Filmwork 1979-1980
The first DVD of the new collection “Evidence Video” : Four experimental films realised by bruce licher (guitarist for the legendary bands Savage Republic and Scenic) and a panorama about his letterpress graphic work. An exceptional collector item ! DVD-R zone 0 - NTSC (can be read also in Europe on most PAL systems). Limited edition of 200 hand-numbered copies. Released to coincide with an exhibit of the artist's graphic design and letterpress printing work in Paris. Also includes a 6-color com…
Coelacanth
Coelacanth (june 1992) was a collaboration between Borbetomagus and The Shaking Ray Levis (Dennis Palmer and Bob Stagner).
Live at InRoads
One of the heaviest live documents of the original Borbetomagus big-band - Jim Sauter and Don Dietrich on saxophones, Donald Miller on guitar and Brian Doherty on live electronics - live at In-Roads, New York, 27th November 1982. This one was originally released on cassette in two different versions, copies of which somehow made it to Japan where it took on the role of some kind of free-noise Rosetta Stone, planting seeds in the helmets of a whole bunch of punks. But nothing beats the glorious p…
Seven reasons for tears
Reissue of classic and long hard to find Purge/Sound League album from 1987 by Borbetomagus. Quartet session with the power-bass addition of Adam Nodelman. 1993 CD release “Seven Reasons for Tears beautifully documents the most simultaneously fierce and accessible periods of the band’s history. Converts and heathens can both bathe luxuriously in the radioactive improv-beauty-stream that lights up a room when the record is played at ‘special’ volume. Tears is the living spirit of Borbetomagus’ nu…
Bratra
Bratra shows some well build rhythmical tracks, as the debut release of Boca Raton. Completely constructed of manipulated or synthesized (contact) mic-recordings, bratra moves on the edges of lo-fi sound and noises in an almost hypnotizing way. These tracks bring a certain sedated feeling which usually appears with the use of drones, isn't it that these tracks are hardly to be labeled droney. There's several layers and elements moving in and out of place, and also in and out of sound so to say, …
Attention span
With John Zorn (alto sax) and Fred Frith (guitar). Ostertag liner notes, 1990: "This recording is the direct precursor to Say No More. Here I also began with solo recordings, one by John Zorn and the other by Fred Frith. But instead of performing improvisations they merely recorded an "inventory" of the sounds they make. The cd is divided into halves. Slam Dunk is a series of 26 extremely short solos which I performed using only the sounds of John's sax. In Sleepless I use Fred's source material…
_is an apparition
Nate Wooley: trumpet, voice. Steve Swell: trombone, voice. Tatsuya Nakatani: percussion._________ is an apparition. marks the first release for the New York based blue collar featuring Nate Wooley on trumpet, Steve Swell on trombone, and Tatsuya Nakatani on percussion. The group, informed equally by the free jazz tradition of the 60s in America and Europe and the lowercase reductionist innovations now revolutionizing improvised music, has found a way to deal with silence, sound, tension, and rel…
Drykkjuvisur Ohljodanna
In scandinavia, it's not uncommon to hear of someone's mother, grandfather, uncle, or plumber who drank him-or-herself to death at an early age; and the swedish drone artist bj nilsen has felt the alcoholic pangs which may foreshadow his own demise. in recent years, nilsen has turned to his icelandic neighbors Sigtryggur Berg sigmarsson and Helgi Thorsson (collectively known as stilluppsteypa) in existential sympathy over the problems of their collective lust for alcohol. drykkjuvisur ohljodanna…
Vikinga Brennivin
Brennivin is an Icelandic liquor vulcanized from the humble potato and flavored with cumin, although you’d be hard pressed to taste much beyond the astringent burn that it leaves in your mouth. Bottled in matte black glass and stamped with ominously simple labels, brennivin appears less like something to imbibe and more like poison; and in that creeping slow death kind of way, it is. For the Icelandic electro-absurdist outfit Stilluppsteypa, brennivin has soaked into every fiber of their being; …
Fade to white
Benny Nilsen writes: 'Fade To White contains material from the making of 3 pieces which were created within a different season and then edited, re-arranged and re-mixed in the summer of 2004. 6 pieces contain outdoor field recordings from travels in mainly central Europe in 2003 [Gdansk-Poland, Narva-Estonia, Sarajevo-Serbia Herzegovina, Arad-Romania, Trieste-Italy], and static indoor recordings from 2004 Stockholm-Sweden, Brussels-Belgium, Amsterdam-Netherlands, Vienna-Austria, Geneva-Switzerla…
