Folk /
How Low Can You Go?: Anthology of the String Bass 1925-1941
The first anthology ever of the string bass; A 3CD box set in a cardboard box; 96-page book. Original recordings from 1925-1941, from the legendary archival label Dust-To-Digital (that previously brought the world the beyond-elaborate Goodbye, Babylon and Fonotone Records boxsets). "Not so long ago, the string bass stood tall and proud -- roughly the length and breadth of a poor man's pine coffin -- in every musical aggregation throughout the land from Bangor to Buenos Aires, from the hi…
E Pluribus Unum
a pure mantra: blending North African and Middle Eastern textures within a western context into our experience, regrettably the experience of a small few, but hopefully a wider community of listeners to come. Not only important historically, but musically: a wide range of music genres over the last couple of decades have worked with drone-note principles and it is an increasingly common device, but Sandy Bull was/is a superlative master of utilising the drone sounds;understated but effect…
What A Beautiful Place
A beautiful early 70s debut LP from a then 20-year-old, Halifax reared Catherine Howe -- produced and arranged by US jazz pianist Bobby Scott in a mode that manages to feel lush and opulent while never belying Catherine's warmth, intimacy and maturity -- and quite possibly the best unearthed singer-songwriter folk gem I've heard in years! The sound is warmly baroque, and Catherine's lovely vocals and evocative songwriting style is sheerly natural -- recorded in a fairly stripped down setting and…
III
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
Our Bed Is Green
With ethics that even Igor Stravinsky would be proud of, 'Our Bed is Green' was originally released by the Charalambides on cassette way back yonder in 1992 before it made it onto CD then vinyl and now back onto double CD as part of Kranky's reissue series. Comprised of heavy-psych veteran Tom Carter and Christina Madonia, Charalambides are an aural vulture that picks through disperate genres and styles to find the sound that best matches that in their heads. Opening with the overt fragili…
Likeness
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
Joy Shapes
To say that the words "unique" and "singular" are over-used in describing music is to state the obvious. To apply these words to the sounds created by the various duo/trio configurations of the Texas group Charalambides over the last decade plus would be understatement. To be sure there are numerous antecedents to their music; to deny this of any artist's work would be akin to saying that they are deaf. But they have surely broken new ground in the primitive/folk/mystic/improv/psych valley in …
Have One On Me
Destined to be one of the top album of the year, finally Joanna Newsom releases her first album since late 2006's Ys, making up for lost time with a disc for 2008, one for 2009 and one for today. Featuring Ryan Francesconi and Neal Morgan from Joanna's Ys Street Band, Have One On Me is an extravagantly packaged (and extravagantly nicely-priced) collection of fantastic new Joanna Newsom songs -- her most colorful record to date.
Luck In The Valley
LP version, presented in an old-style tip-on jacket with a hand-pasted letterpressed cover, limited edition...Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs withou…
A Scholar And A Gentleman: The Best Of Davy Graham Decca
TOP REISSUE "My favourite Davy Graham story was told to me by a poet who gave a recital backed by the guitarist at the Edinburgh Festival in 1967. They were part of a group driving northwards in a van up the M1 motorway. Suddenly he looked at the seat next to him and, in a panic, saw that Graham had disappeared. Where to? The question was soon answered by the appearance of a pair of boot heels resting on the windscreen. Graham, who had somehow managed to climb out onto the roof of the van…
Smoke Song
Third in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
The Secret Base
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
Joka Baya
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
Alan Lomax In Haiti
Harte Recordings, together with the estate of Alan Lomax, and in collaboration with The Library Of Congress and the The Association for Cultural Equity, present Alan Lomax In Haiti -- a chronicle of Lomax's 1936 Haitian recording expedition for the Library. This 10-CD box-set, in the modern tradition of those lovingly created by Revenant and Dust-To-Digital, is curated from over 50 hours of field recordings by the pre-eminent Haitian scholar, Gage Averill. Besides the CDs, the set contain…
Give It Up
Initial copies come with a bonus full-length CD album, an incredible soundtrack to Donald Prokop's film 'Gone' specially composed by Zelienople - and trust us when we say it's worthy of the cost of admission in itself* This unbelievable album from Chicago's Zelienople evokes the spirit of some of the most treasured music we've come to know over the years, fusing in elements of Talk Talk at their most washed-out, early Bark Psychosis and the narcotic sweeps of Slowdive fused in with the smoky men…
Under Stellar Stream
For his latest album, UK avant-folk maverick Richard Youngs seems to be converging on some of the most assured and firm-footed vocal work of his career to date, fashioning rock-solid songs from typically leftfield instrumental tactics. On 'Broke Up By Night', Youngs sounds like a gnarled old folkie of almost Ewan MacColl proportions, albeit accompanied by organ drone and wispy electronics. It's a rather magical, mantra-like cadence he elicits, and the album springboards nicely from this point. S…
Art of the Theremin
Imagine a virtuoso soprano with an unlimited upper range. Imagine a violin with the lower range of a cello. Imagine an instrument that allows for every nuance, for every slight embellishment, for every dynamic flourishment imaginiable. This album consists of plain piano and plain theramin - no other orchestration. The Theramin, as proved by Clara Rockmore, is capable of soaring song, of delicate melody, of pure expression. Rockmore's performance is a pure joy and a testament to the versatility o…
The Wyrd Meme
A quartet of new songs from the ever-wonderful Alasdair Roberts - a follow-up to his long-player Spoils, released earlier in the year. The tone is carefully poised between staunchly traditional folk values and more modern arrangement styles; though Roberts' fingerpicking and unaffected delivery are faithful to the genre's purist leanings, there's nothing conventional about the songs' segmented structures or the often very minimalist arrangements. It's quite strange to hear such a seemingly old-f…
Spoils
For this latest album Caledonian folk impresario Alasdair Roberts teams up with expected collaborators like Alex Neilson (whose drumming and percussion work has illuminated many a free-folk record over recent years, a few of which Roberts has been involved with) and more unusual contributors such as Niko-Matti Ahti of Fonal's Kiila. Perhaps more than ever, Roberts' music invites comparisons to Bonnie 'Prince' Billy, traveling sufficiently far from the trad songwriting fold to be thought of as 'a…
No Earthly Man
Updating canonical Scottish folk tunes is a rather unfashionable niche, placing these songs within the context of modern/alternative rock is an even tougher chore, but it's one that Scottish neo-traditionalist Alasdair Roberts approaches with pluck and somber intensity. Previously with the band Appendix Out, No Earthly Man is Roberts' third album as a solo artist and it is undoubtedly his most difficult to approach. His previous album, Farewell Sorrow, was a collection of joyful, filigreed songs…