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A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
*300 copies limited edition* Vanishing Twin is songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion; and on this album they have made their first artistic statement for the ages. Some of its great power comes from liberation. The album was produced by Lucas in a number of non-standard, non-studio settings. ‘KRK (At Home In Strange Places)’ summon…
Huuuuuge TIP! Sedimental is honored to release the newest work, ARITHW, from Paris based based electronic musician and sound artist Kassel Jaeger (François Bonnet), realized during a week long artist residency at Epsilon Spires in Brattleboro, Vermont in June of 2023. In addition to creating and performing ARITHW he also performed Eliane Radigue’s L'île resonante, bookending the week.
ARITHW (A Rift in the Horizon's Wall) was developed during an artist residency at the Epsilon Spires art center…
*230 copies limited edition* ILIOS’s published body of works has often been associated with compositions based on sound environments that involve mainly human or machine activity. From the praised “Kenrimomo” released on PAN and based on the Japanese Pachinko game lounges, to “L’Hydre de Lerne” (Entr’Acte) based on construction sites, “Hysechasterion” (Antifrost) out of the monasteries in Mount Athos, “Teleregaraj Hundoj” (Musikzimmer) based on Radio controlled cars and the long list goes on. In…
Originally released by Confront in 2013 on compact disc as The Complete August 15th 2001. Now freshly remixed and remastered in 2023 for release on a delux double 180g white vinyl LP set and digital. Recorded at Sound 323, London by Tim Fletcher on 15 August 2001
Tip! *100 copies limited edition* Chantal Michelle's latest work is an immersive composition across four movements, originally presented as a multi-channel installation and reworked for stereo. As with her previous release on Dinzu, Michelle exquisitely captures the raw, elemental processes of the natural world – here evoking the layered, grainy textures of geological formations. The track's titles both denote these geological processes and describe the composition's sonic behaviors and trajecto…
2024 stock. LP version. Eccentricity in music is tricky in that it's difficult to embrace it in moderation. There's risk of having it come off as either overly (and gratingly) deliberate, or teetering over the precipice into full-blown novelty. Pere Ubu co-founder Allen Ravenstine's Waiting For The Bomb is one of these rare exceptions where peculiarity, nuance and genuine warmth align in such a way that it's perched right on that edge and all the more evocative because of it. One of the album's …
A Bla tape by this fantastic Dutch soundpoet G.J. de Rook who worked with Greta Monach, Ulises Carrion, Michael Gibbs, Bernard Heidsieck, Henry Chopin, Hans Clavin and many others - he was active as visual poet in the years 1970-1975. He was co-editor of the magazine ‘Bloknoot’ (1968-1981). In 1975-1976 he organized the exhibition ‘International Visual Poetry’ (Utrecht, Rotterdam, Amsterdam, Brussels).
Ten years in the making, Brion Gysin’s Dreamachine is being released by Soleilmoon Recordings, in cooperation with The Hafler Trio and Simply Superior.
2024 stock. Keeping track of the musical output of Daniel Menche has never been easy. Besides his numerous albums and singles, released by an eclectic range of labels, he has contributed countless tracks to compilations, many of which reached only the smallest of audiences. “Scattered Remains” tracks his progress from 1995 through 1999, collecting the best of these pieces, now fully remastered, onto two full-length CDs. With the passing of time it has become nearly impossible to find many the or…
2024 stock. Soleilmoon’s first vinyl release is from our resident noise monster. It’s his first 12 inch record, and it’s a numbered limited virgin clear vinyl edition of 693 packaged in hand made Japanese art paper.
2024 stock. “Intoutof” (say “Into out of”) is one of the The Hafler Trio’s most defining recordings. This 1998 reissue, coming ten years after the original date of release of the LP (and eight years after the first CD edition), reminds us of the power and mystery that have made The Hafler Trio such a respected and influential group. When KK Records first issued “Intoutof” on vinyl in 1988 they found that the program length was too long to fit onto an LP. Their solution was quite unique: They ran…
2024 stock. An Utterance of the Supreme Ventriloquist was originally issued by Soleilmoon in 1996 in a hand-numbered edition of 451 clear vinyl Lps. This edition comes nine years later and it’s being released for the first time on compact disc. “Utterance” consists of two 21-minute pieces, “Placing the Seed” and “Seeding the Place”. It’s psychedelic head-trip that reaches a similar plane of consciousness occupied by Nurse With Wound. The material has been completely remastered for maximum digita…
2024 stock. Alice In Wonderland, by Los Angeles, California composer and musician Randy Greif, is a gripping and imaginative telling of Lewis Carroll’s classic story. Using electronics and altered acoustic sounds, along with more traditional instruments, Greif creates a dark and beguiling atmosphere that captures the listener’s imagination. The spoken text is deconstructed into indecipherable phonemes, or laid into rhythmic, musical structures roughly approximating songs. At times, the sonic bac…
2024 stock. Controlled Bleeding was formed in 1978 in Boston. Over the years members have come and gone and the band has transformed and reinvented itself numerous times. In 2010 Paul Lemos remixed the Controlled Bleeding lineup. Drummer Tony Meola rejoined the band and Michael Bazini (a.k.a. DJ Butterface) came onboard to play electronics. The trio played a slew of live gigs in the New York City area, blasting audiences with an improvised instrumental mix of blistering guitar riffs, hypnotic ba…
Glyphs & Gods is a “record that came to be through a channeling of sound in which Tristan & Titania were merely the vessels.” Enigmatic Belgian producer Tristan Vloeberghs (Ohm Meta, WAVradio, Friendship Tapes, Modus Operandi/ Out Innerspace) and Eva Van Deuren (Orphan Fairytale) allure listeners by way of illuminating drone and guiding harmonies that harkens in movements of shimmering reverberation, bent horns of hallowed chambers, animal breaths, and voice echos coming together into blissful s…
"What remarks can recall the pampered page when the subject shines through so many shaken seams? The remarks are for the producer of Quasimodo The Streetsweeper, the mysterious, though constantly revealing, CF, presenting himself here as Universal Cell Unlock. Christopher Forgues of Brown Recluse Alpha, Mark Lord, Kites, and author of blazetastic comic books –ever checkout Power Masters? What remarks could remain after all that? However, one still finds this fresh pile of inviting and mature mus…
In 2021, Oren Ambarchi, Johan Berthling and Andreas Werliin convened in Stockholm’s Studio Rymden to bring forth several monstrously hypnotic improvisations, ultimately bearing their debut: 2022’s widely-acclaimed Ghosted. Two years on, Drag City is now pleased to announce the release of Ghosted II, out on April 26, 2024. Here, Oren, Johan and Andreas have crafted a follow-up record that fuels a rock-solid foundation with years of performing live together as a trio: a fulmination of propelling g…
"Evohé, the song of the bacchants, is multiple and dangerous, its cult is not based on any catechism. Bacchanalian song is about intrusion, it knows neither beginning nor end, and refuses to take the stage that is set for it. Evohé is thus a permanent discipline of aggression of the ritual by the real. A cult of the dangerous object, of time gnawing at flesh, of redemption through intoxication."
French Chanson, Noise, echoes of music from faraway and long ago, modified radio transistors and oth…