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Janek Schaefer has gained a reputation when it comes to fieldrecording-based soundworks. Using his sonic surroundings, manipulated or not, Schaefer comes up with unique and intimate results. location stories is another collection of found-sound stories, that Stichting Mixer is proud of to release. A: Minneapolis Office Max Messages. A collage of the messages I found left on the display model of a mini digital dictaphone bought at a Branch of Office Max in Minneapolis. In a condensed period of ti…
Janek Schaefer is an architect. This might explain his vision on his music. A good building closes up into your memory without you even noticing it. The same goes for Schaefer's soundsculptures. Clearly structured soundloops baffling their way into perception. You can use his music in art-galleries, train-stations, living-rooms: anywhere really. Each time/place conducts his work to a different perception. Even a high volume or low volume defines another way in the listening experience which unfo…
2005 reissue. Released in 1979 in a limited edition on his own d'Avantage label, Catalogue, with its overt theatricality is every bit as wild as the previous Paralleles. Not really jazz, not rock, having nothing to do with contemporary music either, Catalogue is a kind of sonic postcard which features not the group of the same name but instead numerous Jacques Berrocal associates including Potage (co-founder of the d'Avantage label in 1976), Parle, Ferlet, Pauvros and recording engineer Daniel D…
Jacob Kirkegaard is a Danish musician currently located in Cologne, Germany, who was a founding member of the group Aeter which has been active for years on the European underground live circuit. They had a unique sound where abstract sound, beautiful singing and an interest in connecting music with visuals came together. Kirkegaard is also a famous composer of hearplays in his native country. Last year saw the first release from him outside his band with Soaked, a live recording he made with tu…
Finally the overdue and long awaited re-release of IOVAE’s Quatervois which came originally as a limited CD-R release on Drone Disco. IOVAE, native of Cincinnati is a true alchemist, working out lo-fi tape collages and simple four track assemblages. He uses unusual sound sources and layers these into rather dense and industrial etudes of found sound. Iovae (Ron Orovitz) has been playing with sound in the culturally insular confines of Cincinnati Ohio since circa 1988. Initially, tape & turntable…
Ingar zach - percussion / zither. percussion music is Ingar zach's debut solo release. Over the last couple of years he has developed a personal sound in his instrument, and on this release his arsenal of bells, gongs, drums and motors are accompanied with zither. percussion music is recorded in a large factory hall, and is one long piece of music consisting of drones and overtones that are carefully developed. Ingar zach's own notes on the solo release: 'This CD is recorded live in an abandoned…
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
two albums of 'agitprop' electronic music -- Tract & To Kill A Sunrise cut between 1968 and 1975 -- by mysterious & controversial Turkish composer Ilhan Mimaroglu -- one of the truly underrepresented pioneers of the golden age of the Princeton-Columbia electronic music scene. Produced as a direct reaction to an extended period of intense repression, counterrevolutionary terror, & execution style murder in Turkey, Tract is a scrambled mash up peppered with spunky electronic bursts, radio ads loop…
Matchless Recordings presents a live concert by Hubbub recorded on September 2002 at Le Grand Mix by Jean-Pierre Bouquet. The album includes two tracks performed by Jean-Luc Guionnet - alto & soprano saxophones, Edward Perraud - drums, percussion, Jean-Sébastien Mariage - guitar, Frédéric Blondy - piano, Bertrand Denzler - tenor saxophone.
Hubbub works on the sound matter and creates an expanded space inhabited by stripes, interlaced designs, resonances, tanglings, points and strokes, at the bor…
Matchless Recordings presents a live concert by Hubbub recorded at Centre Culturel André Malraux, Vandoeuvre-les-Nancy, France on December 4th 2001.
The album includes two tracks performed by Frédéric Blondy - piano, Edward Perraud -drums, Jean-Sébastien Mariage - guitar, Bertrand Denzler - saxophone, Jean-Luc Guionnet - saxophone.
