s/t
First CD from the quartet featuring Tetuzi Akiyama, Yoshihide Otomo and Toshimaru Nakamura under the guidance of Taku Sugimoto. Two long and extremely minimal acoustic/electric guitar tracks.
Eine gitarre ist eine gitarre ist keine gitarre ist eine gitarre
But, of course, a guitar hasn't necessarily been a guitar at least since the mid-'60s, when Keith Rowe laid it down flat on a table and began dealing with it more as a sound-generating object than a guitar as such. In their second release as a duo, guitarists Taku Sugimoto and Annette Krebs, each with a unique approach toward their instrument, continue on and branch out from the path first explored on their Slub release from 2000. Sugimoto's instrument is in relatively standard form, and the sou…
Chamber music
Taku Sugimoto has been one of the most important musicians on the improv-front for some years now with releases on Erstwhile, Grob, A Bruit Secret, Improvised Music From Japan and many other labels. Redefining guitar music with his ultra minimal way of playing, the most extreme endpoint for this was the Taku Sugimoto Guitar Quartet album released earlier on Bottrop-Boy. On Chamber Music he puts the guitar aside and composes 3 pieces for violin, cello and piano. He recreates the same sustained so…
Violin solo1980 nyc
A previously unreleased solo violin performance by the founder of the Taj Mahal Travellers and legendary Fluxus conceptualist. Active since the 1960s, Takeisha Kosugi has more recently served as the music director for the Merce Cunningham Dance Troupe. He is currently involved with the composing and performance of impromptu music and electronic multimedia music. To be brief, Kosugi is one of the most important and influential Japanese experimental avant-gardists, alongside the likes of Yasunao T…
Violin Improvisations
Originally released in 1989 as Violin Solo. Sept. 3-4, '89. Takehisa Kosugi's improvisations, both with violin and miscellaneous sounding objects, have a sense of emerging from the bottom of a spiritual unconscious. From this place comes a music based more on the feeling of sounds than conscious arrangement. Memory, physical action, tactile perceptions, environmental conditions, and awareness of subconscious microcosmic and macrocosmic extremes inform his work as much as the intention to assembl…
Invocation of the aural slave gods
Exciting new studio album featuring Annie Stubbs (LUSTMORD, SPK) on vocals + percussion and Swiss Aktionist Joke Lanz (SCHIMPFLUCH-GRUPPE) on noise toys, with conversions of Cabaret Voltaire's Nag Nag Nag and Roxy Music's In Every Dream Home A Heartache.
Broken. distant. fragrant
A few years ago, Tu m' and Steve Roden began a correspondence. This led to the idea of a collaborative project. This led to bedroom audio experiments in American and Italy. This led to CDRs being sent through the mail to cross over the ocean. Tu m' used Steve Roden's audio as the working material for several works. Steve Roden used Tu m's audio as the working material for several works. This project contains a bit of both...
3 pianos
Three grand pianists on three grand pianos. The presence of three good pianos at Gateway Studio allows one to hear three of the best improvising pianists working together. Most of the music is three-way improvisation, but there are also three short duos, and three pieces with restricting rules. 66 minutes.
The Suncrows Fall and Tree
Italian guitarist Stefano Pilia is best known as a member of concrete rock outfit 3/4HadBeenEliminated. He has also been releasing solo recordings over the past few years. 2005's Healing Memories and Other Scattering Times saw Pilia interrogating his basic musical language, framing various playerly tactics, shuttling between guitar drones, melancholy melodies and post-Durutti Column pointillism. For The Suncrows fall and tree, he shifts his focus to composition with two untitled tracks. Pilia re…
Synaesthetic videos from Austria
A DVD release celebrating the extraordinary young video and electronic music scene in Austria. These are radical avant-garde works that emerge logically from modern electronic music. The images sometimes tie in with the earliest pure abstract avant-garde films, but reveal themselves in everything to be exponents of contemporary digital technology.
