Lard Free III
3rd & final album, from 1977. Similar style to the 2nd, psych-prog guitar supplied by Xavier Baulleret and more acid-drenched keyboard wondering waves.
East West + Live Tracks
East/West was Richard's fourth solo album, which was originally released in 1980. This album has Richard embracing the new, computer-driven electronic technology, while still using some of his old gear and is one of Richard's personal favorites of his '70s and '80s work.
Klimax Axis
Long deleted, Limited to 400 numbered copies edition. "here we started shifting our early drones and layers into concentrated outbursts of maniac consistency, reaching out for initiatory spasms of disjointed rhythms and super saturated vocals. Originally released in late 80s as tape only (between the first 2 LPs)"
Running on autokinetic
classic Ashtray Navigations, two hallucino-kinetic tracks each side
Live at the Hint House
Live at the Hint House might be considered a field rec. in as much as it is a recording of an ambience or soundscape. Made on my first ever trip to mainland America to play music this is the 2nd set of that evening, the 1st set had been an acoustic one of songs and slide guitar. At the start of the 2nd set i quickly realised that my guitar was not working and rather than stop and attempt to find out what was wrong i decided to just continue and improvise with what was at hand on the table …
Churinga Canaries
Collaborations can be a hell of a gamble. Fortunately, it seems that in the world of the underground music lover, collaborative ventures always seem to turn out to be synergetic exercises that yield amazing results. Churinga Canaries is such an endeavour: a one-off group effort improvised by four of the brightest lights in the UK underground music dog-and-pony show. A rundown of the participants should be more than enough to cause many of you to drool with excitement. Phil Legard (Xenis Em…
psychic smog
New ASC effort on qbico, a duo this time. THIS is the social club for astral spirits..."
Blind Kingdom
Long deleted, 1 copy available: "Odd colored carpet of bizarre 3D fields dominate the bright and lurid psychedelic forests youll have to run thru to grab a mug a brew at the end of the trip! Hop on the back of a giant pink elephant and let go, eventually follow his tiny dick-like tail if u are too small to climb up this pink turt in space! But do give it a try and check out whats left? Thats right: nothing! Just a puddle of restless throbbing poop in different colours. The elephant turns out to …
dances
"And still they keep coming, these Finnish Improv shamans creating a brand of rough magic that intoxicates with its guileless charm and fearless recourse to instinct over deliberation. These two Qbico releases are naive and a little kooky, but never gratingly so. Both raise smiles and lift spirits, and while they could well be dismissed as formless, sloppy freakouts, they're a lot of fun. Both Cluster and Lauhkeat Lampaat (the name translates as Meek Sheep) are affiliated with the free/folk jazz…
Two Poems
Just arrived: alga marghen proudly presents an LP edition including two experimental sound works by Gherasim Luca, created in close connection to Sten Hanson who invited the Rumenian artist at Fylkingen in the very beginning of the 1970s and made him discover the possibilities of the advanced EMS electronic music studio of Stockholm. The two recordings presented here are quite unique as they are the only poems by Gherasim Luca created through the use of electronic manipulations. As Henri Chopin …
Claude Lorrain 1
Recorded 13 november 2007. Radu Malfatti: sine waves and trombone. What happens to music when it breaks the sound-barrier ?
The construction of fear
Alípio C Neto (soprano & tenor saxophones), Dennis González (trumpet), Ernesto Rodrigues (viola), Guilherme Rodrigues (cello, radio) and Mark Sanders (drums 2008). Recorded 15-06-08 Lisbon.
33-127 for Electric Guitar and CD
From orchestral works to installations, Peter Ablinger's oeuvre explores the differences between reality and our perception of reality. In '33–127' for electric guitar and CD, Ablinger confronts the rational, human division of sound into musical scales with the complex acoustical reality of any given moment - its "noise." In each of the 95 pieces that make up 33–127, these two realities come face to face again and again. In each piece, a scale descends, with gentle and unpredictable irregulariti…
CS 149
Ute Wassermann (voice, whistle), Phil Minton (voice), Thomas Lehn (analog synthesizer) and Martin Blüme (percussion). Recorded in Bochum and Köln 2008. Mixed and mastered by Thomas Lehn.
The Seconds Strike Reality
Wien 17, Schumanngasse (1967, 3 minutes), Hernals (1967, 11 minutes), Safety film (1968, 6 minutes), Sugar daddies (1968, 9 minutes), Eroticon sublim (1968, 2 minutes), Der ort der zeit (1985, 40 minutes), Prince of peace (1993, 8 minutes), (Calcutta) go (1993, 9 minutes). Bonustracks: 'Wiener underground' (1969, 9 minutes). All of the films collected on this DVD have in common a focused and precise observation of spatial structures. Whether interiors, spaces that have to do with the material or…
Goat vs Donkey
Recorded by Roberto Mallo at Luis Seoane Foundation, A Coruña. 28th November 2008. Mastered by Taku Unami.
Animation Films
'Baroque statues' (1970-74, 15 min), 'Iris' (1971, 10 min), 'Chairs' (1971, 2 min), 'Selfportrait' (1971, 4:30 min), 'Shapes' (1972, 9 min), 'Couples' (1972, 9 min), 'Palmistry' (1973, 10 min), 'Art education' (1976, 8 min), 'Maria Lassnig Kantate-the ballad of Maria Lassnig' (1992, 8 min). Lassnig trained at the academy of Fine Arts, Vienna, and then spent several years in Paris in the 1950s and 60s, where she was exposed to Art Informel and Surrealism. From 1968 to 1980, she lived in New York,…
Two On A Match
The ongoing study and execution of harsh noise by driven artists constantly reinstates the medium via different techniques, concepts, and different artist amalgamations for a collaborative work. For myself, working with the different 'warbling' and generative moving lines of modular synth from Carlos Giffoni offered me a chance to investigate many different 'spaces' of tone and line manipulation. The examination and crossing of the different Lines slowly become their own parallel entity as the a…
Lot 74
Originally released on vinyl Incus Lp 12. Engineered into digital format by Robin Prater. Derek Bailey (electric and acoustic guitars, voice). All recordings spring 1974 except one track. Recording by Bob Woolford and Martin Davidson.
Yellowbeard
'I have been begging the Massachusetts based acidfolklorist Joshua Burkett to do a record on Ultra Eczema for years. I met him through Ron of Sunburned Hand Of The Man about 5 years ago, when they did a duo radio session at Radio Centraal, which later got released as a Pewtr Trust CDR on UE. I was struck by Joshua's mix of shyness, amazing and heavy acoustic guitar playing and his encyclopedic knowledge of weirdo music. His music is usually so silent that it makes you all tense and walk on socks…