Another three grand pianists on three grand pianos. Howard Riley and Keith Tippett have recorded several piano duos in the past, but the addition of John Tilbury coming from another background gives these eight trio improvisations a unique flavour. 66 minutes.
Live in-person collaboration of mid-ranged feedback hell laden with raw human drones of cosmic existential turbulence from from Matthew Bower (legend of Total, Skullflower, Ramleh, etc.) Marcia Bassett (Double Leopards, Zaimph, GHQ, etc.) and Dominick Fernow (Vegas Martyrs, Nihilist Assault Group, Ash Pool, etc.).
Hototogisu are Marcia Bassett and Matthew Bower, and they dwell upon two continents (Marcia in Brooklyn NY and Matthew in Leeds UK). Both share rich discographical heritage. Marcia has recorded with numerous labels (Siltbreeze, Timelag, Eclipse, Troubleman Unlimited, etc.) with UN, GHQ and the Double Leopards, and Matthew with Total, Skullflower, Sunroof!, Vibracathedral Orchestra and more. A Wikipedia entry in his name clearly (sic) illustrates his cultural heft: Bower's huge discography of vis…
Hiss is an improvisational quartet made up of one Englishman and three Norwegians with an instrumental line-up that is unremarkable enough, but with a sound that is fairly unique. Keyboardist/electronicist Pat Thomas is a veteran of the British free improv scene while guitarist Ivar Grydeland, bassist Tonny Kluften and percussionist Ingar Zach -- though the latter three are younger -- are mainstays of the Norwegian free jazz and improv cultures. The reasoning behind the Arabic-sounding track tit…
BusRatch comes recommended by Yoshihide Otomo and Christian Marclay as highly talented experimental unit. Hijokaidan a powerful force in contemporary japanese noise. Recorded 03, 8th, February at Taku Taku, Kyoto, the intensity of this live performance is immediate.
'When starting (1.8)sec.records, I planed on focusing the music on minimal sound art, and electroecustic music. Since starting the label it has taken a life of it's own pulling me increasingly towards something that falls somewhere between improvisational free jazz and the above mentioned genres. I am thankful for this, otherwise I may not have gotten the chance to experience and release 'plateformes'. The trio of Hervé Boghossian, Stéphane Rives, and Matthieu Saladin is very much a free improvi…
second release in this series documenting the archival recordings of this previously obscure, genius musician. Volume one received broad critical acclaim, including a top ten critics pick for 2001 in THE WIRE and numerous other reviews and articles. Volume 3 in the series, Hillbilly Tape Music, will follow shortly. Before the publication of his music, Flynt was most often known as an (often distorted) footnote in art history, as the man who invented Concept Art, Flynt's name in the early sixties…
The classic double CD release that really renewed the interest in Henry's Flynt's idiosyncratic music (linked to Conceptual art and minimalism) -- at least 10 other CDs have followed since the release of this one. It is listed as #6 on Alan Lichts' "Minimal Top Ten" list, which says a lot. First volume in the series subtitled: New American Ethnic Music. "Recorded in '80 and '81, two mind-blowing disks delivering flowing, trance-inducing violin solos of extreme beauty and seriousness. In these in…
This album is another chapter in the life of avant-hillbilly Henry Flynt, this time documenting his more experimental recordings. The centrepiece of the record is a slightly unnerving collection of howls, judders and raspberries unnervingly titled ‘Central Park Transverse Vocal #1-4’ – luckily there is more on the cd than this though, I can’t say the squealing does a lot for me other than irritate. However, ‘Raga Electric’ is clearly the standout track and does pretty much exactly what it says o…
This is the fourth Henri Pousseur CD in Sub Rosa's Early Electronics series, exploring the work of this Belgian theoretician and experimental/avant garde composer. Along with previous releases in this series, Musique Mixte will cover all his electronic music and his most radical works between 1953 and 1988 -- 35 years of research and experiments. These recordings are a continuation of Sub Rosa's earlier releases, namely: Liège à Paris (a piece composed thanks to Luciano Berio and premiered at th…