The art of worms
The first publication from The Bookworm. Contents: 'Parasitic Infestation', an essay by Ken Hollings. Illustrations from the first 25 Tapeworm tapes, including works by SavX, Derek Jarman and Leif Elggren. 66pp, 110mm x 117mm, soft cover, thread bound booklet Ð no ISBN. Edition of 250 copies only
Collected Works: 2002-2012
Throughout the last decade, the works of Anthony Pateras have been performed by some of the world’s leading ensembles and performers. He has collaborated with a broad array of contemporary artists including Han Bennink, eRikm, Christian Fennesz, Paul Lovens, Stephen O’Malley, The Necks and Mike Patton. He is also one half of the mind-blowing piano/drums avant-grind outfit known as PIVIXKI, and is founder of the Electro-Acoustic-Free-Concréte quintet THYMOLPHTHALEIN.This 5-disc set covers many as…
Chora(s)san Time-Court Mirage: Live At The Grimm Museum Vol. 1
2024 restock. The world premiere of the infinitary computer animation NUR, and the accompanying infinitary computer sound composition SOLITON(E) STAR were given at Diapason Gallery (NYC) for the celebration of La Monte Young's 70th birthday in 2005. Catherine Christer Hennix has now extended this installation in the venerable tradition of the pentatonic blues for a live ensemble for voice, brass, computer and live electronics in the mixed-media environment. Blues Dhikr Al-Salam (Blues Al Maqam) …
Ecce Homo: A Portrait Of Célestin Deliège
Ecce Homo: A Portrait Of Célestin Deliège is a deep, strong and raw portrait of one of the greatest musical thinkers in Europe, who passed away in 2010. Célestin Deliège was the last representative (with Pierre Boulez) of post-War modernism. Prestigious musicologist (passing his encyclopedic knowledge through violent polemic), teacher at the Conservatory of Liege, Brussels and La Sorbonne, he impressed many students -- students who have since become important composers today, not the least…
Outside The Great Drought
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
For Pau Torres
Catalan musician Ferran Fages, known for his guitar work as much as his work with turntables and electronics, delivers here a striking album of evocative, nocturnal electric guitar explorations. Bracketed by two intricate pieces of feedback, the centerpiece of this work maps out a carefully constructed arc of a story, bringing this album closer to that often misunderstood soundtrack-for-a-movie-yet-to-be-filmed genre. Ferran Fages: electric guitar and walkie-talkie. Composed, recorded and mixed …
Narratives1: Dreams
"Narratives" is a series of "music text films" that centre on the experience of music mediated through animated text. Kyriakides has developed this form over the years, encompassing about 15 works ranging from orchestral, chamber, to electronic music. In the next year Unsounds will publish the whole collection in a series of DVDs. The first edition: "Dreams", collects the large scale ensemble works - "Dreams of the Blind", "The Arrest" and "Subliminal: The Lucretian Picnic" performed by E…
Medea
"Medea" by Calliope Tsoupaki is the first in a series of chamber music compositions focusing on drama; a "melodrama for 8 instruments". The composition is written for Ensemble MAE, that distinguishes itself for its colourful, direct, physical and improvisatory character. Tsoupaki uses the ensemble's palette, composing solos, duets, trios, wrapped in larger sonic fields, with a strong associative and visual impact. Further there is no story-telling for the listener to be led into the piece;…
The Leaden Echo
Portugese bassist Margarida Garcia remains one of the most distinctive improvising voices on her instrument even as she moves well beyond contemporary improv praxis with an umbilical that runs deep into the contemporary psychedelic underground. This new LP, released in an edition of only 200 copies on guitarist Manuel Mota’s Headlights imprint, sees her exploring some darkly dramatic arco drone space with enough F/X to sink the Titanic. The territory is murky, sub-aqueous, giving the nod …
CINo51
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Sunday Night, Sunday Afternoon
Sunday Night, Sunday Afternoon is the debut LP by the duo of Marcia Bassett and Samara Lubelski. Both musicians have played crucial roles in the development of underground sound over the last 20 years, tinting the broad waters of abstract folk, chromatic noise and long form drone, and cementing themselves as cornerstone artists in the process. Sunday Night, Sunday Afternoon is the perfect synthesis of Bassett and Lubelski's individual crafts - two sidelong forays into deep black string medi…
