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Uncode Duello is the result of a long period of hard job, careful listenings, readings and visions, studying use of instruments, sounds, dynamics, of newest and oldest machines and technology. But not only. This is “The” record by Cantù and Iriondo, because they have produced and thought by themselves, making treasure of past experiences and putting all into it (SMWM, A Short Apnea, Tasaday, Four Gardens In One) meeting and crashing as it’s necessary for important projects. Twelve years in a "du…
In 2003 IOIOI had the chance to see a film by Kyoshi Kurosawa - Bright Future - that really shocked her. She started to wonder obsessively about Ike vs Matte film's theme (what is the right way towards the future?) and she tried to write something about that. She played each instrument by herself and she recorded all the stuff through the microphone of her laptop. She composes one-shot songs (a kind of low-fi impro and brico pop songs!), she doesn't care too much about sounds, shapes and genres.…
This record is a diary of the first 2 editions of BääFest (2004 and 2005). The bands offered thier tracks for this CD: the songs are unreleased studio or live contributes (from BääFest or other locations). Thanks to all the artists for thier performances at the festival and for their tracks. Thanks also to ControProgetto for their kind help all over these years.
Tanake is unexpected music, hearth lungs sweat (even brain but kept in a hidden place), is music mentally physic, is music physically mental, is twilight at dawn, bitter honey, fresh decomposition, joy in crying. tanake is music generated by her 3ree sweethearts... In the early days [by the way: in the first album "tsu.zu.ku" (2000) tanake meant to reach structure by means of improvisation, but time left the songwriter soul all alone, and tanake's been surrounded by the never ending claustrophob…
This 1993 recording from Jad Fair's Half Japanese is the album that pushed the group from the obscure fringe of the U.S. post-punk underground into a full-blown indie rock legend. Aided by the fact that Sonic Youth, Nirvana, and Teenage Fanclub were all singing praise for the group, it was now finally time for a wider public to grasp the concept of one of the greatest unsung heroes of American underground rock. The 1989 documentary film about the group, The Band That Would Be King, is a must-see…
This record features Valentina Ponomareva in different combinations with Vladimir Chekasin, Bill Laswell, Vladimir Tarasov, Kazutoki Umezu, Haruna Miyake, Yuji Takahashi, Ayuo Takahashi, John Zorn.
Truly emotional listening music we are used to, from Roedeliusand Cluster There are ethnic touches, spacy electronicpassages and a rare live piece Consequently every Roedeliuswork, accurate inner chronicle, gives the listener theopportubity to become acquainted with the man behind theartist , sometimes melancholic, sometimes joyfull, infact it s his way to describe the world.
Featuring many of the pioneers of Japanoise (Merzbow, Null, Violent Onsen Geisha, Solmania, and 19 other artists), demonstrates the flexibility of brute force as performed under the clever disguise of music. AA guaranteed kick in the head compliments of The Land of the Rising Sun. On the Furnace imprint. Very rare. Only one copy available.
Telaio Magnetico is the supergroup formed by Franco Battiato. Their only recorded output consists of a session featuring Juri Camisasca, Lino "Capra" Vaccina, Mino Di Martino (founder of the "enigmatic" ALBERGO INTERGALATTICO SPAZIALE posted previously here), Terra Di Benedetto, Roberto Mazza and Franco Battiato. Their music consists of ethereal voices against floating abstract soundscapes, free spaced-out electronic sections and wonderfully twisted cosmic dreamlike improvisations. An abstract-p…
Electronic prog "supergroup" formed by Mino Di Martino, Albergo Intergalattico Spaziale released in 1978 what I consider to be part of the finest albums produced in Italy. Curious, enigmatic, fractured and gorgeous, this albums features dense electronic soundscapes, including inspired analog synth excursions, classical music tendencies and off course massive "cerebral" avant gardist fantasies. "Live Pistoia" features loving spacey electronics, emotionally expressive and technically complex. The …
‘Stunt’ is the first in a series of three EP’s which represent an interesting stylistic departure from Ielasi’s previous work. The series is focused on the use of one turntable and a large selection of vinyl records as sources for raw material, and pulses/rhythm as main organisational principle. The basic sound material, in the form of short segments and loops or longer and more complex improvisations, was collected over the course of three months, using techniques influenced more by “turntablis…
The “Hardcore Chambermusic” album is a music publishing phenomena that has taken Switzerland by storm, in which Koch-Schütz-Studer sampled and compressed hundreds of pieces of music from sources as diverse as Bartok and Berio to Public Enemy and Bob Marley to create something revolutionary and altogether new.
