…
Ottoman Black
Ottoman Black is a masterful damn record, an album of midnight drones and true noise, a definitive statement that makes most other noise records of this ilk seem immature, if not outright stillborn. From cover’ s photography , presenting mundane situation with an air of isolated, hysterical desperation, to the track titles, presented in the style of an academic outline (I.,II.,a.,b.,etc.) this is a formally conceived and meticulously crafted 35 minutes, leaving nothing untitled or untidy.…
Vanity Fair
Greetings, here we have Recital’s inaugural release, “Vanity Fair,” Sean McCann & Matthew Sullivan’s debut collaboration album. A fitting introduction to the ethos of Recital; the desire to turn a new page, to more accurately project what is significant and engaging in contemporary music.Matt and I had often talked about collaborating, as our musical understandings and interests align. Both drawn to minimalism and graceful ambience, we would trade tidbits and slivers of ideas casually over coff…
Music For Private Ensemble
“Music For Private Ensemble” is Sean McCann’s first new solo album since 2011′s “The Capital”. Demonstrating a more serious study of orchestration and timbre than his previous work; it is a big step forward. The four arrangements presented here shy away from the use of synthesizers and effects processing – instead relying on voicing and movement to actuate the album’s sentiments. Inspired by the grandiosity of John Adams, the concerned somberness of Gavin Bryars, and the guttural tape work of Fl…
Inflatable Boy Clams
There is no sense in trying to outdo Angel of Madness, Destry Hampton's bona fide cult classic. Caught up in the international punk zeitgeist, Hampton laid down his une saison en enfer in late '77 in the North Beach district of San Francisco with a pack of friends that included Danny Mihm from The Flamin' Groovies. Buzzsaw riffs and manic leads underpin Hampton's feral, reverb-doused vocals ("I'm feeling mean / Screwed up tight / O I'm ready to kill"). Angel of Madness is one of the most elusiv…