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CD Edition. Pale Bloom finds Sarah Davachi coming full circle. After abandoning the piano studies of her youth for a series of albums utilizing everything from pipe and reed organs to analog synthesizers, this prolific Los Angeles-based composer returns to her first instrument for a radiant work of quiet minimalism and poetic rumination.Recorded at Berkeley, California's famed Fantasy Studios, Pale Bloom is comprised of two delicately-arranged sides. The first – a three-part suite where Davachi'…
Aspen Edities introduces a new duo project by guitar brothers Frederik Leroux and Ruben Machtelinckx in which banjo and woodblocks share the main part. The duo has already collaborated in the past (... Aspen 007, When The Shade Is Stretched, one of our favourite picks of 2018...) and this time they came up with a new name to officially baptize their project, Poor Isa. It looks like the latest Aspen Edities releases share an inspiration for the deep blue and Let's Drink the Sea and Dance makes no…
**300 copies** Belgian label Aspes Edities brings us an interesting split album by American multi-instrumentalist Shahzad Ali Ismaily - who has played for Tom Waits, Ceramic Dog and Laurie Anderson - and Belgian euphonium player and improviser Niels Van Heertum, who is having his second release on the label. The deep blue is the common denominator on this LP. On the first side - entitled Sea Legs - Ismaily offers one long and sparse composition that prominently features guitar and banjo, but als…
**200 copies** An evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher. During one of those clammy Afri…
**999 hand-numbered copies on golden CD** Critically acclaimed as one of the best records ever, 1974 Robert Wyatt’s masterpiece has been re-arranged by Craig Fortnam for his amazing North Sea Radio Orchestra. Featuring long time Wyatt’s collaborator and Henry Cow founder John Greaves on bass guitar and vocals, and the amazing vocalist Annie Barbazza as lead singer, this is an hearfelt, fantastic tribute to Robert Wyatt’s music. "This concert is a beautiful event, for me. These musicians seem to…
**400 copies** Active in Los Angeles’ 1980-1986 underground music scene, John L. Lafia is best known for the hypnotic album Prayers, released through Barry Craig’s influential, cassette-only label Trance Port Tapes. "Life Is Short", "A Promise", “Dream", “Hidden Things", "Spaghetti Western", and "Escape" come from that release. This compilation also features tracks from subsequent Trance Port releases: LA Mantra 2 ’s "Queen Of The Nile" and Phantom Takes’ "The Moth". John’s “Odyssey Girls” appea…
**250 copies** Discos Transgénero presents the first ever compilation of How To Get Rich In Rotterdam and Geluidshouwerij. These were projects of Chris Lindquist and Paul Stoute with the collaboration of Linda Lindquist, all of whom were based in Rotterdam in the early ‘80s. How To Get Rich In Rotterdam was a group - formed by Chris Lindquist and Paul Stoute - than only released one self-titled 7" record. This single was a very limited edition coming in two different covers. Johan Kugelberg sele…
**500 copies** Discos Transgénero presents the first ever album by The Manchester Mekon, a group of musicians that were active from the end of the '70s to the beginning of the '80s in Manchester. Influenced by Frank Zappa and the Mothers of Invention, Igor Stravinsky, King Crimson, Maurice Revel and Pink Floyd, the Manchester Mekon aimed to integrate composed and improvised music, blending orchestral and electronic sounds with rock, both live and in the studio. Over a period of five years (1977-…
**500 copies** Discos Transgénero presents the first ever reissue of the Domestic Sampler UMYU. Domestic Sampler was a project that Víctor Nubla (former member of Macromassa) recorded for the record label UMYU. It features a host of artists; a synergy of the scene that was happening in Barcelona at the beginning of the eighties. El Grito Acusador, Entr’Acte. Logotipo, Klamm, Secreto Metro, Error Genético, Detra’s Band 10, Boris, Mimi Pimer and Tres reflected the new wave underground scene of Cat…
**200 copies** Unearthed 1993 recordings caught on melting master tapes in the back of a second hand bookshop in Hamilton, New Zealand. A rare and temporary teen heat trio-incarnation of Armpit, which besides Clayton Noone and Jon Arcus also had Gordon/Nodrog joining in on drums. Four or five tracks were apparently recorded with this line up that also performed live once or twice. Some twenty-five years later, the hazy magic that occured in the back of that bookshop falls in somewhere in the mid…
**100 copies** Daksina is a new label rising from the ashes of the glorious Kelippah. Run by Pat Murano a.k.a. Decimus, also member of the No-Neck Blues Band, it presents its first two releases which come as extremely limited vinyl LPs housed in beautiful covers silkscreened by Alan Sherry at Siwa Prints on 12"x24" folded cardstock. On 'Ashwin' Tom Carter and Pat Murano offer two long and mesmerizing suites built on guitars and keyboards in the best experimental tradition that we would expect fr…
Deluxe reissue, on Audiophile Vinyl Reissue Series, roduced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging."A brilliant statement of modernist jazz from Sam Rivers – one of his groundbreaking early albums for Blue Note, and one of the most challenging sessions issued by the label during the 60s! The record's a real departure from Rivers' already-great Fuscia Swing Song – with tunes that go farther outside,…
**280 copies** Debut full-length from London-based three-piece originally hailing from New Zealand (Matthew Hyland), Germany (Anja Büchele), and Romania (Dennis Debitsev). Precious Waste In Our Wake (full title written nowhere: "The Fucking Terrible Receding Shapes, We Shed Precious Waste In Our Wake") is an endlessly beautiful, dense, and chaotic crawl through so many forms it can be difficult to ascertain what is actually at play here. Ostensibly a "rock" band carved from the same plank as pre…
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
**300 copies** A new work by David Jackman (Organum), Herbstsonne consists of a single 47 minutes long track which is the result of recording sessions at RMS Studios South London in 2018. Using the sounds of tanpura, piano, organ and bells the music perfectly captures the title of the piece which translates to Autumn Sun. Precision editing by Alan Jones. Excellent artwork by Jonathan Coleclough. "It is very easy to misunderstand David Jackman. Well, also to understand him, really. I don't ‘get’ …
A meeting of generations! The mighty Johansson paired with British artist Phillips for a collection of songs from... elsewhere. Johansson's unmistakable sensibility filtered through collaboration. Another essential chapter in an unparalleled discography
**300 copies** Astral Colonels are Anthony Pateras and Valerio Tricoli and this is their second album. On Side A ("The Difference of Similarity") the formidable use of a sound arsenal based primarly on prepared piano and tapes and a bright use of echo and repetition create winding tensions grafted into harmonics, irregular spiral-shaped non-progressions intertwining costantly on the ridge between the familiar and the unknown, a recurring alternation of stasis and fibrillation that delivers liste…
With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room. Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…
Outrageous. Rabid. Explosive. #Wtf? Whatever words you throw at Borbetomagus saxophonist Jim Sauter and Oneida / Man Forever drummer Kid Millions, they’ll chomp ‘em up and respond with a gargantuan roar to erase all notions of what a horn and skins can do. The duo’s prior albums were built of tightly, clustered bursts and barbed assaults. On Safe & Sane, Sauter and Millions eschew brevity for ultra-endurance. The opening “Chrysanthemum,” clocks in at 32 minutes and continues on Side B before a f…