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Umut Caglar is the founder of Konstrukt and a key figure of Turkey's exciting contemporary underground music scene. His first solo LP is spacey but at the same time traditional. On the last track of the LP he's joined by the sublime voice of Kurdish singer Gulseven, who reads passages (in Ottoman) from a sacred poem by the ancient Persian/Turkish poet Noksani.
Restocked again, very last copies, hurry up....Awesome one! This one is very easy to describe: among all qbico and a-star records combined together (around 150/200 LP), this is among the three most powerful ones. imagine a cross betw Kluster and Taj Mahal Travellers with a Middle East feel (musicians are from Egypt, Turkey and Lebanon); their 1st record, rec. live in Beirut. the sound that you hear at the end of the second clip it's not a monster's breath. THE ticket to the ride.
Much needed vinyl reissue of a legendary minimal electronic classic by this enigmatic Italian band "Definitely ahead of their time, A.T.R.O.X. were one of the first bands to move beyond the new wave styles and introduce strong electronic elements. Not too far from works of contemporary groups such as Tuxedo Moon and Minimal Compact. The Night's Remains was originally released in 1982 on the Trinciato Forte Records label.Back in print on LP for the first time in 30+ years thanks to the fine folks…
At Last!! This long overdue, and well deserved reissue if finally here in stock! An amazing 4xCD box set including the complete Ghédalia Tazartès recordings previously issued on CD by Alga Marghen. This edition is presented in a newly designed slipcase box including 4 CDs in elegant slim digipak sleeves. Diasporas is the CD edition of Tazartès' 1979 first album, also including "Ferme ta gueule, Zarathustra" (previously issued as side A of Granny Awards (ALGA 036LP)). Tazartès' Transports is th…
Recent digipack CD reissue "This collective of jazz improv weirdoes banded together for a one-off in 1986 to riff on the deep vibe of all things French and cinematic. Backing vocalist Toni Marshall, Zorn, Beresford, and Toop created a virtual and highly experimental film noir soundtrack to a movie that perhaps existed in the mind of Jean-Luc Godard in the 1950s, but was never made. David Toop is clearly the sonic architect here, haunting the proceedings with his deep use of effects, subdued perc…
Awesome new release by the extended Lisboa ensemble lead by Ernesto Rodrigues and his crowd of talented collaborators (Guilherme Rodrigues on cello, Miguel Mira on double bass, Rogerio Silva on trumpet, Eduardo Chagas on trombone, Bruno Parrinha on alto clarinet, Nuno Torres on alto saxophone, Pedro Sousa on tenor and baritone saxophones, Abdul Moimeme on prepared electric guitar, Carlos Santos and Ricardo Guerreiro on computers, Monsieur Trinite', Nuno Morao and Jose Oliveira on percussio…
Recorded at Tcha3 studio, 12th October, Lisbon. Ernesto Rodrigues: viola, Louis Laurain: trumpet, Bruno Parrinha: clarinet and alto clarinet, Guilherme Rodrigues cello, Carlos Santos: electronics and objects
One main focus of Peter Ablingers music is on the features of human perception. In his words, "human beings are creatures that think of simultaneous things as things happening one after another. This separation of simultaneity to consecutiveness is mental thought… Listening is the perceptive function most likely to be capable of simultaneity." But the composer is not interested in the linguistic character of music which emerges on the background of syntactic and structural principles. The alter…
music that allows sounds to sound: to die away, completely, into silence sounds thought from their end: not moving forward, but drawing back. this creates space, expanse, a delicate serenity: silence - and what it shelters - becomes audible. this is singing with the ears: barely more than silence. a singing which not only makes, but becomes space: a space for worlds. phrases are also sounds: unfolded, laid out as a path. sound paths that come into being first when followed, invariably trail…
JF: The 24 words are the titles of the individual pieces, and they are at the same time the entire text. They are also a list that shows how the piece gets from a beginning to an end. It is, in a sense, a cycle not simply a collection of pieces - a cycle which begins, makes a journey and ends at a different place. TA: If I had to categorize this list of words, it seems to me they are addressed to quite different areas. Herzeleid (Heartbreak) for example, sounds old-fashioned, Einsamkeitsmangel …
