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Experimental /

Portland Arse
A true man of the world guitarist C Joynes travelled extensively through Pakistan, Sudan, Kenya, Uganda and Eritrea. Not surprisingly his playing is influenced by African music, especially on these recordings with the Ensemble which add a bunch of exotic instruments to his English folkmelodies for maximum alien ritual effect. 
Barca beach
Live recordings from Barcelona, summer 2009. Frankensteins Ballet features Mik Quantius (Embryo) speaking-in-tongues and Thomas Hopf on drums. Other members have played with Damo Suzuki, Michael Karoli, Michael Rother etc. Some serious damaged krautrock jams happening on this one, not to mention the weird dub space some of this is floating into. Edition of 70 copies.  
Windmills
Lubomyr Melnyk's latest major work in the last 15 years. It is a stunning tour de force for his signature 2-piano work, as it takes us through a dramatic and emotional sequence in the life of an old and battered windmill - from the turning of its gears to its beautiful closing Finale It was begun in 2009 and took 3 years to complete, with the addition of The Final Song Of Farewell from Windmill's ghost The music contains a story based on a very early Walt Disney animation, 'The Old Windmill'. In…
Requiem for a baby grand
Final piano music for 8 hands and tools. A film by Pavel Borodin documenting the performance by Hans W. Koch, Thomas Lehn, Ben Patterson and Jozef Cseres. 
Live at I-and-E
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith) Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
Jedwabnik
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Open
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…
Keeping a record of it
Keeping a record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.   'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
Vague
The duo appearing on "VAGUE" is Scillia Lorage and Kiko.C.Esseiva. The encounter between them gave birth to this project in springtime 2008 in which their intentions lie in experimental free improvisation. On this recording, Kiko C. Esseiva played live tape manipulations and Scillia Lorage weaves, with her voice, sounds that are manipulated live on her sampler. With spontaneity, they attempt to build soundscapes and sounds character; sometimes by walking on eggs, some other times trying to save …
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
G.P.O. versus G.P-O: A chronicle of mail art on trial
G.P.O. versus G.P-O: A chronicle of mail art on trial is a publication of Genesis P-Orridge’s collection of materials surrounding Great Britain’s General Post Office’s case against him for disseminating pornographic material through the mail in 1975. These postcards incorporated confrontational images with images of the Queen. When the Post Office made their case against P-Orridge, it became an opportunity to turn the case into another performance. G.P.O. versus G.P-O collects ephemera, legal do…
Transit of Venus
Sedimental deviates from its carefully fostered experimental music identity to release the debut of this Austin based indie trio. Given the quality of the songs, the simplicity and clarity of the musicianship, and the pedigree of the musicians themselves it was a rather easy and natural decision, not to mention indulging our own personal, highly eclectic tastes in the process. With its hypnotic drumming, driving bass, boy/girl dream-pop vocals, and chiming arpeggiated guitars building to swirlin…
Rembrandt Pussyhorse
Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia…
Shibari
Guitar and voice, recorded during the same sessions as Fear Of Music / Berlin, With Love. The stamina-defying screamer of Japanese noise and longtime vocalist for HIJOKAIDAN joins wrecker of civilization and one-third of THE DUSTRBREEDERS for two sides of very pleasant unpleasantness. Screen-printed cover. Red 7'- 45rpm, guitar and voice, limited to 200 copies with a screenprinted sleeve.
Line the clouds
Multi-faceted composer and performer Ashley Paul releases her new lp 'line the clouds', on brooklyn's rel records. a hyper-intuitive record, where off-kilter instrumentation meets beautifully crafted melodies to convey the very essence of 'musicality', 'Line the clouds' contains 44.18 minutes of sonic paradoxes and dichotomies. Stirring up a zephyr of twelve blissfully cacophonous sounds - singular moments of an indivisible whole the focus is on guitar, voice and saxophone, but Ashley also em…
Neum
Neum is a book of drawings, prints and diagrams by eli keszler made in conjunction with the presentation of the neum installation at the south london gallery Ð a large scale piece, occupying a 150 wide by 50 foot tall space made up of 16 overlapped and splayed piano wire, activated by a mechanical system which is featured as part of the group show 'at the moment of being heard'. the book consists of over 65 drawings, sketches and diagrams of various sizes dimensions and medias as well as 3 silk …
Days Of Plasma, Nights Of Drink
Nicely presented collaboration work from gonzo rock writer Byron Coley and Belgium art savant Dennis Tyfus: Byron contributes a buncha long-form autobiographical poems about living on the west coast as a kid, selling plasma to live, sleeping in trees, stomping on cop cars and drinking rum at punk shows while Tyfus presents a buncha glossy reproductions of visions of low-life hell and general bum-dom. Pretty great. 20 pages, edition of 200 copies, on matt and glossy paper stock (Volcanic Tongue)"…
Lipstick
This valley-chameleon changed colours more than David Bowie dyed his hair, which takes a lot of skin, brains and guts in an area that should have been called Noisehampton, a hay fevered pit surrounded by mountains that stare at champions such as Body/Head, Fat Worm Of Error, Thurston Moore, Breaking World, Joshua Burkett and so on, all playing in premier leak! Krefting was a member of the glammed Velvet rock band The Believers, of the much loved drone band Son Of Earth with Aaron Rosenblum…
El Nacimiento Del Huevo
Bernd Lohaus (1940 in Düsseldorf; + 5. November 2010 in Antwerpen) was a German artist (living in Antwerp/Belgium) mainly known for his sculptures, usually made of heavy found wood which he minimally changed (by carving in one word poems for example). He was a student of Joseph Beuys and together with Hugo Heyrman, Panamarenko and Wout Vercammen one of the first "Happeners" during the 1960's in Belgium, organising street performances in the centre of Antwerp. They published "Happening new…