Jazz /
Movements in the Space of Possibilities IMPROstation#1
Live rec. at June 21st, 2024 by Udo Schindler at Kulturbahnhof München-GiesingMix by Wolfgang Obrecht / Tonstudio RichArt. Cover photo by Udo Schindler.All compositions by Udo Schindler, Erhard Hirt, Ove Volquartz. Produced by Udo SchindlerUdo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Max Geller & use a bass clarinet heavy neck by Martin Suter (Bla…
Forestry Comrade
A live recording of an amazing performance by Sabu Toyozumi, Claudia Cervenca and Jean-Michel Van Schouwburg. Recorded live at Schnittpunkte Festival, Heiligenkreuz, Austria, 2015 and at Karel, Brussels on 26 June 2012.
Album II
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
Amalgamation
*CD Version* Reissue of this legendary album from 1970 featuring Hiro Yanagida, Kimio Mizutani, Mototeru Takagi. Number seven on the Japrocksampler Top 50. Divine excessive jazz-rock stylings by this batch of period-visionaries presumably recorded sometime in 1970 by Rudy Van Gelder and Creed Taylor at the Toshiba Records 1st Studio. All of that "real" psychedelic goo gets smeared about quite a bit; acoustic string flap AND electric gonzo-muff battle overdriven organ lines played by said Masahik…
Album I
The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spa…
Unlockings
John Butcher is interested in particular people and their personalities. He prefers not to work in a generic situation, where there's an agreement in advance to play a certain kind of thing, and the music cannot swerve in a sudden fresh direction.
As he told me a few years back: "What got me so interested in the type of improvising I ended up really spending time on was, at least at a personal level, there was a feeling you could start from scratch. Now you might well be mistaken, and rediscover…
Lower Marsh
The record can be considered a sort of farewell note to one of London’s most crucial venues for improvised music and sound art after its unexpected closure in late 2023 due to gentrification. John Butcher had previously collaborated with these three musicians in different contexts, but Unlockings documents a first-of-its-kind quartet line-up.
"I wanted a new combination, but made of players I’d worked with over the years" says Butcher. "Choosing is probably 75 % about the player and 25 % about t…
Black Disco 3
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari.
On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
Black Disco
With a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams/The Sun label alongside Abdullah Ibrahim and Harari. On the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after…
SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe
Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection - The Guardian
5 Na Bossa
The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo…
Corner To Corner
*2024 stock* A collaboration between saxofonist Evan Parker and drummer John Stevens. Recorded on 8 June 1993 at Angel Studio, Islington, London Recorded direct to U-Matic master using Schoeps and Neumann microphones.
Bumpin'
Limited Edition 180 Gram Gatefold LP Reissue. Released on the Verve label in 1965, Bumpin' was Wes Montgomery's first album to reach the charts, climbing to #116 on the Billboard 200 chart. In his All Music review, Shawn M. Haney gave the LP four-and-a-half stars (out of five) and praised it by stating that, "Not only is Wes' brilliant command of the six-string present here, so is the vivid color tones of notes and blue notes played between. Backed up by a hauntingly beautiful and mesmerizing or…
Joao Gilberto
*Back in print by popular demand!* Joao Gilberto's self titled third album, is the fruit of the collaboration between Gilberto and the great composer and arranger Antonio Carlos Jobim and Walter Wanderley and his ensemble. This is one of the greatest pieces of work in the field of Brazilian music. Gilberto's delicate singing moves on top of extremely subtle, elegant orchestral arrangements of various songs from the classic repertoire, "Samba da Minha Terra" and "Saudade da Bahia" (Dorival Caymmi…
Jazz Harpist
*Back in print by popular demand!* This is Dorothy Ashby's debut album, originally released in 1957 by the Regent label. Recognized as the woman who gave the harp a jazz voice, here Ashby is at the head of a highly distinctive combo featuring Frank Wess on flute, Eddie Jones or Wendell Marshall on bass and master Ed Thigpen on drums. The Jazz Harpist is an unprecedented mix of evocative classic sounds and jazz soul, awarded by Allmusic as her first and best album, period!
Duets 1987
Remastered from the original analog tapes of the duet between Anthony Braxton and Gino Robair from sessions recorded on August 6th and October 9th 1987 at Cal State University, Hayward, California. This release includes all of the music from the original, limited-edition LP as well as extra tracks from the same sessions.
Duo (DCWM) 2013
What becomes quickly apparent when the music ends is that the parts of the brain wired for multi-tasking and instant contextualization have been swamped by Masaoka and Braxton’s palette, their bold strokes and the vaulting arcs they form.
Anaya
Creative music making is a matter of energy, heart, and trust, and when all three are present the music flies. A meeting of three old Chicago friends and collaborators, flutist Nicole Mitchell, drummer Hamid Drake, and bassist Harrison Bankhead, the Indigo Trio soars with the kind of spiritual energy that has inspired Great Black Music from its inception... Building a bridge between composition and improvisation, Bankhead, Drake, and Mitchell have created an inspiring album. With their spirit of…
Rex, Wrecks & XXX
Evan Parker and Matthew Shipp!Two (exceptional) musicians, two backgrounds, two approaches to music, two generations, an ocean between them: at the end, only one music, unique, outstanding, made of listening and respect of each other. The purpose is not to limit themselves to what they might have in common, but to expand the realm of possibility by assimilating in the moment what the other can bring.
The Astral Revelations
Jemeel Moondoc and his bandmates are masters of the terrifying art of communicating how they feel, an art which, of course, takes both great intelligence and great discipline… A fire burns in Jemeel Moondoc’s music and once it was ignited it keeps spreading; it’s the flame you can also feel in the playing of Matthew Shipp, Hilliard Greene, and Newman Taylor Baker. This quartet’s music is never easy, but it’s always truthful. Ed Hazel, excepts from the liner notes