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Release Date on May 5th. Bert Jansch's freewheeling fifth album, Birthday Blues, occupies a unique place in his solo discography. Released in 1969, the same year Basket of Light propelled Pentangle into the UK pop charts, Birthday Blues almost soun…
A reissue of Robbie Basho's The Grail & The Lotus, originally released in 1966. It's become an oft-quoted statement that John Coltrane was the Father, Pharaoh Sanders was the Son, and Albert Ayler, the Holy Ghost. It could arguably apply to the holy …
A reissue of Robbie Basho's Basho Sings, originally released in 1967. It's become an oft-quoted statement that John Coltrane was the Father, Pharaoh Sanders was the Son, and Albert Ayler, the Holy Ghost. It could arguably apply to the holy trinity of…
Agrim Agadez is a compilation of contemporary field recordings of guitar music from the Sahelian empire of Niger. Focusing on guitar music throughout the country, from meditative starlight ballads, fuzzy Hendrix covers, rag tag wedding bands, to p…
Signifying a return to form that heralded one of the most prolific periods of his life, this special collection features some of Jansch’s finest work. Living In the Shadows includes an extra disc of demos, alternate versions and never-before heard tr…
Bert Jansch, playing Live In Australia, in a cafe in 1998. This is a highly direct set, being mostly comprised only of Bert and his guitar, singing familiar favourite songs and newer lat-90’s material alike. The audio has been carefully remastered fo…
LP version. Includes an eight-page insert and a download code. The random-access memory of an hourglass. On the one hand, there's Cheveu, the French three-member band, whose soundtrack has never ceased to question music codes by exceeding various gen…
Dreamy instrumentals from Fouta Toro. Improvisational session of acoustic guitar and hoddu, drawing on regional folklore, ancient praise songs and epic ballads. Recorded in a fishing village in Northern Senegal, with an ever present backdrop of child…
The tireless Death Is Not The End returns with the first of two primers of Caucasus folk in conjunction with the Ored Recordings label. Established in 2014, Ored Recordings is a free ethnographic net-label that has drawn together a truly enlightening…
The tireless Death Is Not The End returns with the second of two primers of Caucasus folk in conjunction with the Ored Recordings label. We’ve been blown away by this joint endeavour from Death Is Not The End and Ored Recordings, a Nalchik, Russia-ba…
"A companion EP to the recent double LP retrospective This Song Was Borne, Flight Of The Light Air Force features three exclusive tracks by cult favorite outsider-folk duo Fraser & DeBolt. The majestic title track is an outtake from their second Colu…
One of his earliest LPs in its entirety, Ragas & Talas (origibally on His Master’s Voice ALP1665), issued in 1959 is finally available again. All played with a hypnotic quality that's really wonderful! Indian musician Ravi Shankar (1920–2012) was one…
The "London Taximi" cassette consists of some tracks recorded by Greek experimental musician Tasos Stamou and international artistic explorer Mike Cooper. These recordings took place from 2014 to 2016 in London. Although they have been playing …
Virtuoso Nikhil Banerjee, one of the 20th century’s greatest masters of the Indian sitar, passed away in 1986 at the age of 55. Banerjee was widely acclaimed for his intensely individualistic pursuit of the poetry of raga. Nikhil Banerjee studied nor…
Pandit Ram Narayan, brother of Chatur Lal (the first tabla player to impress the western world on a larger scale in the company of Ravi Shankar), ranks as the most eminent sarangi player of today. His novel style of musical expression has changed the…
Virtuoso Nikhil Banerjee, one of the 20th century’s greatest masters of the Indian sitar, passed away in 1986 at the age of 55. Banerjee was widely acclaimed for his intensely individualistic pursuit of the poetry of raga. Nikhil Banerjee studied nor…
Before Ustad had constructed his giant rudra veena he played the sitar, and what a sitar player he was! Very few people have heard him play the sitar and there are no recordings besides this one. This Mishra Bhairavi was recorded at one of the Sunday…
One of today’s finest exponents of the Sarod, Krishnamurthi Sridhar was, from very early childhood, initiated into the Carnatic music and is one of very few South Indians to have made North Indian music their playing ground. From the age of five Srid…
In 1968 Ustad did his first recording on his giant been, the rudra veena that he had designed. The recording was done in a private flat in Chembur on a quiet morning and was later released on a french label, B.A.M. with the name Raga Mangebushan. It …
Kicking off the brand new Sucata Tapes label is Gonzo with a new volume of the never-ending Noise(s) series. This time, he presents his alternate and surreal perspective of sounds and sights from the South East Asian sub-continent. Featuring recordin…