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Peter Frohmader released so many albums (some are only on cassette) during his long musical career that it's almost impossible to count them up accurately. The 75-minute "Advanced Alchemy of Music" is from 1994. It consists of six long tracks, and the CD booklet features an amazing surrealistic artwork done by Peter himself.
Nigel Ayers’ most accessible emission? The glut of his ‘band’s prolific history has generally been a full-scale assault upon the senses, via either dingy slabs of noise or near-pretty industrial musique concrete. Stoneface operates on many levels, a set of gruelling, scraping, yet strangely attractive organic sounds that reveal numerously coloured layers with successive listens. Recorded in 1988, these nineteen sonic morsels play with near-baroque tendencies, devolved factory rhythms, spiritual …
The Recedents (Lol Coxhill, Roger Turner, Mike Cooper) demonstrate that you can be avant-garde and have fun at the same time. This is the soundtrack for a "yet-to-be-made" film about a conflict between zombies and a new housing tract. The plot is summarized in the liner notes. Each piece makes reference to this film in some way. The music ranges from the reggae-like title track, to avant rock, to rockabilly, to electrified free-form improvisations. Do not buy if you think humour doesn't belon…
Not only a collaborator with various producers on a Wales/Bavaria/Catalonia axis, but also member of Hardcore band Mass, Robert Merdzo is also seem to be a bit of a musical magpie, dipping into various genres for source material, ideas and a few lifted manouvres.
With this work Eduardo Polonio has shown us that the electroacoustic music proves to be an excellent base in an opera performance. And more than that: in this way, the possibilities which remain open are relevant.
mimeo: Keith Rowe, Phil Durrant, Kaffe Matthews, Jérôme Noetinger, Gert-Jan Prins, Cor Fuhler, Thomas Lehn, Marcus Schmickler, Markus Wettstein, Christian Fennesz, Peter Rehberg and Rafael Toral. The Music In Movement Electronic Orchestra (mimeo) presents a double CD with recordings made at the Cologne "Jack Pohl presents..." festival in December 1998. Marcus Schmickler and Rafael Toral each edited one CD from the seven hours of live material. After the documentation CD queue (GROB 005, now avai…
A compilation of the best moments of the Ring Ring 1997 festival which took place in Belgrad in May 1997. Included is a previously unreleased track by Justine.
The work and thought of the American composer Kenneth Gaburo (1926-1993) exhibited many striking changes during his lifetime. In fact, while the world of commercial endeavor still insists that artists develop a recognizable personal "style," Gaburo's life-work can be seen as one of continual change and exploration, rather than one of codification and promotion. Some of these changes are beautifully illustrated by the two works on this CD, Maledetto, for seven speaking voices, from 1967-68, and A…
Texture Time” is the third album by Dense Band and quite possibly the best. It signals a further development of Moss' use of live sampling and electronics to magnify the impact of that already dramatic vocal delivery, showcasing Moss' astonishing leaps from register to register and his ability to shape time like an origami master folds paper. No other improvising vocalist that I know of has created such an intense, idiosyncratic vocabulary. Texture Time is indispensable.
International consortium of freaky vocal talent culled together here represent some of the finest exponents of extemporaneous jibber jabber extant. From the U.S., we have the zany N.Y. avant chanteuse Shelley Hirsch and her equally flipped out N.Y. compatriot in extended vocal technique David Moss as well as the L.A.-based Anna Homler, whose approach emerges from her personal zone of invented language generation as heard on her gorgeous Do Ya Sa Di Do CD, which I posted a while back. To that, ad…
Shorter than many of Muslimgauze's 1990s albums - 13 untitled songs over 45 minutes - Azzazin, originally released as part of the limited-edition subscription series, feels more like a collection of random experiments than a cohesive piece of work per se. If not something that would intrigue the casual listener, the hard-core fan will likely find something of interest on the various tracks here. Starting with an extremely minimal opening number - it's no surprise Finnish experimental duo Pan Son…
Heldon were one of the quintessential European progressive groups of the 70s. Led by Richard Pinhas (and assorted backing guests), they released 7 albums from 1974 to 1979, all reissued in the early 90s by Cuneiform (inferior French editions can be found on Spalax). Pinhas went on to record a series of solo albums under his own name, also to be found on Cuneiform. Allez Teia was the second Heldon album from 1975 -- it features Pinhas's trademark instrumental sound: waves of distorted post-Frippi…
Much of what was unique about the original Pink Floyd's sound - the use of echo and piercing organ for musical effect - is present here, Floyd fans take note. Wonder if Syd Barrett had been exposed to Sun Ra's music. "Cosmic Tones" sounds like a 20th Century space-inflected chamber music quite unlike jazz, though it contains elements of it. The music attempts to paint pictures in an abstract fashion unencumbered by notions of traditional musical form. Instruments enter, contribute to the picture…
Electro-Acoustic Solo Works (1984-95) collected assorted compositions of musique concrete and interactive computer music (Chatterlings of april 1995 for sampler and drums, and an excerpt from Aivilik Rays of may 1990, originally more than one hour long).
“Wonderful World” is the first single release to be taken from the acclaimed Nine Horses album "Snow Borne Sorrow". It features a previously unreleased composition, ‘When Monday Comes Around’, along with a radio edit of “Wonderful World”.
The new cd with Norwegian composer Eivind Buene and his composition, asymmetrical music. This is Sofa first release with a written score, but it doesn't mean that improvisation is abandoned. On the contrary, asymmetrical music focuses on the meeting point between composition and improvisation. The two soloists, Ivar Grydeland guitar and Ingar Zach Ð percussion, are improvising as a duo but also on another level, with the written score. The members of the Ensemble featured on this disc are also v…