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Stupid Set are one of the most sought after bands of the Bologna rock scene. Their parabola ended in the early eighties but the band, led by Gaznevada's first bass player Gianpietro Huber, had been one of the most intense of the new era, leading to a connection with the stalwarts of American avant-garde. Truly they've been the Italian answer to Residents and Negativland. Soul of Trade was executed only three times in 1981 and was a strong emotional and technical effort: from the generation…
Following their groundbreaking collaboration with the Art Ensemble of Chicago, Comme à la Radio, Areski and Brigitte Fontaine began recording almost exclusively together as a duo. Originally released in 1973, Je Ne Connais Pas Cet Homme is their first record billed under both names. Deeply rooted in North African and European folk traditions, the album features evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings, and woodwinds. As always, there is a m…
Eremite presents the first CD edition of Joshua Abrams's acclaimed 2010 LP Natural Information, now out of print on vinyl. Abrams's first record for Eremite is another fascinating entry in his discography of recordings that gather aesthetic input from all over the map into vivid personal statements. At the heart of Natural Information is the guimbri, a three-stringed animal hide bass traditionally used by the Gnawa people of North Africa in healing ceremonies. Combining solo, trio, and qua…
Eremite presents the first CD edition of Joshua Abrams' acclaimed 2012 LP Represencing, now out of print on vinyl. Represencing is the second installment of the Joshua Abrams sound-world, first introduced in 2010 on Natural Information (MTE 061CD). Abrams again organizes small group statements around the resonant grooves of the guimbri, a North African three-stringed, animal hide bass, with a unique and broadly assimilative compositional voice. Blending sources that range from traditional mus…
One of the biggest rarities from the cosmische kraut underground scene has to be Hardy Kukuk’s lost 1981 top Berlin School electronic masterpiece Atemnot. Kukuk’s synth explorations take the adventures of masters of the genre like Tangerine Dream or Klaus Schulze one step further into the early eighties. Kukuk is joined on these recordings by Andreas Schneider on guitar and congas and Klaus Bloch (of A La Ping Pong fame) on guitar and tape effects. After Atemnot Kukuk recorded a second LP, Timel…
Wolfgang Orschakowski is one of the most free spirits of the krautrock underground. Hailing from Hamburg, he has been producing music, paintings and all other kinds of artistic projects for the past four decades, always active with dozens of new projects boiling inside his head. Zippo Zetterlink In The Poor Sun, originally released in 1971 as a self produced private pressing that is nowadays impossible to find unless you are ready to pay some amounts of money in the collector's market, was his f…
Jay Alansky, a.k.a. Patrick Arondel, was one half of the duet who brought us that amazing Beautiful Losers' Nobody Knows The Heaven album in 1974, among many other works - he has been active in the music world for the last four decades producing various albums through the years under many different aliases. But our matter today is a faithful reissue of his earliest works. Season, done with band mates Christophe Jacq, François Dorembus and Michel Michalakakos was originally issued on Arondel's fa…
Presenting a brand new composition from Taiwan based sound artist, YannickDauby, The Growth of Artefacts is a rich atmospheric soundscape based on british anthropologist Tim Engold's 'On Weaving a Basket'.'The world of our experience is, indeed, continually and endlessly coming into being around us as we weave. If it has a surface, it is like the surface of the basket: it has no 'inside' or 'outside'. Mind is not above, nor nature below; rather, if we ask where mind is, it is in the weave of the…
The first solo electronics and percussion by the radical European improvisor since 1979, '?''!' is the culmination of decades of research into and experience of new modes of communication. The disc, recorded and mixed in Germany by Gerald Schauder, features cover art in collaboration between Lytton and Brazilian artist Federico Peñalve.Lytton, a central figure in the British free improvisation movement of the 1960s and 70s which included Derek Bailey, Evan Parker, and Paul Rutherford, was instru…
Pressed on 180-gram vinyl; includes 23" x 23" foldout poster. Originally issued in 1981, Miniatures is a concept compilation album that is certain to delight the listener on a multitude of fronts simultaneously. Conceived in 1980 by Morgan Fisher (erstwhile keyboardist for Mott the Hoople) as a means of addressing the scope of music and musicians that he loved but lacked time enough to release, Miniatures draws from an array of artists whose submissions exist within the strict framework of a 60-…
