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Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and e…
Adult guitar is a startling anthology of twenty unreleased tracks from Noël Akchoté's first twenty-one years of recording. Adult guitar (it is twenty-one years, after all) is the first record to attempt to represent the breadth of Noël's music. The p…
Tatsuga Nakatani (drums, percussion), Raymond MacDonald (alto saxophone), Neil Davidson (guitar), Peter Nicholson (cello), and Nick Fells (laptop.) Recorded December 2004, Glasgow.
Flute, harp and percussion are the principal instruments on this recording, though you’d be hard pressed to identify them during the opening measures of “Hamida”, the longest track on the CD. But the buzzing, pulsing drone with which it begins gr…
Music Improvisation Company: 1968-1971 - one of the earliest recorded examples of the European school of Free ImprovisationImportante e fondamentale ristampa di uno dei primi dischi della Incus, Music Improvisation Company 1968-1971 (Incus 1971). La …
A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century. The work is the brainchild of Keith Rowe, eminence grise of MIMEO and co-founder of AMM who, inspired by the recently discove…
This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks…
'It gives me great pleasure to announce the first release of the new label 'substance over surface editions' - SoSEDITIONS - an offering of recent live and studio recordings by the improvising trio of Michel Doneda, Jack Wright, and Tatsuya Nakatani.…
Two Toronto musicians and a visitor from London formed this trio that has worked on both sides of the Atlantic. Group improvisations on acoustic guitar, alto saxophone and percussion that cover the whole gamut from dense high-energy to sparse interac…
Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics.Ulrich Phillipp: bass, electronics.Since 1994 Maxwells Dmon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cle…
What a pleasant surprise! The Swedish multi-reed maestro, he of the coruscatingly wild fluteophone attacks, turns to the relatively calm and linear world of Steve Lacy and finds a very happy medium in this solo release. While he treats Lacy's deadpan…
Urabe is the ONLY Japanese player with the ability to soar beyond where Kaoru Abe left off, and for anyone with even the slightest interest in the possibilities of human breath and forged brass this is an essential and tremendously exciting document.
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.
Leopardo is a solo recording by the Portuguese guitarist Manuel Mota, who might best be described as a somewhat more fluidly lyrical Derek Bailey. Lovingly recorded on solid body electric guitar, his improvisations have the spiky quality associated w…
The hearing continues. The playing continues. The listening continues. The music continues. The London Improvisers Orchestra (LIO) continues to play the first Sunday of every month (except December & January) at the Red Rose. Every concert is differe…
Soprano saxophonist Lol Coxhill always sounds good regardless of what area he is playing in and who he is playing with. This present collection just features his free improvising, but with a variety of partners. The late Hugh Davies was a master inst…
Two complete solo soprano saxophone concerts, from Chicago and London, show that Coxhill is as inventive as ever some four decades after his first solo performances. In between there is a 10-minute improvisation by an impromptu 13-piece orchestra. 77…