Suspended Music
A collaborative project of the Deep Listening Band and the Long String Instrument Band, featuring new works by Pauline Oliveros and Ellen Fullman. Both works were composed specifically for this ensemble. The instrumentation included Fullman’s Long String Instrument, Oliveros’s expanded accordion, and Dempster’s virtuoso trombone and didjeridu as well as David Gamper’s voice, spatial distribution, manipulation and sound design, timbral transformation, and technical coordination. A performance tou…
Aluminium
It's onward, ever onward for New Zealand's foremost guitar experimentalist, Dean Roberts. Before you know it, he'll be as ubiquitous as Thurston Moore, a New Music gadfly gatecrashing every weird feast going. The latest outpost in a transition from lo-fi humstrum to Destination Unknown sees Roberts shacked up with avant-Austrian Werner Dafeldecker bassist in Improv group Polwechsel.Expect: grinchy crackling, like the amplified sound of grit disintegrating. Imagine: bric-a-brac, debris, splinters…
Nouveaux bouinages sonores (dans la période)
This obscure group of radical experimental noise makers used improvisation and collage to craft strange sounds and deconstructed songs for highly creative music that is as far off the path of conventions as that of similar but more known visionaries like the Residents and Nurse With Wound. In fact, DDAA roughly began the same time as NWW in the late '70s, started by three visual artists, Sylvie Martineau, Jean-Philippe Fee, and Jean-Luc Andre in Lion sur Mer, France. The multi-talented trio orig…
Piano suspenso
Reissue of this 1999 release and out of print since a long time. Some reviews at the time of release : ' After a tentative opening consisting of damp harmonic scrapes, the piece takes off like a single-engined light aircraft when David Maranha kickstarts his four-motored Piano effect and then starts to tease single notes from the bubbling background with his bow. This is a great and physically affecting slab of sound, where the slightest minimal shift causes tectonic plates to groan. It's gravy …
Noe’s lullaby
Music By David Maranha. To play Loud. Recorded, mixed and mastered in February and March 2002 in Lisbon. Players: Andrè Maranha, Bernardo Devlin, David Maranha, Luis Desirat, Manuel Mota, Patricia Machàs and Rodrigo Amado.
Marches of the new world
Marches of the new World, new record by legendary Portuguese underground figure David MARANHA, who has also been putting out music with the mythical Osso Exótico unit for almost 20 years (his previous release was with Patrícia Machás and drone duo Minit as Organ Eye, who put out a self-titled album on the Staubgold label), is his more recent study & advancement in exploring, witnessing and generating new slices of blissful, savaged drone music. Coming from the higher education of minimalist pion…
Souls Of The Labadie Tract
Recorded between December 2005 and June 2006 Black Faurest and at Wombat Recording Company, Brooklyn. Mastered at Micro-Moose. Total time 38:01.
The harmless dust
Brooklyn-based Grubbs and Athens-based cellist Veliotis took a break amidst their US tour for A Guess at the Riddle to go into John McEntire's Soma Studios and record The Harmless Dust, two duos for piano and cello and for e-bowed piano and Hammond organ. The piece was first performed live in Tokyo in August, and we knew that headz - which put on the show - would be the perfect home for The Harmless Dust. The title comes from a line in the Wingdale Community Singers' song 'Family Plot, Mayfield …
Apertura
Duets for harmonium and whateveraphone. These pieces are starkly out of character for both individuals, but no less excellent.
Two soundtracks for Angela Bulloch
David Grubbs (Bastro, Gastr Del Sol) has a longstanding history of collaboration and interest in contemporary visual arts. Many of his solo albums, for instance, feature covers by artists such as Doug Aitken, Marcel Broodthaers, Cosima von Bonin, Stephen Prina or Albert Oehlen. This new mini-album features two compositions commissioned by Angela Bulloch for two of her installation pieces. British artist Angela Bulloch has been making installations since the early 90s, while starting to use the i…
Belvédère Dans L'étendue
in the memory of René Quinon thanks to Fred Galiay & "Samedi 14" We all are in a house: "Villa Adriana", (René Quinon's house - little village - low mountain - high valley - Ardèche). A bunch of all kind of microphones are deviced in the house and amojng the landscape around the place. Each of them is plugged into a mixing desk that Eric La Casa is using during the recordings. The duration of the mix is more or less pre-decided by the 4 of us. During this amount of time, the 3 instrumentalists a…
Field recordings
This is a co-release with Tochnit aleph. Recorded by Dave Phillips, january-march 2001 and january-february 2004. These recordings have been equalized, other than they have been left es arecorded. No mixing, no layering, non normalization or compression, no effetcs nor any other additions or manipulations. All cuts are indexed. Play loud. Alternate playback through earphones is highly recommended. Seriously.
Legions in the walls
It's very difficult to explain or interpret what my music conveys – so that's why I work hard so that the music can speak for itself - no matter how vague the message or imagery - the energy of what it's communicating is what remains most evident."Daniel menche
Drunk gods
Timestretched whirrs, large insect buzzes, boats bumping into each other in a stormy harbour, muffled mechanical loops, a distressed organ like tone that mutates into a buzz saw before changing again in to a thousand factory horns. These are some of the sounds and associations delivered up in this intense, 20 minute work by Oregon based sound artist, Daniel menche. 'Drunk Gods' is a piece of savage, physical beauty that Lapilli is pleased to present as it's second release
The face of vehemence
A much welcomed new release from this American artist who has produced some of the best recordings in the experimental music scene. Although this is a Series II recording, do not assume any of the power that Daniel menche can marshal has been lost. Quiet at times, strong and full in others, this release constructs its moods with powerful bass pulses, full spectrum harmonic drones and vibrating tones along with the scratching, raspy organic textures that Daniel menche is famous for. Each piece st…
Animality
The final Daniel Menche's solo drum excursion is one hour futuristic shaman's flight. The Native American drum, both recorded clean and processed beyond recognition, pulses with the primal beat of the earth. Packaged in black, hand assembled, emd.pl-records boxes, with screenprinted graphics in white and gold by our friend Wojtek Bednarski.' Daniel Menche "Native American drums are superb for rich resonating sounds due to the animal skin used. For Animality I used a large drum with moose skin fo…
Bleeding heavens
Brand new studio compositions from Portland's corporal sound purveyor Daniel Menche. Comprised of deconstructed organ and trumpets. Recorded from 2006 to 2007 at House of Menche.
Flaming tongues
Beautiful densely layered frantic percussions & rhythmic soundscapes, pushing Daniel Menche's work even further into new territories of sound and performance.
Skadha
Sounds compiled and scathed fall and winter of 2003 at House of menche and mixed and mastered at Private Studio Recordings,Portland
Invoker
Sounds compiled and mutated winter and spring of 2003 at "House of menche" and mixed and mastered at Private Studio Recordings,Portland. "...All hell is breaking loose... (Graeme Rowland)" Brainwshed (USA)