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“Belles Betes” features 4 new tracks fuzzed-out heaviness. The track ‘Green & Cold’ is currently streamable from Nadja’s MySpace page, and it sounds awesome - dark and brooding yet subtly melodic. Like most Nadja releases, “Belles Betes” is annoyingly limited. It’s being released as an LP and will be limited to 500 copies. Click the Beta-lactam link below for samples from each track and additional album info.
Long one of Boston's musical gems, The Fully Celebrated (Orchestra) have always been Jim Hobbs: alto sax, Timo Shanko: bass, and Django Carranza: drums. A jazz band playing the rock clubs like the young punks they were, developing along the way into the sages they have become. Following a series of European and self-releases, Drunk On The Blood Of The Holy Ones is their auspicious AUM Fidelity debut: a stellar set of all new compositions, recorded live in the studio and then mixed utilizing the …
LP has tracks not on the CD and not available via download. The Four Aims is the much-anticipated second full-length by the long-running duo of Mick Flower (Vibracathedral Orchestra, Sunroof, Michael Flower Band) and Chris Corsano (Flaherty/Corsano, Jandek, Bjork, Sunburned). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record w…
Nature Unveiled is Current 93's seminal first album. It's been returned to its original format of two tracks, and has been beautifully re-mastered by Denis Blackham. This reissue comes with a booklet with early photographs of the group members-- who included David Tibet, Steven Stapleton (Nurse With Wound), John Balance (Coil), and Little Annie-- and original insert materials.
Dogs Blood Rising is Current 93's seminal second album. It's been returned to its original formats of five tracks, and has been beautifully re-mastered by Denis Blackham. This reissue comes with a booklet with early photographs of the group members-- who included David Tibet, Steven Stapleton (Nurse With Wound), and Steve Ignorant (Crass)-- and original insert materials.
The long-awaited Aleph at Hallucinatory Mountain is Current 93's first album in three years, following their double-platinum-selling Black Ships Ate the Sky. Spinning around epic series of verses written by Current 93 founder David Tibet, the new album sees Tibet back with a new 1972-style supergroup comprised of himself on vocals and July and Gorgon guitars; guitar hero James Blackshaw on 12-string guitar and piano; counter-culture guru William Breeze on electric viola and viola-controlled samp…
Canadian cartoonist and Bananafish #17 cover artist talks with Robert Dayton about his hallucinatory style and techniques, and the effect on his work of education, interior decoration, comics, Fluxus and other abstruse art movements, and mental illness. On the CD: All-Star Schnauzer Band "No Onkyo"
Delving into the realm of deep listening, transported by way of analog synthesizers, Family Battle Snake weaves an electronic web that cocoons the listener in warm cascading frequencies. Calls to mind classic electronic composers such as Charles Dodge, Charles Wourinen and even a hint of NWW. Family Battle Snake is Bill Kouligas, a London-based Greek who also performs and records with Sudden Infant. Astro is Hiroshi Hasegawa of the legendary and now defunct Japanese noise unit C.C.C.C. Sonic wav…
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
Collaborative compositions by Jean Claude Jones (electro acoustic bass and live electronics), Loic Kessous (computer and live electronics), Stephen Horenstein (baritone saxophone). Recorded and mixed at Kadima Studio, Jerusalem, May-June, 2006
Improvised music group originating from Haifa, Israel. Ofer Bymel (drums), Adi Snir (soprano & tenor saxophone saxophone, clarinet), Michel Mayer (guitar), Ronni Benner (guitar). A clean, sophisticated minimalist style and a sound that fits snuggly into the soft abstract current European scene.
Part 1 : Ariel Shibolet solo (soprano saxophone). Part 2: Between the strings with JC Jones (electroacoustic bass), Daniel Hoffman (violin) and Nori Jacoby (viola). Part 3: all together. Recorded live in November 2006 at the Tel Aviv Museum. Between the Strings is a Creative Improvising Music trio exploring the collision of sounds, noises, rhythm and melody. Comprised of violin, viola, contrabass and live electronics, Between the Strings creates rich orchestral and other-world timbres. Driving g…
Track titles are from paintings by Mark Rothko. Ariel Shibolet (soprano saxophone), Aurora Josephson (voice), Jen Baker (trombone), Scott R. Looney (piano), Damon Smith (double bass). Recorded by Scott R. Looney, 8 January, 2006 at 1510 Studios, Oakland, CA, USA. Mixed by Scott R. Looney. Cover: five linocuts by Aurora Josephson.
2005. Harold Rubin (clarinet, poems, cover drawing), Jean Claude Jones (electro acoustic bass & live electronics). Recorded on May 2004 & July 2004 at Digi Hip Studios, Hod Hasharon, Israel. This album documents the musical - spiritual meeting between the two leaders of the Israeli improvised music scene. Harold Rubin started the movement on the late 1980's, after his legendary group Zaviot disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude Jon…
Harold Rubin, clarinet. Recorded: 2002. Released: 2002. 'If it wasn't for the fact that Harold Rubin (musician, painter and poet) lives and creates music in Israel, I'm pretty sure that he would have become one of the best-known icons of avant-garde jazz worldwide. Since I 'discovered' Harold 20 years ago, he never ceased to amaze me every time I hear him play live or hear any of his recorded music. His absolutely unique approach to his instrument Ð the clarinet Ð and to music in general is phen…
2005. 2nd volume of improvisational duos recorded by Jean Claude Jones with his friends in 2004 (with a few earlier pieces). As usual this music is highly intellectual, with very personal approach to inprovised free jazz. Friends include Ned Rothenberg (bass clarinet and alto sax), Victoria Hanna (vocals), Harold Rubin (clarinet, original text), Joseph Sprinzak (voice), Hagai Fresthman (drums), Daniel Hoffman (violin), Gan Lev (reeds, home made didg), Nori Jacoby (viola, flutes).
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…
Israeli bassist and Improvised Music pioneer Jean Claude Jones revisits eleven musical pieces recorded live and in studio over a period of ten years, performing, what he calls recomposition of the pieces. In his own words: 'As opposed to mere editing, recomp involves the deconstruction, subtraction, rearrangement, and reconstruction of the material. It not only changes the sequencing, but it radically affects the feeling and the flow of the music. It also changes the texture of the weave, the vo…