Jazz /
The beloved music
The most thoroughly realized blueprint for a post-hardcore take on improvised jazz to date from the duo of legendarily long-serving New England saxophonist Paul Flaherty and young firebrand drummer Chris Corsano. Forsaking the call and response modes…
Most Materiall
"Double album, double solos of two distinctive musicians, becoming duets in a relatively rare space between solo playing and ensemble. Reed and percussion start at different places, the working through breath, the other pulse of materials being struc…
America 2003
From last year's North American tour: Evan Parker (saxophones), Alexander Von Schlippenbach (piano), Paul Lytton (percussion) in concert recordings at the Contemporary Arts Center New Orleans and the Seattle Asian Arts Museum.
Out to lunch
2nd works is the covers of famous Eric Dolphy's Out To lunch! otomo's post-modern interpretation of Dolphy's compositions by Orchestra is very beautiful and intensive. Gazzelloni is translated to hardcore punk version, or Straight Up And Down ? Will …
Dentro
Somewhere between Musique Concrete and a kind of abstract improvisational work, using extended techniques and electrification that disconnects sound from any recognisable source. A fascinating first record that sits between studio improvisation and e…
Adult guitar
Adult guitar is a startling anthology of twenty unreleased tracks from Noël Akchoté's first twenty-one years of recording. Adult guitar (it is twenty-one years, after all) is the first record to attempt to represent the breadth of Noël's music. The p…
Aporias
Tatsuga Nakatani (drums, percussion), Raymond MacDonald (alto saxophone), Neil Davidson (guitar), Peter Nicholson (cello), and Nick Fells (laptop.) Recorded December 2004, Glasgow.
Yesterday night you were sleeping at my place
Flute, harp and percussion are the principal instruments on this recording, though you’d be hard pressed to identify them during the opening measures of “Hamida”, the longest track on the CD. But the buzzing, pulsing drone with which it begins gr…
1968-1971
Music Improvisation Company: 1968-1971 - one of the earliest recorded examples of the European school of Free ImprovisationImportante e fondamentale ristampa di uno dei primi dischi della Incus, Music Improvisation Company 1968-1971 (Incus 1971). La …
Duo/Deep sea
Precious document of early Japanese improvised music scene. Tensional performance of heavy sounds from reeds and bass.
Gobbledygook
Free form Bass Improvisations with Butch Morris, E.Sharp,Ikue Mori(ex.DNA). Recorded in N.Y.
The hands of Caravaggio
A staggering achievement, one is tempted to call The Hands of Caravaggio the first great piano concerto of the 21st century. The work is the brainchild of Keith Rowe, eminence grise of MIMEO and co-founder of AMM who, inspired by the recently discove…
Flore de cataclysmo
This trio features very distinct musical personalities and caught us off guard simply by its appearance at all, but we sure did smile when we heard it as we knew it would pack the goods. Both Zach (percussion) and Doneda (reeds) lay sturdy frameworks…
From between
'It gives me great pleasure to announce the first release of the new label 'substance over surface editions' - SoSEDITIONS - an offering of recent live and studio recordings by the improvising trio of Michel Doneda, Jack Wright, and Tatsuya Nakatani.…
Number nine
Two Toronto musicians and a visitor from London formed this trio that has worked on both sides of the Atlantic. Group improvisations on acoustic guitar, alto saxophone and percussion that cover the whole gamut from dense high-energy to sparse interac…
Stille post
Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dmon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cle…
Windows: The Music Of Steve Lacy
What a pleasant surprise! The Swedish multi-reed maestro, he of the coruscatingly wild fluteophone attacks, turns to the relatively calm and linear world of Steve Lacy and finds a very happy medium in this solo release. While he treats Lacy's deadpan…
Solo
Urabe is the ONLY Japanese player with the ability to soar beyond where Kaoru Abe left off, and for anyone with even the slightest interest in the possibilities of human breath and forged brass this is an essential and tremendously exciting document.
Agape
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.