s/t
ErstLive 005 is from the quartet of Keith Rowe, Sachiko M, Toshimaru Nakamura, and Otomo Yoshihide, the centerpiece show of AMPLIFY 2004: addition, the "four hour quartet". ErstLive 005 contains three individually packaged slimline CDs in a slipcase with original artwork by Keith Rowe, which wraps around the entire box, front, side, and back, as well as liner notes from all four musicians and numerous pictures from Yuko Zama. ErstLive 005 documents only the second performance of this quartet, a…
The room
"This was one of the first occasions on which I worked with Keith Rowe, who bore more or less the same relation to the electric guitar as David Tudor did to the piano (I put that in the past tense because by no stretch of the imagination could you now call them guitarist or pianist respectively)."-Cornelius Cardew, 1966 More than forty years later, Keith Rowe is still adding to his remarkable legacy of sound and color. This latest release, The Room, marks the third full-length solo recording of …
Global ancient atmosphere
Rhythm, duration and silence lie at the foundation of all of Haino's music. After a clutch of documents of his hair-raising solo performances for both acoustic and electric percussion, this latest album presents Haino's first recorded outing behind a regular drumkit. Haino has long desired to release a solo drum album, and he has been playing a regular kit occasionally live for several decades now. Global Ancient Atmosphere contains nine tracks that showcase an austere yet thrilling investigatio…
Hikari yami uchitokeaishi kono hibiki
First album of solo guitar by Keiji Haino in quite some time, but very much a departure from the mountain-levelling, continent-sundering, weather-system huge electric guitar releases of years past. The title roughly translates as 'Light darkness melting into one this vibration'. Haino advises the listener to play as loud as possible - surely a first on an album of acoustic guitar.
The 21st century hard-y-guide-y man
Haino uses a hurdy gurdy, runs it through his battery of effects and winds up with a large whoosh of noise not unlike Tony Conrd's violin.
Nijiumu
Keiji Haino is Fushitsusha's mainman. Dark Avant-garde experimental music with various ancient instruments and metal. Complete black package.
Misenlian
Julien Ottavi and Dion Workman are two of the most extreme of the younger wave of sonic explorers, pushing the boundaries of sound and art. Ottavi hails from Nantes, France and Workman from New Zealand, but their overlapping concerns and aesthetics have drawn them together, and misenlian contains the results of their initial collaborations. Julien Ottavi studied sound and photography at the art school of Nantes. He is a founding member of Formanex, an electroacoustic quartet performing graphic s…
Temperament
A selection of improvisations using differing tunings (Pythagoran, Just intonation, Meantone 1/4 comma, Equal, and Rosenberg Augmented) derived from science, history and the imagination - featuring Rose on various violins, and Weston on various keyboards (piano, fortepiano, harpsichord, organ, harmonium & electronics), recorded in various locations in Europe.
What’s lost...
Jon Mueller either spent the necessary time to teach his drums how to actually sustain something, or he found them lying in the same swamp as the Warner Bros. frog. In any case, he has coaxed a gorgeous CD out of them: complex textures of sustained snares, nocturnal bells, and asymmetrical rhythms arising as if from within the drums; all subtly ordered, sometimes melting from passage to passage, sometimes popping with tape-edit precision. The pieces have the gravity of fine drone work, but they …
Contes de la memoire
Jon Appleton brought a lot to electroacoustic music. As well as realizing tape pieces, he has pioneered live computer music, hitting the road in the seventies with the Synclavier, the first digital synthesizer, which he had designed in close collaboration with Sydney Alonso. His activity extends beyond traditional categories. He has worked with instruments, dance (especially the …
Black magic pond
Compounded recycling report from the East Coast and debut solo outing on Blossoming Noise, following LHD's release 'Young & Restless'. In Wiese's output, Black magic Pond sits somewhere between the density of Arrhythmia Wave Burst and Panner Crash but working within the same conceptual framework of his recycling trilogy magical Crystal Blah. Housed in a digipak.
Discrete Moments
Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion.
"Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…
Two Chapters and an Epilogue
Matchless Recordings presents a live concert by Evan Parker and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on Monday 3rd August 1998. The album includes three tracks performed by Evan Parker - tenor & soprano saxophones and John Tilbury - piano.
"These musicians have chosen to eschew the given media of jazz, from whence Evan Parker received much of his initial inspiration, and the classical world from which John Tilbury received his early and formative training, in o…
Barcelone piano solo
Barcelona - a piano solo piece: 36:49:00 - Recorded during Improvisa 2003 Festival in Barcelona (Spain) the 3th of December at L'ESPAI de Musica i Dansa de la Generalitat de Catalunya. Recorded and mastered by Ferran Conangla.
Plays Samuel Beckett
With Christina Jones and Sebastian Lexer. Features the following pieces: Cascando (a radio piece for music and voice). Voices by John Tilbury. Music composed and performed by John Tilbury with electronic modulations by Sebastian Lexer. Rough for Radio 1 (for music and voices). Voices: Christina Jones and John Tilbury. Music composed and performed by Sebastian Lexer, Eddie Prévost and John Tilbury. Studio recordings from 2004-5.
Birthdays
Adventurous acoustic guitar & percussion improvisations by two of the finest musicians around. A remarkable range of sounds without any amplification or other electronics, captured in a digital recording that reveals every nuance. "The whole CD sounds incredibly crisp and fresh. One of the best CDs of improvised music I ever heard." (Luc Houtkamp from an unsolicited email.) 69 minutes.
Analekta
Three duos and a Quaqua. Russell's monthly Mopomoso concerts usually end with him playing a duo - this CD contains three examples. The guitarist's first duo with tenor saxophonist GARRY TODD was in 1975 and appeared on a long deleted Incus LP - this is a reunion 30 years later. An ongoing duo has been that of Russell and jazz trumpeter HENRY LOWTHER - not as unlikely as it may seem. CHEFA ALONSO, who plays soprano saxophone and percussion, is a new encounter for the guitarist. Also included is t…
Ballads
"Ballads“ ist the first collaborative album by two key figures of the Norwegian noise, improv, experimental, whatever-you-call-it music scene. Anyone expecting a rackety wall of distorted feedback guitars and voices will be gently surprised though by the sparse and intimate sketches to be found on this wonderful record. Songs are stripped down to their raw bones using only the most essential elements to reveal the soul behind every single sound. Superfluous effects seem to be completely absent,…
Colors don’t clash
Finally, here it is! An album we’ve been waiting for since starting the label a few years ago and it was worth waiting every minute. While maintaining a busy release and tour schedule with Jazzkammer (now called Jazkamer, a duo with Lasse Marhaug) which recently included their new glorious metal album for Smalltown Supersound (aptly titled „Metal Music Machine“), the „Panic“ CD on the Bottrop-Boy label and concerts all over the world (including South America, South East Asia, Japan, etc.), his m…
Home, unspeakable
Home, Unspeakable is a collaboration between Duncan and Günter based on Samuel Beckett's last work, an opera libretto entitled Neither that he wrote on the back of a card for Morton Feldman. Although Günter and Duncan both claim Feldman as strong influences, this work sounds little like Feldman, but is instead a "series of musical 'places,' which in their entirety form the topography of a 'landscape' we feel might be described by the final words of Beckett's text: unspeakable home" (from the lin…