This album is somewhat a departure for French drummer Jacques Thollot. Gone are the uncompromising free jazz experiments of the 60s and 70s - but not forgotten. He is clearly able to channel them in order to profit a more structured environment which betrays a renewed interest for the melody. The set features a core quartet comprised of pianist Tony Hymas, guitarist Noël Akchoté, and bassist Claude Tchamitchian, with special guests trumpeter Henry Lowther on a couple of tracks, and Thollot's dau…
Bun-Ching Lam was born in Macao and holds a Ph.D in composition from the University of California at San Diego. She is the recipient of numerous grants and fellowships including most recently the treasured Rome Prize for Composition. For her second Tzadik recording, she has assembled some of the greatest traditional music performers of China and matched them with some of New York's most creative instrumentalists in creating a beautiful and lyrical meeting of western art music and Chinese troubad…
Tzadik's Lunatic Fringe series continues with the work of manic visual artist and master of musical mayhem, Ken Butler. Performing on hybrid instruments of his own creation, Ken has been performing to enthusiastic audiences everywhere from the Metropolitan Museum of Art to the Pink Pony bar, accompanied by the intoxicating rhythms of Seido Salifoski and Stomu Takeishi. Ken Butler's music is a delightful anecdote to the humdrum sounds of today's popular stylings. Rubberband trumpet, double axe ce…
The hero of last year’s Self Indulgent Music collection is back by popular demand accompanied by his quirky band of kooks and renegades: Museum of Dannys is a compendium of Cohen’s best work from the ’70s, ’80s, and ’90s, and features his now-legendary underground hits "Suicide"—"Ranting in the Street" —"I’m Not Me"— and "Judgement Day." Arrangements as creative as Esquivel, lyrics as real as Dylan, hooks as catchy as Brian Wilson. Danny’s unique blend of astral projections, bad tacos, Satanism …
Tzadik is proud to introduce you to three exciting new artists. This special CD release is a passport to their unique worlds of sound. Danny Cohen and Mike Boner both hail from California, Horse Cock Kids are based in Cologne but they all share an intense passion for their own self-indulgent fantasies. Songs about sex, degeneracy, puberty, loss of identity, truth, love and boredom from three of the most howlingly original songwriters you have ever heard. This is what Tzadik's Lunatic Fringe seri…
Mark DeGliAntoni, the talented sampler magician for the pop group Soul Coughing studied composition at the Manhattan School of Music and released his first recording in 1995 on the Avant label as part of the experimental composer collective Rough Assemblage. Horse Tricks is his first solo release and features many of his acclaimed musical colleagues in a variety of musical contexts showcasing the wide range of Mark's compositional interests. From instrumental trip-hop and rhythm tracks to ambien…
Composer, theoretician, inventor and instrument builder Frank Denyer is a legendary figure in the Harry Partch/Scelsi tradition. His music is utterly unique and intensely personal, often requiring specialized new instruments of his own design and radical playing techniques. Fired City presents six of his most dynamic compositions in definitive performances supervised by the composer himself. Having worked closely with Denyer for many years, The Barton Workshop is unsurpassed in this repertoire a…
Fima Ephron, the dynamic bassist for the psycho-semitic-avant-klez-band Hasidic New Wave steps out on his own for yet another new approach bringing Jewish music into the 21st Century. Soul Machine blends Jewish scales and sensibilities with jazz/rock fusion via Weather Report and late Miles. Boasting an incredible lineup of downtown’s newest jazz stars, Fima’s colorful program also features a moody remix collage by the talented composer/performer David Torn.