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Barricade, already known as the roots of ZNR, were a radical French commune formed in 1969 by over thirty musicians / non-musicians around François Billard (saxophone, voices, harmonica) and Gérard Lapeyre (violin) in Marseilles. They had wandered from place to place, changed their members one after another, and gigged on various stages in France around 1970.In 1973, they were split into two Barricades - one is a radically political & anarchic music outfit around François named Barricade Crève-V…
Matchless Recordings presents a live concert by Bark! recorded at LMC Sound, London, England on 10th April and 18th of September 1999.
The album includes nine tracks performed by Rex Casswell - electric guitar, Phillip Marks - percussion, Paul Obermayer - electronics.
"A wonderful album of crunch ‘n’ roll, as Manchester drumming -legend Phillip Marks leads Rex Casswell (electric guitar), best known for his tenure in Stock,Hausen & Walkman, and Paul Obermayer (sampler) through some entertaining a…
The Object series is Locust Music's shot at documenting worldwide currents in creative improvisation and composition but as you may expect by now, we're doing it with a twist. For each release in this ongoing series, we've worked with the musicians to arrive at audio-visual ties between sounds and objects that may indicate a visual tie to the music. In this case, a bowling ball and a Brill-o pad grace the cover. Object 1 teams together trumpeter Axel Dorner, an internationally celebrated …
AVVA is the duo of Toshimaru Nakamura and Billy Roisz, based in Tokyo and Vienna respectively. AVVA stands for "Audio Video/Video Audio", referring to the working method of the duo. Nakamura produces the music using the internal feedback from his no-input mixing board, Roisz uses that as the basis for her optical moving patterns, and Nakamura has a TV monitor showing Roisz' output, so the whole process is circular and created in real time.Since 1998, Nakamura has been exploring the possibilities…
Psychedelic space music from Hiroshi Hasegawa of the legendary japanese noise outfit C.C.C.C. Astral orange sunshine was recorded between 2004 and 2007 using the EMS Synthi as it's main sound generator.
Chris Burn: piano, toy pianos Rhodri Davies: harp Phil Durrant: violin Mark Wastell: violoncello. All works are quartet improvisations except 'Related Activity' composed by Mark Wastell and 'still point' composed by Rhodri Davies. Recorded 7th January 2001 at Gateway Studios, London. Engineered by Steve Lowe. Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused inte…
Limited edition of 600 copies, 300pp. book with full length CD. Mostly German. This is the second edition of the MONOGRAPHIE ASMUS TIETCHENS - the book about the work of Asmus Tietchens, edited by Kai U. Jürgens. The new edition will have almost 300 pages and will include an updated commentated discography, plus new texts by Jon Mueller, Vidna Obmana, Marcel Beyer, Ditterich von Euler-Donnersperg and Till Kniola. It will also collect Tietchens' essays that appeared in magazines in the last few y…
Follow-up to Phil Todd’s long-revered Four Raga Moods side presents four more slow-glowing trance bombs that combine lucid, transparent guitar gliss with spectral folk, subliminal drones and guest appearances from Alex Neilson, Ben Reynolds, Mel Delaney, Chris Hladowski, Matt Cairns, Andy Jarvis and Pete Nolan of Magik Markers et al. Fold-out full-colour four-panel digipak. Includes “The Pete Nolan Effect”, one that we’re all familiar with, right? Highly recommended, one of the best Ashtrays thi…
Ectoplasmic drool, ruptured voice, multi-temporal cash, concerti for nostrils, hyperactive excursions into comedy and violence. An aural textbook of constant change presenting a multi-dynamic evaluation of what may be possible with what we have at this point. Equal parts postwar beard and modern patchnocrat, Flux compendium sees two of Melbourne's hairiest sons nose dive and writhe in their unique take of sonic totalism, rising out of the muck with their kaleidoscopic best. Far from the lifeless…
Chasms is the debut solo prepared piano album from Australian composer-pianist Anthony Pateras. Although placed within the lineage of the Cage prepared piano, chasms takes things further, re-configuring the instrument into a psychoacoustic percussion orchestra, exploring extended timbral continuums through complex rhythms and physically intense performance strategies. Although the work is influenced by Pateras' written compositions, this album represents a more organic, fluid side to his work, g…
World Rhythms originated as a ten-channel live improvisation in which the audience was surrounded by ten loudspeakers. The recorded sounds include volcanic eruptions, earthquakes, radio waves, geysers and pools, and tree frogs. These sounds are a physical manifestation of energies which shape us and our environment constantly, energies of which we are not always aware, but which powerfully influence and interact with the rhythms of our bodies."What separates her work from musique concreté is tha…
Paul and limpe Fuchs music, better known as Anima, represents the most original and obscure event among German Kraut Rock. Here they play a wonderful and very inspired duet on Paul Fuch's self-built instruments with the pot-production collaboration of Will Neubauer's Echolette Ringmodulater. Privately issued on LP record in 1972 for the artists' own label Altepfarhof, these two 17 minute long improvisations titled 'n da da uum da' and 'traktor go go go' can surely be considered as one of the bes…
Thermal is a set of improvisations by Andy Moor, John Butcher and Thomas Lehn. Taking the sonic possibilities of their respective instruments (electric guitar, saxophones and EMS synth) through surprising and playful avenues, this is an exquisite example of the meeting of three experienced improvisers, each bringing to this exchange the perspective of their mixed musical backrounds.Andy Moor is known for his long time association with the EX , Kletka Red, and Dog Faced Hermans, he has a original…
Andrew d'Angelo : alto sax, bass clarinet, baritone sax. Anders Hana : electric guitar, effects. Morten J. Olsen : drum kit. Mike Pride : voice, effects, screaming. Recorded November 2004 Brooklyn. This is their milsetone studio work! Is not only intense but also feathery.
This is Sweden-based Anders Dahl's first release on the Häpna label. From documentary audio recordings of his travels to India, electronic manipulations of toxic ooze, to "wildlife" recordings of digital birds, Dahl goes places where the natural and the digital world meet and obfuscate one another. Using steel bowls, bouzoukis, bottles, pans, drums, guitars, electronics, and anything else on hand or in his surroundings, Anders Dahl, much like his esteemed botanist compatriot of the same name, se…
Part 9 of the ongoing re-release series of all early Tietchens albums from 1980—1991 on CD. This combines two seperate releases from 1987 (»Zwingburgen des Hedonismus«) and 1988 (»Mysterien des Hafens« on »Face To Face, Vol. 1«). »Zwingburgen des Hedonismus« was originally released as a one-sided LP on swedish label Multimood and features a singles 21 min. long track composed on a Fairlight CMI. »Mysterien des Hafens« was part of a split LP (the other side feat. Die Form) originally released on …