Frost frost
'Bo'Weavil is excited to present the second album from the Sydney trio Roil. All three of the members of Roil - James Waples, Mike Majkowski and Chris Abrahams have been active in the Australian jazz and Improvised music scenes for many years; James is possibly best known for his work in the Mike Nock Trio; Mike performs regularly with such musicians as Jon Rose and Clayton Thomas; many people would know of Chris through his work with the amazing three-piece group The Necks. Together they have b…
Bless them that curse you
'Bless Them That Curse You captures an unprecedented balance of claustrophobia and solace. It's a strange alchemy to render something both inviting and alienating; it requires a special kind of skill to create music that sounds like it's rattling apart at its seams, unraveling in a torturous but compelling fashion. It demands an acknowledgement of the fine line between noise and racket, between tension and tedium. Finding an interpersonal chemistry to pull it off can take years of searching and …
Two Falls & A Submission
Paul Hession, drums. Alan Wilkinson, saxophones. Simon H Fell, bass. ''Greetings, Grapple Fans' were the words that introduced Saturday afternoon wrestling on British commercial television when all three members of this trio were boys. These memorable words were spoken by a silky-voiced commentator called Kent Walton, who commentated on the wrestling between 1955 and 1988. When discussing improvised music one frequently use analogies and there are three in particular that usually come to …
Sticks, stones & breaking bones
the hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, "brutality", all of which point to performance, not playing. Musicians cling to the next solution that the media spotlight…
The Fugitives
**Limited edition of 300 housed in handmade silkscreened sleeve. Tipped for fans of Atelecine, Carter Tutti Void, Factory Floor** Ninni Morgia and Silvia Kastel make their first appearance as Control Unit on Italy's freshly minted Backwards label. Guitarist Ninni Morgia is a respected member of the New York underground scene, known for his work with La Otracina for Holy Mountain and Ultramarine Records. His co-conspirator Silvia Kastel was a willing participant in his Ninni Morgia Control …
Atto
Superb brand new release by Osvaldo Coluccino, enetirely focused on Acoustics objects. 'On a practical level : I struck or rubbed the objects, I breathed onto them etc. I never left them in peace in their (false) status of amorphous objects, or with their forced function, or with a univocal voice. I provoked them so that the 'new side', springs out from them and resounds. It doesn't matter what category of object it is; what matters is the aesthetic outcome of its 'singing'. Ethic-Aestheti…
Sex boy / Forming
2 GERMS cover songs by an Italian dracula and a American whore (a male whore)!! floor fillers in times where everyone seems to miss Cinderella's ballroom and tom tom, two places i unfortunatly never visited as i was still a foetus in those days!time has shopped and screwed us all, mainly with electronic scissors or thru older sisters with razor blades around their necks and safety pins in their cheekbones.don't go to pogo school, learn it on the streets!limited to only 150 copies!
Magisch Theater Productions
since the beginning of the 80's Sandy Nys has been involved in a million of industrial, ritual ambient, noise, wave etc solo or group projects, his main thing since some decades remains HYBRYDS, though he is one of the Belgian hometaping pioneers, alongside ClubMoral and Alain Neffe of "Insane Music".long before Hybryds, Sandy was, like every decent human being, fucking around at home with tape loops, tandy microphones, acoustics and metals, korg ms 10 synth and korg sequencers, a ton of marantz…
Magazine
while, during and after showing the video installation "Gargles from Ipanema" during the exhibition "Contour 2011" at Nekkerspoel Station in Mechelen, Belgium, a ton of hate-mail, lettres of complain and negative fleshbook-, twitter- and blog comments arrose from the smelly armpit of Belgium, people have spit on the TV screens and even cut the electricity out. therefore NMBS decided to remove the installation 3 days before the groupexhibtion closed down.the installation showed an older woman dan…