30th december 2004
New York is pretty different from Lower Hutt. In a lot of ways. But that doesn't mean New York is BAD... its just 'different', y'know? I was down the Lower East Side recently with the guy from Sonic Youth. He was as cool as he looked in Rip It Up magazine! We tuned our guitars and bagpipes, the lights sunk in anticipation, and we buried the audience in a cloud of fairy-dust so thick you could eat it with chopsticks and people with shovels tried to dig their way out of it but it just got deeper …
Détails Agrandis
This collection of three pieces is dedicated to artists and musicians whom Bernhard Günter admires. The collection's title translates to "Enlarged Details," an apt description of Günter's approach to composition. Musically all of them involve a limited vocabulary of sounds interacting with silence. "Four Grey Paintings" uses low rumbles hovering at the very edge of audibility, interrupted with high-pitched tones and metallic twangs. Dedicated to Jim O'Rourke (an early champion of Günter's music)…
JazzEx
This album is a collection of early works from the late 60’s by the french electro-acoustic composer Bernard Parmegiani. Born in Paris (1927) and rich of a “catalogue des oeuvres” of more than 60 pieces, including classics such as “Violistries” 1965, “La Roue Ferris” 1971, “Pour en finir avec le pouvoir d’Orphée” 1971/72, “De Natura Sonorum” 1974/75, the 4 pieces presented in this edition is a perfect exemple for discovering the unusual territories and the eclectism language of the composer: “Ja…
Dertiende Mixer - Cacerolada / Cleavage of acoustics
Both Justin Bennett and Toshiya Tsunoda have gained a reputation when it comes to fieldrecording-based soundworks. Using their sonic surroundings as the startingpoint for their work, both are unique in approach and result. Last copies.
Dordogne
Benjamin Bondonneau (clarinet) and Fabrice Charles (trombone). This double CD has been recorded in 2006 near the river called Dordogne. The two musicians are really integrated into the landscape, and they even manage to make it becoming the third musician. A great release limited to 1000 copies with a nice cover.
Misiiki
Burkhard Beins: percussion & string instruments. Dirk Marwedel: extended saxophone. Michael Vorfeld: percussion & string instruments.
Le Rire Des Camisoles 1969-1974
Barricade, already known as the roots of ZNR, were a radical French commune formed in 1969 by over thirty musicians / non-musicians around François Billard (saxophone, voices, harmonica) and Gérard Lapeyre (violin) in Marseilles. They had wandered from place to place, changed their members one after another, and gigged on various stages in France around 1970.In 1973, they were split into two Barricades - one is a radically political & anarchic music outfit around François named Barricade Crève-V…
Swing
Matchless Recordings presents a live concert by Bark! recorded at LMC Sound, London, England on 10th April and 18th of September 1999.
The album includes nine tracks performed by Rex Casswell - electric guitar, Phillip Marks - percussion, Paul Obermayer - electronics.
"A wonderful album of crunch ‘n’ roll, as Manchester drumming -legend Phillip Marks leads Rex Casswell (electric guitar), best known for his tenure in Stock,Hausen & Walkman, and Paul Obermayer (sampler) through some entertaining a…
Object 1
The Object series is Locust Music's shot at documenting worldwide currents in creative improvisation and composition but as you may expect by now, we're doing it with a twist. For each release in this ongoing series, we've worked with the musicians to arrive at audio-visual ties between sounds and objects that may indicate a visual tie to the music. In this case, a bowling ball and a Brill-o pad grace the cover. Object 1 teams together trumpeter Axel Dorner, an internationally celebrated …
Gdansk queen
AVVA is the duo of Toshimaru Nakamura and Billy Roisz, based in Tokyo and Vienna respectively. AVVA stands for "Audio Video/Video Audio", referring to the working method of the duo. Nakamura produces the music using the internal feedback from his no-input mixing board, Roisz uses that as the basis for her optical moving patterns, and Nakamura has a TV monitor showing Roisz' output, so the whole process is circular and created in real time.Since 1998, Nakamura has been exploring the possibilities…