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A career-spanning overview of almost epic proportions, Miserable Poison is a massive 2.5 hour collection of Pumice recordings made between 1996 and 2021. The tracks on Miserable Poison are culled from a huge slection of often very limited lathe cut, cassette, CDr and vinyl releases originally put out on labels like Stabbies etc, Root Don Lonie For Cash, Audiobot, 8mm, Yellowelectric, Doubtful Sounds and Soft Abuse. Mastered by Lasse Marhaug and packaged in a gloss 6-panel digipack.
*2024 stock. 300 copies limited edition* "It started in 2005 by colliding electrons against ferromagnetic material on a ribbon of rust to eventually excite phosphors behind cathode ray tube unless the thermal velocity of the yoke over modulates and restricts the flow of 60/40 rosin core anodized black under a waveform monitor. Plaid vectors, white fur, hex schmitt triggers, oxygen free copper and temperatures above 50° are equally as important mediums as 70% cocao in this cross disciplinary mult…
2024 stock. Sun Soon is Espen Friberg´s solo album debut, consisting of eleven compositions made up of synthesizer and field recordings. The recording is done at Leveld Kunstnartun in Ål in Hallingdal, later mixed and produced in collaboration with Jenny Berger Myhre. The project captures the ambiance in the valley around Leveld, through Espen´s experiences in nature, but also from the paintings of Marianne Røthe Arnesen and Gøsta Munsterhjelm.Sun Soon is formed as a collage, with compositions p…
Huge Tip! CD is packaged with an 14x28 inch poster and eight page booklet with lyrics and translations. . Diamanda Galás In Concert is not simply a live album. With nothing but a piano and the full expressive range of her extraordinary voice, Diamanda Galás strips away the comforting patina of time, tradition and stylistic convention to expose and express the raw human emotion that is the living heart of a song. It explores an eclectic range of material; rembetika, soul, ranchera, country and fr…
Double CD Edition. The first release from Gastr del Sol in over 25 years is nigh! Like a bolt echoing back from the blue, We Have Dozens of Titles restrikes the iron of Gastr del Sol, plunging us back into the maelstrom of David Grubbs and Jim O’Rourke’s all too brief (but ultimately, long enough to change everything incisively) run together between 1993–1998. For We Have Dozens of Titles, Jim and David reconnected to assemble nearly an hour of previously unreleased live recordings — including t…
Big Tip! *300 copies limited edition* Delphine Dora was nearing the end of a three-day prepared piano residency when a technician stepped in to tune her grand piano for her final performance. He removed the objects from the strings and fixed the pitch, leaving Dora with a freshly tuned instrument. Mesmerised by its new sound, she proceeded to switch on her recorder and pour out her soul, channeling, in her own words, “something greater than myself”. The result is some of the most unusual but ele…
Regler resume their series of genre dedicated concept albums following 12 releases which focused on metal, harsh noise wall, techno, free jazz, no wave, blues, classical music, minimalism, ambient, and more. The duo of Mattin (Billy Bao, Josetxo Grieta) and Anders Bryngelsson (Brainbombs, No Balls) are joined on this new chapter by the unique Anla Courtis (Reynols). Devoted to noise rock, a genre in which all three artists had significant contributions. This new instalment follows the same guidi…
Don King was the mid-'80s band from Mark Cunningham (post Mars), originally formed to play Thurston Moore's Noisefest at White Columns in 1981. The six concerts tour in 1986 were the last European appearances of the New York no wave band Don King, starting in Padua and following a wide arc around the Mediterranean, by train, through Switzerland over to Toulouse (France) and then down to Barcelona (Spain). The original cassette was a selection of the best live recordings released by the historic …
Solo Throat is the first solo LP from vocalist, composer and movement artist Elaine Mitchener. Drawing on the work of African-American and African-Caribbean poets Edward Kamau Brathwaite, Aimé Césaire, Una Marson and N. H. Pritchard, these twelve new vocal compositions disrupt semantic sense, play with the margins of lyrical translation, and give rise to new voicings. Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplin…
‘If I don't make it, I love u’ is Still House Plants’ third LP and the fullest embodiment of their sound to date. Where ‘Fast Edit’ formed with quick attachment and jump cuts, ‘If I don't make it’ is shaped by persistence - a commitment to the songs that makes the music solid, warmer and accepted. Marking the trio’s decade of friendship, this is the first record written whilst all live in the same city since 2017's ‘Assemblages’. The band rehearsed it relentlessly, playing for nobody except them…