Four text scores composed by Ryoko Akama (VCS3 synthesizer), Bruno Duplant (percussion, tone generator) and Dominic Lash (double bass, clarinet & laptop). The pieces are all text scores, carefully and exquisitely realised by three of the most interesting musicians to emerge on the experimental music scene in the last few years. The musicians combine in a fruitful and intimate exchange, producing a delicate and fragile web of sounds. Four beautifully evolving and carefully paced works.."-Another …
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
"I Am the Last of All the Field That Fell: A Channel" is perhaps the most uncategorizable album in Current 93's catalog. Though it employs a vast array of musics, it strategically integrates them in new ways and dynamically adds elements of improvisational jazz to the mix. Founder and frontman David Tibet's present lineup includes regular collaborators -- James Blackshaw, Andrew Liles, Ossian Brown, Antony Hegarty, and Nick Cave -- as well as new ones: Comus' vocalist Bobbie Watson, the Groundho…
Kye is proud to present the eponymous debut LP by Australia's Food Court. Centered around the core trio of James Rushford, Joe Talia and Francis Plagne - (alongside contributions from Yuko Kono, Chloë Smith, Alexander Garsden, Nat Grant, Simon Charles and Callum G'Froerer) - Food Court present two live interpretations of Solage's 'fumeux fume par fumee', driving the curious nature of the original composition into radical and extreme new open space. 'Food Court' arrives in a Karla Pringle designe…
Kye is proud to present the first fully authorized collection of sound work by esteemed Australian novelist Matthew Revert. 'Not You' takes Revert's diaristic/voyeuristic narrations and casts them against a loose-footing of home-recorded 4-track scrabble, iPhone overload, and migratory acoustic dreamsong. These constituent parts combine and flourish in a creative rite of passage that affirms 'Not You' as both hermetic tour-de-force, and masterpiece of primitive self-expression. Mastered b…
LP version. "The Invisible Hands is a transcontinental collaboration between Alvarius B. (Alan Bishop of Sun City Girls) and four stellar young musicians from Cairo, Egypt: Cherif El Masri, Aya Hemeda (both formerly of the popular Egyptian group Eskenderella), Adham Zidan and Magued Nagati. On Teslam, The Invisible Hands expand the already panoramic range of their eponymous debut LP with a haunting set of melodic, impeccably crafted songs whose vintage psych/hard-rock edge conjures up early …
RED VINYL. Italian sax wizard/multi-instrumentalist/electronic musician (and one of Caribou's Italian favorites) Valerio Cosi comes back after 5 years of silence with a new LP entitled "Plays Popol Vuh". We're not sure if he meant to cover the original titles by the legendary Krautrock collective, because if you're enthusiastically devoted to the 70's band you'll have hard time to find their original melodies in Valerio's renditions. We're sure and proud to tell that the magic he spreads in his …
Considered in the most general terms, the recording is a remarkable realization of a freely improvised timbral counterpoint. By putting lines made of sound color against each other, BRAC succeed in conserving the fundamental formal quality of the string quartet while working with a largely untraditional content. This isn't to say that more conventional pitches and phrases are absent; members of the quartet play elongated harmonized tones or sequences of tones at various points in the performance…
There are still so many treasures to be discovered out there, but once you find a gem like this you can definitely put the research on hold for a little while and give it a deep listen. Recorded at Fono Roma in 1971, Eroina is a series of haunting improvisations - each one inspired by the effects of a different drug - made of whirling electronic glitches, skronky horns, pounded piano, funky drums and weird tape experiments delivering the best drone/spaced/drugged out free jazz performed b…
Jean-Noël Cognard is a big initiator of projects and collaborations both in the studio and on the stage. With his label, Bloc Thyristors, he documents these musical sparks. One recalls the great epoch of Soixante Étages, which, at the instigation of Dominique Répécaud, attempted crossing genres in studio recordings for the benefit of the music. Tribraque, is Jean-François Pauvros (guitars and voice), Patrick Müller (electrosonic), Jean-Noël Cognard (drums & percussion). A surprising trio which e…