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Collaborations can be a hell of a gamble. Fortunately, it seems that in the world of the underground music lover, collaborative ventures always seem to turn out to be synergetic exercises that yield amazing results. Churinga Canaries is such an endeavour: a one-off group effort improvised by four of the brightest lights in the UK underground music dog-and-pony show. A rundown of the participants should be more than enough to cause many of you to drool with excitement. Phil Legard (Xenis Em…
Long deleted, 1 copy available: "Odd colored carpet of bizarre 3D fields dominate the bright and lurid psychedelic forests youll have to run thru to grab a mug a brew at the end of the trip! Hop on the back of a giant pink elephant and let go, eventually follow his tiny dick-like tail if u are too small to climb up this pink turt in space! But do give it a try and check out whats left? Thats right: nothing! Just a puddle of restless throbbing poop in different colours. The elephant turns out to …
"And still they keep coming, these Finnish Improv shamans creating a brand of rough magic that intoxicates with its guileless charm and fearless recourse to instinct over deliberation. These two Qbico releases are naive and a little kooky, but never gratingly so. Both raise smiles and lift spirits, and while they could well be dismissed as formless, sloppy freakouts, they're a lot of fun. Both Cluster and Lauhkeat Lampaat (the name translates as Meek Sheep) are affiliated with the free/folk jazz…
Just arrived: alga marghen proudly presents an LP edition including two experimental sound works by Gherasim Luca, created in close connection to Sten Hanson who invited the Rumenian artist at Fylkingen in the very beginning of the 1970s and made him discover the possibilities of the advanced EMS electronic music studio of Stockholm. The two recordings presented here are quite unique as they are the only poems by Gherasim Luca created through the use of electronic manipulations. As Henri Chopin …
Alípio C Neto (soprano & tenor saxophones), Dennis González (trumpet), Ernesto Rodrigues (viola), Guilherme Rodrigues (cello, radio) and Mark Sanders (drums 2008). Recorded 15-06-08 Lisbon.
From orchestral works to installations, Peter Ablinger's oeuvre explores the differences between reality and our perception of reality. In '33–127' for electric guitar and CD, Ablinger confronts the rational, human division of sound into musical scales with the complex acoustical reality of any given moment - its "noise." In each of the 95 pieces that make up 33–127, these two realities come face to face again and again. In each piece, a scale descends, with gentle and unpredictable irregulariti…
Ute Wassermann (voice, whistle), Phil Minton (voice), Thomas Lehn (analog synthesizer) and Martin Blüme (percussion). Recorded in Bochum and Köln 2008. Mixed and mastered by Thomas Lehn.
Wien 17, Schumanngasse (1967, 3 minutes), Hernals (1967, 11 minutes), Safety film (1968, 6 minutes), Sugar daddies (1968, 9 minutes), Eroticon sublim (1968, 2 minutes), Der ort der zeit (1985, 40 minutes), Prince of peace (1993, 8 minutes), (Calcutta) go (1993, 9 minutes). Bonustracks: 'Wiener underground' (1969, 9 minutes). All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or…
'Baroque statues' (1970-74, 15 min), 'Iris' (1971, 10 min), 'Chairs' (1971, 2 min), 'Selfportrait' (1971, 4:30 min), 'Shapes' (1972, 9 min), 'Couples' (1972, 9 min), 'Palmistry' (1973, 10 min), 'Art education' (1976, 8 min), 'Maria Lassnig Kantate-the ballad of Maria Lassnig' (1992, 8 min). Lassnig trained at the academy of Fine Arts, Vienna, and then spent several years in Paris in the 1950s and 60s, where she was exposed to Art Informel and Surrealism. From 1968 to 1980, she lived in New York,…
The ongoing study and execution of harsh noise by driven artists constantly reinstates the medium via different techniques, concepts, and different artist amalgamations for a collaborative work. For myself, working with the different 'warbling' and generative moving lines of modular synth from Carlos Giffoni offered me a chance to investigate many different 'spaces' of tone and line manipulation. The examination and crossing of the different Lines slowly become their own parallel entity as the a…
Originally released on vinyl Incus Lp 12. Engineered into digital format by Robin Prater. Derek Bailey (electric and acoustic guitars, voice). All recordings spring 1974 except one track. Recording by Bob Woolford and Martin Davidson.
'I have been begging the Massachusetts based acidfolklorist Joshua Burkett to do a record on Ultra Eczema for years. I met him through Ron of Sunburned Hand Of The Man about 5 years ago, when they did a duo radio session at Radio Centraal, which later got released as a Pewtr Trust CDR on UE. I was struck by Joshua's mix of shyness, amazing and heavy acoustic guitar playing and his encyclopedic knowledge of weirdo music. His music is usually so silent that it makes you all tense and walk on socks…
Aaron Moore is best known as part of Volcano The Bear, described by The Wire as producing some of the finest, wildest British music of the last 10 years on record and on stage', and revered for their peerless releases on labels such as Beta-Lactam Ring and Nurse With Wound's United Dairies. He's also one third of Amolvacy (along with Dave Nuss of No Neck Blues Band), and the Paris-based Textile Orchestra. Alan Courtis was of course an integral part of the infamous Reynols, and has been involved …
This is Sylvain Chauveau record #8. Sylvain Chauveau, piano. Recorded in 2008 by John McEntire in Chicago. 'Touching down lightly is a new full-length (surprise) album out on the Creative Sources imprint. Performed by Sylvain Chauveau (piano), recorded and mixed by John McEntire in Chicago. This is not the song-based album started early 2007 (still unfinished for now). Touching down lightly is the result of one day of improvisation at Soma Electronic Music Studio late November 2008: a way to cre…
Graham HALLIWELL, software based saxophone feedback and electronics. Lee PATTERSON, amplified objects. 'Terrain', comprises of multi-layered saxophone, amplified objects and field recordings. The four pieces are the result of a week long field and studio recording session in North Norfolk, Summer 2006. With reference to the title, each piece occupies a no man's land between composition and improvisation.
Violinist/vocalist C Spencer Yeh & unrivaled saxophone elder-titan Paul Flaherty team up without the assistance of acclaimed drummer Chris Corsano for the first time.Along for the jamz is bonkers Boston trumpeteer Greg Kelley. After performing numerous times and honing a distinct group dynamic as a trio over many years with celebrated percussionist Chris Corsano, Yeh and Flaherty decided to try it out one-on-one. The record comprises of the best from two live sets from a short duo tour in the No…
Major archival unearthing that makes available for the first time the bulk of the 'official' releases - plus a ton of unreleased material - from the mythic Butte County Free Music Society, a collective of musical oddballs, 'noise' musicians, art pranksters, record collectors and rock/roll fans who modeled themselves on the Los Angeles Free Music Society in order to create an umbrella organization that would shelter 'out' musicians during times of musical drought, this one taking place in the ear…