Experimental / All styles

Stunning collection of quiet and soft piano pieces by the legendary German keyboardist Hans-Joachim Roedelius co-founder of seminal krautrock bands as Cluster and Harmonia. Inspired by the monumental work of Eric Satie, the album was originally released in 1991. Roedelius exhibits an unexpected subtlety on the keys which lighten these pieces lovingly and pointedly. It’s hardly surprising that the name of the album is a reference to the term ‘pianissimo’, which means to play softly. These are aft…

Effortlessly fusing krautrock with jazz and ethnic music, Embryo were unparalleled in the world of progressive fusion and 1984's Zack Glück is one of their most ambitious and rewarding LPs. Flutes and saxophones mix with oud, marimba and violin to make an intoxication concoction.

Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …

A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…

Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves. This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.

** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to make yet has required decades to fully appreciate. following up on the abstract 'Spirit of Eden', which sufficiently alienated pop fans of the band's earlier material, 'Laughing Stock' took spaces in recorded music to new extremes, with layers of silenc…

10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.

Carol Maia & Jeremy Gustin’s haunting collaborative album is the result of a long distance partnership during which tracks were traded back and forth across thousands of miles, Jeremy working from his home studio in Brooklyn and Carol from hers in Rio De Janeiro. Later they enlisted support from a number of key players in the Rio scene, Frederico Heliodoro, Paulo Emmery, Ricardo Dias Gomes, and from Brooklyn’s musical community, Will Graefe and Ryan Dugre, to shape this understated masterpiece o…

Two cassette releases by Mexico City experimentalist Rolando Chia, heard by almost no one on their original release, now appear on vinyl for the first time. Batelages and Entrega - sound collage, concrete texture, avant-garde guitar - two lost chapters of the Latin American underground,

Upon their arrival in Brazil after the traumatic Atlantic crossing, enslaved populations from West Africa sought to reconstruct their sacred cultural and spiritual systems within a profoundly hostile environment. Five centuries later, the vitality of terreiros (ritual grounds) across the country bears witness to a living and adaptive religion that continues to evolve while remaining deeply rooted in ancestral traditions. Today, Candomblé is celebrated throughout Brazil and increasingly recognise…

Ondanaconda does not compose with the jaw harp, but through it. For their self-titled debut album, the quartet turns this lamellophone, often perceived as archaic, into the record’s sole sound source. Found for centuries across continents, from Asia to Europe, the jaw harp is played against the teeth, using the mouth as a resonating chamber, shaping sound through breath and bodily movement. Here, amplified, prepared and sometimes pushed to its limits, it becomes percussion, bass, drone and textu…

Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …

Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…

On Ferrum Sidereum, Zu stretch their jazz‑metal DNA into an 80‑minute instrumental odyssey: ritualistic riffs, industrial grit and prog‑honed structures orbit around a dense, meteoric core that feels both meticulously engineered and violently alive.

Long whispered about and barely seen, Whitehouse’s Psychopathia Sexualis finally claws its way out of 1982’s creamy‑vinyl underworld, reborn on CD as a fully remastered, meticulously documented legacy edition for the noise faithful and the merely morbidly curious.

A blazing chapter of Zu’s early history returns. Originally released in 2002, Igneo is back in print.

Great and beautifully packaged first uncompromising album of solo violin improvisation and electronically-processed violin tracks by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1986.

Great and beautifully packaged second uncompromising album of electronically-processed solo violin improvisations by Hideaki Shimada, self-released on Pico in a limited edition of 300 copies in 1989 and never re-issued on either LP or CD.

First edition of the CD-only third album of uncompromising electronically-processed violin tracks by Hideaki Shimada, self-released on Pico in 1991.

Coming a couple of years after High Peak Selections, Early Music was the second 'studio' full-length album by Jon Collin. More spare and sparse than its predecessor, both in atmosphere and presentation (the track names are simply numbers), it's also perhaps more focused and consistent in terms of sound and mood (as well as instrumental set-up and recording locale). While High Peak Selections and later recordings feature environmental and external sounds bleeding in and out of recordings, the onl…