33 1/3
2024 stock 33 1/3 is Smegma''s tribute to their 20th century avant-garde and out-jazz influences. The title is one part reference to the happy revival of passionate vinyl listening in the 21st century and one part celebration of their long hard slog of 33 1/3 years of being one of the most free thinking and original American underground groups. Their focus, ideas and determination has brought them through more than three decades and to this day they remain unparalleled, original and highly influ…
Nattering naybobs of negativity
The second in the series of Harbinger Sound's efforts to present the Smegma back catalog. This album originally came out in the UK only back in 1987 and is backed by the studio side from the 1988 cassette release, Morass. Twenty-one tracks in total. Dedicated to Tom (Pig Champion) Roberts. Limited to #1000 copies. CD features an eight-page booklet with photos and a pre-1988 Smegma discography
Helle
Recorded at Rare Book Room , Brooklyn , May 2005 except "Les île" recorded at Daz Basment, June 2005. The original cover was refused by the factory (which, apart for few copies, destroyed the cds) and became page 2 of the new version digipak booklet (see images).
Free pulse
Sinistri, formerly known as Starfuckers, is an experimental music unit based in Italy. Starting from an original, raw, minimal and high power approach to the rock language, they soon developed a personal direction exploring the space between proto-punk, black roots and contemporary classical music. Sinistri is a trio who uses electric, electronic and acoustic instruments, operating under the principles of intuitive music, exploiting asyncrony and non-metrical rhythms. Sinistri's music comes out …
Mort aux vaches : meltdown of control
This is a true orchestra, and conducted by a duo: the omnipresent zbigniew karkowski and dutch electronics master edwin van der heide. the material used in this mort aux vaches release was recorded during 3 live performances (tokyo, japan, berlin, germany, and london- as part of john peel's meltdown 98 festival). the following artists took part in this project (in each performance the orchestra set-up was slightly different) masami akita - merzbow (tokyo,berlin,london), reiko a- merzbow (tokyo,b…
From the diary of Dog Drexel
"The Diary of Dog Drexel" is a suite of five movements, each of which programmatically portrays an emotional state from the diary. One of the ideas behind "Dog" was to thoroughly blend improvised and composed elements. In the first four movements'Conflicted, Pissed, Bummed, and Agitated'there are at almost all times at least one thread of composition and another of improvisation. The balance between the elements shifts steadily. Muddying the waters further is that many of the extended techniques…
s/t
Sanhedolin are a ludicrously amped-up and heavy new power trio, featuring Keiji Haino, Tatsuya Yoshida (Ruins) and Mitsuru Nasuno (Ruins). Haino brings aggressive anguish and all-consuming black fire, Yoshida and Nasuno supply a sack-full of convulsive time-shifting and complex kinetic acceleration. Haino and Yoshida have been working together on and off for the past three or four years in a number of duo and trio contexts, including a tour of China and Taiwan. They have built up the kind of ins…
The expanding sea
Georgia natives San Agustin (David Daniell, guitar; Andrew Burnes, guitar; Bryan Fielden, drums) have performed with a multitude of notables from the improvised community, including Ken Vandermark, Thurston Moore, Loren MazzaCane and others, but this boxed set is the first truly representative document of their live presence. Haunting moments of introspection are enveloped in clouds of bluesy guitar notes, then swept away by great electric gales; drones rumble and shimmer in the aftermath. The E…
Moooohieee!
A dead voice gathers on this Musical Saw and Hawaiian Guitar Soli Recorded in Early 1920s. Innovator of the octo-chorda (an open-alternate-tuned eight-string steel guitar), banjo, singing saw, inflated rubber balloon, and various other 'household instruments', Floridian samuel Pasco moore (1887-1959) was a darling both in NYC and on the vaudeville circuit during his 1920s heyday. While novelty acts suffered the pitfalls of most soft-soapers, moore's sound is of startling, heavenly haunted southe…