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Amolvacy is Aaron Moore from Volcano the Bear, Dave Nuss from No-Neck Blues Band, and Sheila 16 of the Laboratory Theater Group, NYC. The band creates compositions from its improvisations centered around strong elemental percussion, radical theatrical vocals, and classical acoustic instruments. Recurring themes in Amolvacy’s texts are the pain of relationships, the affirmation of the feminine in myth, the hero’s journey, and continuous need to flame the passions of the heart. “A La Lu La” specif…
Electric guitarist Chris Forsyth (Peeesseye) and organist Shawn Edward Hansen (Phantom Limb & Bison) run rock music through a filter of transcendental experimentalism and improvisatory nerve. The result is a disorienting, psychedelic, and beautiful realignment of rock music’s form and function.
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
Special limited edition CD to celebrate the 2009 Tour of Ohio-giants of drone Emeralds and savage noise-makers Pain Jerk. "Ohio's Emeralds cross swords with the fearsome Pain Jerk on the consistently strong No-Fi imprint, contributing one recording each. The two pieces compliment one another beautifully, though you'd imagine the two acts to make uneasy bedfellows: Emeralds' half-hour of blissful analogue motion ('Landlocked') faces off against the grotesquely noisy 'Beserker' (a "noise/voice/akt…
El pulso (1991) is a live collaboration with other guitarists. Masayuki Takayanagi (g), Toshio Sato (g), Shojiro Ikeda (7st.g), Akira Matsuoka (g), Hidetoshi Tanba (g), Taisuke Sakamoto (g), Shinichi Miyazaki (g), Nobuyoshi Ino (bass). Quite possible one of the strangest releases in the Takayanagi (New Direction Unit) discography: an acoustic guitar nontet playing covers of South American tango, milonga, vals, rumba, &c.
Masayuki Takayanagi: guitars, motors, tape recorders, ring modulators, analog effects, megaphone speakers, etc. Filmed by Yasunori Saito and Kyoko Saito at the New Direction for the Arts Regular Concert Vol. 69 (1, 2) and Vol. 70 (3, 4), at Jean Jean, Tokyo, August 4 and December 17, 1990. Recorded by Masaki Shimada (1, 2) and Yasunori Saito (3, 4). Film edited by Yoshihiro Imaizumi. Cover design by Hidetoshi Shinohara.' + 1 free blank CDR.
Burkhard Beins: selected percussion, objects. Lucio Capece: soprano saxophone, bass clarinet, preparations. Rhodri Davies: electric harp, electro acoustic devices. Toshimaru Nakamura: no-input mixing board. Recorded live at NPAI Festival, Parthenay, FranceJuly 19th, 2007. Mixed by Toshimaru Nakamura. The artwork for this disc was created by QQ in Argentina.
Nicholas Christian - Matt Milton - Dddie Prevost - Bechir Saade, recorded on sunday 17th of june 2007 at Atomic Studio London. “Spontaneity is not mere impulse… It does not imply undeliberated behaviour or feeling. Spontaneity is behaviour, feeling and thought that is free of external constraint, of imposed restriction. It is not an an uncontrolled effluvium of passion and action. Insofar as the individual removes the fetters of domination that have stifled her or his self-activity, she or he is…
Kato Hideki (electric bass with prime number tuning, bass synthesizer). Tetuzi Akiyama (prepared electric guitar, electronics). Toshimaru Nakamura (mixer, headphones, electric guitar). Recorded live by Kato Hideki at SuperDeluxe in Tokyo on November 25, 2008. Concert organized by Noda Shigenori Callithump). Live sound engineering by Noribumi Uchida (SuperDeluxe). Mixed and mastered by Kato Hideki at Shadow World Studio in Brooklyn, NY in 2009. 'Time is an essential subject in music. Conventional…
An edition of 300 copies on 180 gram blue vinyl and packaged in a custom made book bound sleeve. Available late August 2009 (delayed from original release date due to nefarious pressing plant.) 'Anal Aura Gram' is a vinyl version of the long deleted CDR that came in limited quantities with the 2003 album 'Aural Anagram' and also features a bonus 7' disc of two remixes by Steven Severin (Siouxsie & The Banshees, The Glove). How many lives would be saved if every one had an Anal Aura Gram? Andrew …
