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Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
"Silver Sessions were taken from an evening when Sonic Youth had to do vocal overdubs for 'A Thousand Leaves' - the band upstairs was hammering out some funky metal overdrive and we couldn't "sing" properly - we decided to fight fire with molten lava and turned every amp we owned on to 10+ and leaned as many guitars and basses we could plug in against them and they roared/howled like airplanes burning over the pacific - we could only enter the playing room with hands pressed hard against our ear…
The pieces in Tzadik's collection of early works by Meredith Monk have either never been released before or are heard in performances released here for the first time. Since her 1981 album Dolmen Music, Monk has recorded for ECM, and these selections (including some live performances) all predate that release. The album begins with a disarmingly simple version of Greensleeves, made in 1966; it's intriguing to hear Monk's distinctive voice conventionally used in a folk song. Monk tends work in la…
A vinyl re-release of four pieces for prepared piano, originally from 1978, played by Hermann Keller himself in a non-traditional way. Including 'Ex Tempore VI und Anrufung', 'Ex Tempore I', 'Schwebungen-Brechungen', and 'Ex Tempore VII'. Hermann Keller is the prototype of a circumspect and restless experimenter, an improviser who turns out unprecedented inventions while holding his audience in thrall. One of his favorite occupations is to play ex tempore at the piano, attacking the keys and the…
Pestrepeller join forces with the Opalio Brothers for an incredible limited edition split album; also a picture disc with mind-bending artwork by Pestrepeller's Savage Pencil and My Cat Is An Alien's Robert Opalio. The Pestrepeller side is a twenty-minute psychedelic epic that starts with a journey through a wind tunnel and ends up on the back of a giant churning bass-driven streamroller which flattens all in its path. This sees t…
Here at last, is part of the "missing link" in the long and ever evolving history of ramleh. This material bridges the gap between the (for want of a better description) early "power electronics” material and the (for want of a better description) later "noise rock" . Neither of these terms do justice to this pioneering group led by Gary Mundy. Originally issued by Gary's own "Broken Flag” label in 1987 on cassette, "Hole in the Heart" is presented here, both expanded and remastered on a double …
This is an original copy of a 1984 privately released avant experimental music Boxset of 3 LP’s (plus a 4 pages informative insert) by the obscure Phren ensemble. The music is very atmospheric and higly experimental/ free improvised not far from AMM, MEV or Gruppo di Improvvisazione Nuova Consonanza but more in a 'german' way if i might say so (and if it says something!).
Breaking form from the more overtly free jazz-oriented agenda the Treader label has based itself upon, this release finds Jason Pierce of Spiritualized and Spacemen 3 tackling a lengthy piece of music assembled from electronically treated guitar loops (as you no doubt guessed from the title) and a bit of lo-fi percussion. The resultant thirty five minutes of music is an enormously dynamic, often rather difficult venture into the avant-garde, far-removed from the trance-inducing pop Pierce built …
These quartet recordings feature the improvisational skills of trumpeter Ishmael Wadada Leo Smith, guitarist John Coxon, keyboard player Pat Thomas and drummer Mark Sanders - an ensemble that convened at Abbey Road Studios last year to commit these five pieces to tape. Wadada takes the lead, perhaps most staunchly reminding you that this is, at heart, a jazz album thanks to his florid, lyrical phrasing. The relationships formed between the instruments are an immediate source of intrigue, forming…
A new group comprising Hot Chip's Alexis Taylor, This Heat's Charles Hayward and Treader label regulars John Coxon and Pat Thomas, this quartet are an explosive improvisational outfit, with Hayward leading from the backline via some stunningly powerful drumming. The remainder of the musicians take up predominantly electronic instruments - mostly synthesizers and samplers, but within Taylor's musical menagerie you'll hear a spot of electric guitar, percussion and shruti box. This record is more o…
Cello and voice. Lene Grenager (1969) is a cellist and composer from Norway, internationally well known from the ensembles Spunk and Lemur. Swedish singer and composer Sofia Jernberg (1983) is mainly a soloist, but she also works with different gropups, The New Song, Paavo, Yun Kan 10. CD in a yellow cover with text by Thomas Millroth.
Mind-scrambling free jazz, noise, experimental drones, and uncategorizable sound experiments from the wilds of Judith Kan, voice. Jac Berrocal, trumpet, piano. Dan Warburton, violin, keyboards. Béatrice Godeau, cello. Jean-Noël Cognard, percussions. Recorded by Patrick Müller, 2009. Cover by Jörg Morning. Limited to 300 copies.
A thirteen year time warp and the bizarre narrative of a humble Norwegian discussing Ôtopical Belgian issues' from the very edge of West Yorkshire makes this a very strange recording indeed. Former Mayhem front man Maniac (Skitliv, Sehnsucht, Bomberos) has teamed up with Andrews Liles and Czral (Virus, Ved Buens Ende, Aura Noir, Dodheimsgard) to release an album that he and Czral began working on in 1996. The 14-track album will have the title 'Det Skjedde Noe NŒr Du Var I Belgia' (Something Hap…
'Combine xxi, combine xxii' is the second vinyl album documenting the ongoing collaboration between tape loop composer destroyer jason lescalleet and ron lessard, aka noise legend emil beaulieau and head of the pioneering rrrecords label. while due process has been lessard's longtime umbrella for collaborations (which previously have featured like-minded outsiders tom dimuzio and john wiggins), this current iteration of due process is an altogether different beast. using severely manipulated rec…
Otomo Yoshihide: electric guitar, acoustic guitar. Seiichi Yamamoto: electric guitar, acoustic guitar. Produced by Otomo Yoshihide and Seiichi Yamamoto. Recorded and mixed by Yoshiaki Kondo at GOK Sound, Tokyo, August 2007. Mastered by Tetsuya Kotani at Omega Sound, Osaka.
Although it's better than prison, it still isn't easy to live with two guys wearing an ankle bracelet, in the smallest possible wooden cabin somewhere in between new york and detroit. There's no food anymore, tab water is not drinkable, and eating each other's intestines seems to be the last enjoyable possibilty. The thick dense sound of synth throbbing bubbles up from these hungry bowels. 2 synths fighting their ways to better times, though right now everything looks pretty dark, gnarly and ind…
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
When Chris Corsano turned 6 years old, I already begged him on my wounded knees to record an LP for Ultra eczema. He played it cool, was clearly annoyed but remained polite. From then on (he is now 46) I would email him the same question daily. I slept in a tent in front of his house, sent him letters every week, had all his different cell phone numbers, I even gave him new clothes, though he kept wearing his fully blue outfit. Much like Michael Jackson, corsano, the last drummer on earth, alway…
Duck Baker (guitar), Derek Bailey (guitar), Cyro Baptista (percussion), Roswell Rudd (trombone) and John Zorn (alto saxophone) Tracks Improv 1 & 5 recorded at The Knitting Factory New York 1993. Tracks Improv 2,4 & 6 recorded London 2002. Track 3. The Blues recorded at the Outpost Alberquerque 2004. Track 7 Pavement Blues recorded at Tonic New York 2002.
This CD is markable reissue of very rare first LP of Somei Satoh. Like several other composers of his generation, Somei Satoh has an affinity for mysticism and meditation, and he attempts to convey stillness and timelessness in his extremely slow music. His works may be described as ambient, but their minor key harmonies and step-wise melodies seem more conventional than the blurred, unearthly sonorities usually found in that atmospheric genre. ALM Records issued some important LPs of Satoh's ta…