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Paolo Angeli (Sardinian guitar & electronics), Evan Parker (soprano & tenor saxophones), Ned Rothenberg (alto saxophone, clarinet, bass clarinet). The Freezone in 2007 was played by just three. The smaller than usual line up allowed for a more intense investigation of the relationships between the players. For the first time an entire set was played by all three musicians and this set was so successful that it is presented unedited, along with two duos. There will be no Appleby Festival in 2008,…
As a follow-up to her first CD of original theremin works, "Music from the Ether", Lydia Kavina returns with first recordings of major works for theremin and ensemble. The first recording of Miklos Rosza's chamber version of music from the Hitchcock film "Spellbound". 3 premiere recordings of works by Howard Shore, Olga Neuwirth and Christian Wolff. 2 premiere recordings of graphically notated works for multiple theremins by Percy Grainger. Oscar winning composer Howard Shore ("Lord of the Rings…
Nurse With Wound is the main recording vehicle for British musician Steven Stapleton. Since 1978, with collaborators such as David Tibet (Current 93), John Balance (Coil), Colin Potter and Matt Waldron (Irr. App [Ext]), Nurse With Wound has released dozens of albums that draw on nearly every genre of music. The only constant is that one never knows what the next album will sound like.Stapleton and Andrew Liles form the core of the band on Huffin' Rag Blues, and the direction to which they are he…
Vocal pieces featuring the late Frank ROYON LE MÉE in Le poil et la plume (text by Michel TOURNIER) followed by an opera-bouffe where animals play hide and seek with Death ! (libretto by Régis FRANC).
Richard Bohringer joins Un Drame Musical Instantane (Jean-Jacques Birge, Bernard Vitet, and Francis Gorge) in vocal (in French) and musical improvisations. They use found sounds, talking (in French), music, singing, and playing instruments. It's like a jamboree, good natured and spirited, but with a beat.
Subliminal, a Galakthorrö project next to Haus Arafna, and just as ominous and secretive as its better-known label colleagues, offers analogue sound collages which perfectly bridge the gap between power electronics, noise and ambient. Very structured sounds are distorted, blurred and merged with echo effects, screams and voice samples; are endowed with throbbing rhythms quite similar to organic beats and pulsations; and incessantly are covered by a flow of hissing, induced noises which build up …
Founder of the Steel Cello Ensemble (1970s) featuring various players over the years. The music was produced on steel instruments like the Bow Chime or the Steel Cello that were built by Rutman himself. Among the musicians he collaborated with were Rudi Moser (drummer of Die Haut and Einstürzende Neubauten), Matthias Bauer and Carsten Tiedemann. This is a recording of a concert by Robert Rutman and his steel cello's recorded at a Berlin Art Gallery. If you are unfamiliar with the Steel Cello Ens…
With voice, violin and percussion, this duo produces music with a thrilling intensity, suspense and drama. The musical basis is a mixture of the duo's interpretation of slovakian and romanian folk music, jazz and classical. They play with a freshness and enthusiasm that leaves the listener breathless.
Longtime stalwarts of the cassette underground (70 cassette-only releases and over 300 compilation appearances!) finally do a CD. This outstanding collection of soundscapes draws on collage, ambient-industrial and process techniques, as well as the construction and demolition of an in-studio environment.
The name Mazk is formed by the initials of the two participants in this project: Masami Akita (better known as Merzbow) and Zbigniew Karkowski. Not surprisingly given the history of the two musicians, the general scope of this recording is throbbing industrial noise, with overlays of drones and explosions of static. "Visible," the first track, sets up a churning mechanical rhythm not unlike what one might encounter in an infernal factory and adds layers of sounds that one is free to interpret as…
Everything else SPK did was either industrial grind or fluffy dance-pop. Zamia Lehmanni lies along the axis of Graeme Revell's other solo projects (see below) and is gorgeous throughout. Its cover is red, gold, and black and the liner notes quote decadent poets in the original French along with a description of copper-colored blossoms from "Against Nature." by J. K Huysmans. You can see the dew on the leaves in a garden enclosed by mold-covered stone walls. The music is urgent gamelan with sampl…
Frederic Rzewski is an American composer, now resident in Belgium, of mostly chamber, vocal and piano works that have been performed throughout the world; he is also active as a pianist. Prof. Rzewski studied music privately with Charles Mackey in Springfield as a child and studied composition with Walter Piston and Roger Sessions, counterpoint with Randall Thompson and orchestration with Claudio Spies at Harvard University from 1954-58. He studied composition with Milton Babbitt and the music o…
"HELIX PARASITES": built on the idea of genetic modification via new channels, this is probably our most diversified and composite work so far. With a strong trend for rhythms and subliminal pipes, it has at the same time some of the most outlandish moments in digital psychedelia, where tons of events seem to happen in parallel. This is the voice of the incisive nucleus of newly born cells, extracted from the dreams of an artificial intelligence still to be conceived: lines of atomic maps draw t…
Roedelius (who is one-half of the legendary German electronic band Cluster) has had a solo career for many many years. Alas, his solo work tends to be less electronic and more keyboard easy listening fare. "Theatre Works" is a departure from that trend, with modern classical overtones and a modulated sense of drama. But the real surprise here lies with two of the tracks which are unreleased performances by Harmonia and Brian Eno--truth! Astute audiophile historians will recall the two remarkable…
Asmus Tietchens and Arcane Device’s debut, ‘DBL.FDBK’, does not fit easily into one genre. If you want to hear real Ambient, get this record now! This is the most melodic ambitious and satisfying track in DBL.FDBK. It’s also one of those rare songs that touchingly comfort the listener. T4-M1-4 is a pleasing, and full of overall coherence that goes beyond other creations. I was truly moved when I heard T5-M2-1. T6-M2-2 - My least favorite song on this album. T13-M3-4 is possibly the best song Asm…
Idiosyncratic French musical provocateur's finest moments and laden with ace contributions from an international cast of oddballs including Pierre Bastien and Clive Bell, the provisional constructs Berrocal and co. jerry-rig around the free floating music signifiers that comprise Berrocal's aesthetic M.O. are slippery, beautiful things, riding across the seams of art song, meditative orientalia, drunken free jazz bleat, dark electropop, hazy jazz reverbed into Hassell-esque fourth-worldisms and …
With L’âme de l’objet, percussionist Michel F Côté reached his artistic maturity, delivering his best achievement, at least with his project Bruire. For this third album, Bruire has really become a band, as the same group of musicians appear on every track: Jean Derome (sax, small instruments, flutes), Claude Fradette (guitars), Serge Boisvert (trumpet), Martin Tétreault (turntables) and Côté (drums, live electronics). Another change is the fact that the musical approach is now rooted in jazz in…
Guy Klucevsek plays music by Steve Elson, Tom Cora, Guy Klucevsek, Joseph Kasinskas, Anthony Coleman, Daniel Goode, Nicolas Collins, Guy De Bievre, Robin Holcomb, Duke Ellington, Peter Garland, William Duckworth, Bobby Previte, Carl Finch.