The nihilist spasm Band began in the summer of 1965 in London, Ontario as an informal kazoo band of friends making a soundtrack for a film by the late artist Greg Curnoe. We soon built new, louder electric instruments. We played noise music because we did not know how to play real music. In 1969 we toured Europe for the first time, playing at the Paris Biennale des Jeunes and at the Institute of Contemporary Arts in London, England. It was not until 2004 that we toured Europe again, playing at V…
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner wrote a piece for the Zeitkr…
Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track - titles here stem from ‘El Mundo Alucinante’ de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriand’s ‘Mémoires d'outre-tombe’. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, ‘being infiniment exigent’ in it’s means of expression. DSM began in Berlin arm…
Brand new release from Brighton mongs Blood Stereo, duo of Dylan Nyoukis and Karen Constance. 'Your Snake Like King' picks up where last years 'The Magnetic Headache' left off, a shape shifting and strange mix of tape collage, free vocals and electro-acoustic mischief. Midnight to 3am recordings fueled by grape and smoke conjour up a blurred narrative, the meaning of which is never quite clear, like weird off camera sounds in some tripped out movie. "Anal fins tucked in tight behind them, B…
Kenrimono is a type of pachinko machine for advanced players which gives certain privileges during the course of a high-risk game. This LP is entirely based on field recordings and manipulations made from sounds in pachinko parlors in Kansai area, Japan in 2007. A very intense and meditative atmosphere to be played at maximum volume. Active since the early 90's in sound art and image, ILIOS has been exploring the extremes of sound and image derived phenomena. Through constant change in his sound…
** Edition limited to 340 copies, with full-color cover, infra-Suprematist inner sleeve and ultra-liner notes insert by Keith Connolly. ** Recorded close to the group's inception in 1994, “Languid Red Marchetti” is the NNCK sound in its empirical form, rhythmically a-linear and fundamentally abstract. While NNCK would go on to become a seven piece performing group, recording and touring extensively, this recording documents a smaller group of four original members engaged in the hermetically sea…
One-sided release, restocked every so briefly. "YES!!! Finally!! Angus and Bon Scott would def label this knockout collab as grade A T-N-T!!! Here's how it went down: The Machines were kicking it Brooklyn style last January for some jam time with Burning Sess Core, and the Tovinator had a solo slot in Glasslands on Super Bowl Sunday. Seeing how we both were worked up from the Pitts power plays and amazing Puck and Queen B quality time, Thurston added fuel to the fire and suggested that Conrad hi…
Available for the first time on DVD! Special Edition Box Set featuring 150 page booklet and poster. Poet and hero of the American counter-culture, Jonas Mekas, born in Lithuania in 1922, invented the diary form of film-making. Walden, his first completed diary film, an epic portrait of the New York avant-garde art scene of the 60s, is also a groundbreaking work of personal cinema. An amazing edition, featuring Tony Conrad, Stan Brakhage, Carl Th. Dreyer, Timothy Leary, Baba Ram Dass, Gregory Ma…
Senso is a live recording from two shows at the heralded and, sadly shut, Tonic club in NYC December 18, 2004. It was a lovely evening when O'Rourke and Moore, both of whom had played with White Out, but never together, would set the controls for the heart of the universe. Each set was its own distinct drama and captured the four players in a unified mind meld bringing the audience with them on a spirit-high journey.
White Out is a sound terrorist collective of two, arising from the freedom-charged excitement of the NYC improv community. Drunken Little Mass marks the summit meeting between the combustible duo of multi-instrumentalist Lin Culbertson (analog synthesizers, autoharp, flute, and treated voice) and Tom Surgal (drums, gongs and infinite percussion), and free agent/renaissance maestro Jim O'Rourke (Powerbook and guitar). The contents of this album are totally improvised, recorded in one take, with n…