*80 copies limited edition.* Self Sabotage is a new album by prolific Slovak composer and guitar player Jakub Volovár aka URN. Volovár spent several years in Denmark and Self Sabotage is his fourth (and third for Stoned to Death) and last album composed in the atmosphere of Aarhus, which struck Volovár with its “omnipresent depression”, however due to school duties he stayed few years too long. One could read this album as a parting letter with a place that kept you under a flaccid but permanent…
*50 copies limited edition* "Wayward Acorn" is a new album by Tim Olive and Savvas Metaxas, out now on Coherent States. This collaboration exemplifies co-creation, as each artist reworks the other's source material through their own creative lens. Specifically, parts 1 & 2 feature a broad palette of tools (electric guitar, radio, modular synthesizer, field recordings) employed by Metaxas to craft his trademark sound over the years, with Olive's concrete and collage logic enriching the textures i…
*2024 stock*
Jaap Blonk - voice, electronics Damon Smith - double bass Ra Kalam Bob Moses drums, percussion Recorded by Ryan Wasoba at Birdcloud Studios, Collinsvile, Il November 1st. 2022 Mixed & Mastered by Weasel Walter Design by Alan Anzalone Cover art by Damon Smith Untitled micro-collages 2003-2004 Oil, graphite, bass rosin, collage & objects on graph paper 3" x 3.5" Concrete Poem / liner notes Ra Kalam Bob Moses / Jaap Blonk All Titles from text messages from Ra Kalam
"The only time I met and spoke with Cecil Taylor was in 2003 in the basement of Tonic, the much-beloved and long-gone Lower East Side venue, where he, Sunny Murray, Andrey Henkin and myself were sitting in one of those old wooden wine-cask cabanas they had. Murray’s group was playing there that evening and Cecil had come out to see the band. I remember Cecil whispering a query in my ear: “Mr. Allen, who is your favorite architect?” At that point I was not a follower of architecture but having re…
The trio of bass clarinetist Jason Stein, double bassist Damon Smith, and drummer Adam Shead’s collaboration with master pianist Marilyn Crispell came to fruition by way of Smith and Crispell’s mutual admiration of iconoclastic visual artist Cy Twombly. Due to their shared appreciation and dialogue surrounding Twombly’s work Smith began to conceptualize what shape a collaboration between the two might take. Smith’s ideation ultimately resulted in two concerts and a studio engagement with Crispe…
This bundle includes the following releases on Valentina Magaletti's Permanent Draft label:- Valentina Magaletti "A Queer Anthology of Drums" LP- Valentina Magaletti "Lucha Libre" 12"- Fanny Chiarello "Basta Now: Women, Trans & Non-binary in Experimental Music" Book
*2024 stock. 180 (hand-numbered) copies limited edition* "Noise pollution? Maybe. To me, it’s a location that sounds like any other in its natural state: the city sounds like the city; the forest sounds like the forest. That said, this album is about being grateful for having paths that easily lead me away from the din, out of my own head, and into the forest around Kasuga and Omiwa shrines, down anonymous gravel paths, narrow backstreets, along verdant rice fields and small rivers. This is wher…
*2024 stock. 170 (hand-numbered) copies limited edition* "Faux naturel is a soundscape composition that intends to give an aural and musical expression to the idea of non-scission between man and nature, between the so-called artificial sound environments and natural sound environments. It also intends to represent a musical expression guided by the principles of ambiguity and the dilution of the boundaries between the natural and the artificial, between the acoustic and electroacoustic planes. …
*2024 stock. 170 (hand-numbered) copies limited edition* "The Port of Cork moves between sleeping and waking. In the Winter months, the large warehouse is empty. Traces, remnants, and memories of a place that was a busy marketplace just months prior. I move silently in the dark, damp metallic shell of this dormancy, listening to the walls, the contours, the reverberations of the greater environment, the last open café whose music drifts into my field of sensation. The place’s sleep becomes alive…
*2024 stock. 165 (hand-numbered) copies limited edition* "Making a work such as this poses a seemingly simple question: how is it possible to describe a space through the sounds we collect or borrow from it? In the case of the storm water drain known as Bell Stairs, the running water, traffic noise, and other sounds we found within, only convey the smallest amount of what it is like to navigate this long, narrow, concrete tunnel. Despite our reliance upon the language of the hunter, it is highly…