2025 Stock. The Work emerged from the dissolution of Henry Cow in 1979, formed by saxophonist Tim Hodgkinson, guitarist Bill Gilonis, bassist Mick Hobbs, and drummer Rick Wilson. Their inaugural LP, Slow Crimes, is a little-known treasure of transformative magnitude, so rabidly articulate that it presides over and resides in a world very much unto itself. While falling within the loosest guidelines of post-punk, the term proves inadequate: the textural intricacies and distinct deliberacy through…
R. Stevie Moore is often called the "godfather of home recording," one of the most recognized artists of the cassette underground, and his influence is particularly felt in the bedroom and hypnagogic pop artists of the post-millennium. Since 1968, he has self-released approximately 400 albums. Born the son of Nashville A-Team bassist Bob Moore, Moore grew up in the 1960s listening to the Beatles, the Beach Boys, the Mothers of Invention, and Jimi Hendrix. In his teens, he acquired access to a re…
2025 Stock. 180g vinyl with insert. Ossification is like an amazing party held at This Heat's Cold Storage studio, with friends like Felix Fiedorowicz, Tom Cora, Tim Hodgkinson, Bill Gilonis, Zeena Parkins, and Catherine Jauniaux creating one of the most unusual, pleasurable and character-filled "pop" records you'll ever hear. Recorded at Cold Storage in Brixton between 1983-84, this debut album from Mick Hobbs' project stands as a timeless anomaly: fourteen songs that contain the spirit of pop,…
Peter "Sleazy" Christopherson was a musical legend, one of the original members of Throbbing Gristle and an innovative musician in his own right. This live recording is an homage to the short film by Derek Jarman: The Art of Mirrors. Recorded before the end of Coil in 2004 and captured here on cd."This ‘Homage to Derek Jarman’ is really a triple homage in itself. Obviously a cementation of the mastery of one of the original Throbbing Gristle noiser, the music by association contains the DNA of J…
The Megaphone & Knock 'em Dead labels present the fifth release from improvising trio Konk Pack. Konk Pack are a two-thirds British and one-third Austrian "organic" improvisational group. Their music can be very delicate and light but when they get hot and bothered, it's like being inside of a hurricane, an earthquake and an electrical storm, all at the same time. All three members of Konk Pack have been improvising for decades with musicians like Lol Coxhill,Cecil Taylor, Tom Cora, Alan Silva, …
‘Black Snakes’ was issued in 1983 as a co-release by Switzerland’s Rec Rec and Germany’s Pure Freunde label. With a quartet featuring synthist Allen Ravenstine doubling on soprano sax, this was a smaller group than had appeared on either of the Crayola’s two previous releases, ‘Soldier-Talk’ and ‘Kangaroo?’. Mayo Thompson’s guitar in particular shines in the space allowed by this configuration.
Two of Constellation's acclaimed solo instrumental artists join forces on this tremendous new album of original compositions for horn and violin. Colin Stetson has developed a unique and renowned voice as a performer and composer, chiefly on bass and tenor saxophones, where he rallies an array of technical strengths and innovations (circular breathing, contact micing of his own body and the body of his instrument, vocalizations through the reed) to make some of the most captivatingly organic, da…
“The absolute works together with the relative, like two arrows meeting in mid-air.” So wrote Chinese Zen ancestor Shitou Xiqian, in an eighth century poem known as “The Sandokai” – or “The Identity of Relative and Absolute.” There’s more than a faint echo of Shitou’s ancient words reverberating throughout “The Pilgrim to the Absolute,” an essentially wordless but highly communicative new album from the Peruvian sound collective known as Montibus Communitas. It’s an echo that signals the merging…
2024 Restock. Before New Age hit terra firma at the dawn of the 1980s, the classically-trained Bay Area composer Jordan De La Sierra's consciousness soared with cosmic concepts. With cues and lessons from the great minimalists La Monte Young, Terry Riley, Pandit Pran Nath, and help from the venerable public radio program Hearts of Space, De La Sierra embarked on journey in alternate tunings and resounding reverberations, transporting entranced listeners from the Golden Gates to the intergalactic…
Famlende Forsøk was formed in 1981 and came out of the scene around the cassette label SHiT Tapes from the Arendal area in the south of Norway. The original line-up stands today: the duo of Lumpy Davy and ChrispH creates the music and intergalactic poet Brt provides his vocals with highly idiosyncratic lyrics.Famlende Forsøk's music draws influences from several sources - coming out of late 70's industrial noise/cut-up experimental music they fuse their sound with equal parts psychedelia, progre…