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1990 release ** "A classic of '90s avant garde jazz, True Live Walnuts features Italian percussionist Mauro Orselli joined by British saxophonist Evan Parker and keyboardist Antonello Salis for some of the most fascinating free music of recent years. Performing just two pieces live at the Europa Jazz Festival in Noci, Italy, the three bring about an extraordinary union of disparate voices in a coherent whole. Orselli is stupendous on percussion, where he interacts with Parker as a second horn. T…
1996 release ** "The thing to do would be to get all misty-eyed about what a great bassist the late David Izenson was and how he brought in the whole deep-bowing technique to jazz with Ornette Coleman in the early '60s. It would also be summarily reasonable to note the student-teacher relationship between Lindberg and Izenson, as well as their friendship, and then discuss the influence of the object of this CD on the subject in terms befitting a jazz record. But forget it. The deal is clear: Joh…
2006 release ** Ten pieces of free-improv-folk-jazz from Finland, with a distinctive foundation of playful vigor and heartening spirit. Some of the tracks take on a higher timbre and slightly more tongue-in-cheek feel as the quartet splinters into the duo Lauhkeat Lamaat.
1989 release ** "For his recording debut, Ivo Perelman performs seven folk melodies, five of which are traditional Brazilian children's songs. A powerful tenor player whose style and sound at times recalls Albert Ayler (without the vibrato), Gato Barbieri, and Clifford Jordan, Perelman uses the simple melodies as points of departure and places to land after his intense and fairly free but melodic improvisations. The first three songs co-feature vocalist Flora Purim, who is at the top of her game…
2004 release ** "The percussionist as poet, the drummer as sound painter, the composer as storyteller, and the improviser as artist of survival. What Pierre Favre writes for the Arte Quartet is like a choral fantasy, a suite for individualists with a strong collective spirit. Four singers, each with their own utterly unique timbre, a chamber choir with a highly developed sonic sensuality. The percussionist runs his threads between the voices, becomes one himself, creates space, provides the beat…
One of the most electrifying records we've ever encountered from the power of the Nobuo Tsukahara's Sharps & Flats – a collection that infuses fantastic keyboards into the group's signature horn-heavy sound! The set features an incredible mix of Fender Rhodes and organ, frequently taking the spotlight as the lead solo instrument over the rich backings, creating a particularly delightful experience on the tracks with Rhodes! The tunes are absolutely fantastic, bringing a fresh and funky vibe that…
A 20th Century Renaissance man, cartoonist, film director, author, radio personality, record company owner, German guitarist Volker Kriegel played an important role in the European jazz-rock and fusion movements. Co-founder of the United Jazz and Rock Ensemble, Kriegel’s own groups and collaborations with American vibraphonist Dave Pike gained him a world-wide audience, as his 14 albums for MPS as leader and 15 as sideman can attest.
Volker Kriegel assembled a band of some of the leading musical…
Black Rhythm Revolution! Is the first solo album from the jazz-funk legend Idris Muhammad, a New Orleans-bred rhythm king who successfully made the leap from the finest soulful jazz records of the ’60s to the nastiest fusion funk of the ’70s. Here we catch him literally on the cusp of the two in 1970, with one good foot in the get-down of “Express Yourself” and “Super Bad,” and the other in his own heady excursions into modal rhythm and melody, accompanied by virtuosos Kenny Barron, Ron Carter, …
American Vibraphonist Dave Pike may not be as well-known as contemporaries Gary Burton and Bobby Hutcherson, but recordings with Bill Evans, Herbie Mann, and Paul Bley evince Pike’s pedigree. His MPS albums from 1969 through the early 70s have become minor classics.
Underpinned by funk and fusion, Infra-Red ventures into country rock on Suspicious Child and trips through fractured iridescent landscapes on Attack of the Green Misers. Raga Jeeva Swara is a rock meditation and Send Me the Yellow Gu…
Delivering a career-defining statement from the Italian electroacoustic composer and saxophone player, Laura Agnusdei, Maple Death returns with “Flowers are Blooming in Antarctica” - a startling, multifaceted journey through imagistic sonorous worlds resting at the juncture of spiritual jazz, fourth-world minimalism, tropical electronics, tribal futurism, and rigorous electroacoustic experimentalism - rooted in thrilling ecological ideas, that marks the launch of Opale, a new suite of releases c…
This is the first ‘lost’ album Jazz In Britain has discovered. We’ve released albums that were only previously released on vinyl, or even cassette tape, ie never on CD, or albums produced from sessions by groups that never made a record, or we’ve included unreleased tracks that never made it only albums… but this is a real first for us. In 1979 Tony Coe and Bob Cornford composed pieces for an unusual, and unrepeated, combination of a six-piece jazz ensemble (two reeds, bass trombone, piano, perc…
After Chick Corea’s Piano Improvisations, and Keith Jarrett’s Facing You, Paul Bley’s Open, To Love was the third fabulous chapter in ECM’s quietly revolutionary solo piano manifesto, whose impact endures and continues to influence improvisers today. In the liner notes to this Luminessence vinyl edition, Bley biographer Greg Buium writes, “After more than fifty years, Open, To Love remains an imperishable gem, lodged forever in the present tense, and among the great masterpieces in ECM’s vast c…
For Lullaby, Norwegian trumpeter Mathias Eick draws on the quartet formation in a programme that includes some of his most exploratory and improvisatory qualities, with a cast of ECM familiars Kristjan Randalu and Ole Morten Vågan on piano and bass, and new arrival Hans Hulbækmo on drums. There’s a sense of abandon within these melodic songs, as the musicians flow smoothly between harmonies, collectively building momentum from within the forms. Eick’s immediately recognizable and soothing tone i…
Julia Hülsmann’s quartet resurfaces with a fresh Norwegian voice on horn in tow and presents an attractive batch of originals that finds the group thoughtfully exploring common ground with a knack for adventure. As on past outings, each quartet member contributes music to the session, the leader herself being responsible for half the programme. Saxophonist Uli Kempendorff’s introduction to Julia’s trio on 2019’s Not Far From Here already brought a new dimension to the group’s interplay – this se…
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
*200 copies limited edition* Technicolor Band is a revolving-cast, cross-genre improv unit based in Bloomington, IN. The group, initially instigated by multi-instrumentalists David Brown and Caleb Hickman as a regular gathering to explore improvisation behind closed doors, eventually made its way into public via a residency at a 50 cap bar called Orbit Room. Over the next two years a core lineup formed around the quintet of Brown (keys, percussion, tape manipulation), Hickman (alto sax, electron…
2025 stock We would like to introduce a new Polish- Austrian quartet led by the trumpeter and composer Piotr Damasiewicz and his Viennese connections- the meticulously passionate saxophonist Krzysztof Kasprzyk, Viennese-to-the-bone, versatile bassist Thomas Stempkowski, and the jazz and electronica drummer Alex Yannilos.The music of the quartet is best described as “(…) expressive, free though very rhythmic and melodic, manic at times, always lovingly passionate.” It goes back to dear to our hea…
2002 release ** "Long before the Italian Instabile Orchestra, Andrea Centazzo was organizing and leading his Mitteleuropa Orchestra that focused on free improvisation, complex arrangements, and outstanding soloists. Most, although not all, of the musicians of the orchestra were Italians, and the all-star nature of the groups on this live recording make this a must-have for anyone immersed in its genre. The first four tracks -- with Enrico Rava, Franz Koglmann, Giancarlo Trovesi, and Carlos Zinga…